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As a reaction and good impresion toward the Korean unique textile design using Korean traditional of Korean traditional patern research has been stressed and its demand has also been increased. It means that the design industry market using the Korean traditional pattern has ben extended to many fields. This study is intended to f the Korean embroidered patterns, Ham-Dae into cultural contents. Therefore, the utilization and applicable range of Korean traditional patern wil be extended in the global textile design market.Contents of the this study are as folows. cloth for wedding box (ham-dae) case study of cultural product design that using Korean traditional pattern and multi-cultural concepttextile art handbags as cultural contentsdesign proces of using the original image of ham-dae paterns,modern textile designAs a result of the study, textile art handbags using the traditional the Korean embroidered patterns wil have the design competitiveness as cultural contents. Iin order to improve the of the Korean uld be developed based on it.

Industrial society of today is rapidly changing. Hence, values and personalities of the people are being apparent. And, the fashion in the society of today is tending toward valuing personality and diversity of each, distinction than standardized beauty in the past. New attempts unbound to style or matter, color, coordination etc. of the past are being done at the recent fashion. This could be seen as the good reflection of the want of the modern people today. Since the impression changes as how and where the accent is given according to situation and intention as face, figure, character, impression of each person with the same dress varies, modern people take much interest in the accessory. Of those, the role of the belt, not just practical purpose or part of fashion, is growing as the important accessory showing the fashion trend and perfecting fashion. Accordingly, the study, reflecting the want of modern people valuing individual personality and diversity, distinction according to the rapid change of the industrial society of today, will play the part in the fashion coordination not just the practical use but as the original accessory through the creative belt design. Various figures of the belt will be embossed by applying the parody expression technique based on function of fastening of the belt, and the aim is to present the new fashion trend through the belt design applying the parody expression technique.

In a global economic context of unlimited competition, the foremost chalenge of Korean companies is maximizing added value through not a production-oriented but a brand-oriented mind, and the ropose a road map to creating global luxury brands in Korea by analyzing the innovative management of international luxury fashion brands which posess both brand power and high added value. To do so, first, the curent status of the imported luxury market in Korea was evaluated based on existingof managers working for imported luxury brands and of related specialists were collected in order to analyze the management strategies of imported luxury brands. Based on these research results, the main conditions required for creating a luxury brand could be established. The findings of the study arious strategies in common, although clearly diferentiated between the brands in the actual content, namely (1) harmonizing tradition and innovation based on creativity, (2) pursuing excellence in quality and design through craftsmanship, (3) establishing a consistent brand image and identity, (4) strictlimplementing strong and diferentiated VIP marketing actions, and (6) applying a flexible management system. The road map which has been drawn based on the results of the study wil be a useful supporting tool for Korean fashion companies in their endeavor to enter and suced in the high nto the globalization of the Korean design industry as well as its ability to create high added value, and ultimately contribute to reinforcing the cultural identity, awarenes, and competitivity of the nation.

Fashion constantly exchanges influences with other art genres, more than just covering the human body. It does met the needs of modern people as an artistic work, which is much significant in itself. Clothes also use colors and forms to create visual images. Introducing paintings into fashion design as motives can reflect the artist's intentions hiden in the after analyzing Lee's works and the formative characteristics of his paintings of children, the composition features and line expressions observed in the paintings of children were used to create total eight design works. The theoretical study and design marking led to the folowing conclusions:gements and alive in line images by aplying the formative features of the lines and composition characteristics from Lee's paintings of children, the motives, to the process of material development and design. Second, the composition t the silhouettes of the clothes. Since the design was considered in the arangements within the scope of not disturbing the major flows of the paintings, creative artistic clothes were created. Third, a range of background paper of nuno felting ges were made to the thicknes of felt to give the clothes a feel of texture. As a result, the clothes boasted beautiful silhouettes and natural fels with no needlework on the hems.

This study focuses on changes in technology since the 19th century industrial revolution and historicaly examines how changes in technology were reflected in clothes, based on Hamilton's stratification model which states clothes are efected by thre cultural factoideology. As a result, the study found that changes in technology directly cause changes in clothes, and social and cultural changes due to technological changes also lead changes in clothes. The new paradigm of the end of the 20th century that reflects technological changes of the age of digital and ear. Intelligent wear refers to a new idea of clothing for the future that combines 'high technology materials' where clothing itself senses and reacts to outside stimulation, and 'IT, BT functions' that clothing and textiles do not include, and technology to make the clothing. Inteligent wear was divided into 3 areas - wearable computer, smart wear and 3D virtual wearing system, and the characteristics of each were examined. Results confirmed that many companies, research ligent wear, not to mention worldwide. Studies on inteligent wear need to be carried out jointly with many diverse fields such as computer engineering, clothing, textiles engineering, industrial design and ergonomics, and the clothing field especially needs to take the lead and carry out active research considering the characteristic that inteligent wear is clothing. Therefore, the clothing industry needs to make active eforts to highlight inteligent wear as a new fashion culture and create demands.

The purpose of this study is to clasify college women's cosmetimpulse buying, planned buying, fashion leadership, and self-confidence. Obtained data were analyzed one-way ANOVA, Scheff's multiple range, and K-means for comparison on impulse buying, planned buying, fashion leadership, and self-confidence by college women’s cosmetic shopping orientation type. For the study, a questionnaire survey was conduced of 361 women in the Kyoungnam region. The results of this research can be sumarized as folows.; Shoping orientation was clasified hedonic, rence to hedonic and economic shopping, they were classified into four type, low-involvement shopping type, economic shopping type, hedonic shopping type, high-involvement shoping type. The high-involvement shopping type specialy the hedonic shopping type were more impulse buying orientated. The high-involvement shopping type showed the tendencies to the fashion opinion leadership and self-confidence. But low-involvement shopping type showed quite posed to contribute to buying behavior.

The Purpose of this study is to investigate the characteristic analysis of the deconstructive shoes l structure which is pursuing distintion and diversity through ceaseles changes. Under these situation, various forms of shoes design are posible by reinterpretation of existing meanings through the cAs a result, there are thre characteristics of deconstructive shoes design as folows;1. Intertextuality, in which a text is not alone, but with others, expressed as sex, texture and diferent styles of shoes design. 2. Difrance which is a concept of the diference in time and space as being trace in shoes design.3. DisㆍDe phenomenon, in which distortion and fragmentation forms occur as result of the denial of perfection in shoes design.s a significant meaning by means of theoretical basis of this study. This is to say, through deconstructing general form of shoes design and developing new forms of contemporary shoes design. The trend of decomstruction in modern fashion given the new possibility of shoes design.