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한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.7-24
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
We live in cultural industry era after a fast change in society. Adjusting this changes, we need to provide digital environment and spiritual environment for our culture consumers to better taste, consume, use, admit, and judge the cultural objects. Thus, this study explains how to deliver the method to analyze and describe the literary space analysis to literature consumers. To do this, I have systemized how to collect and describe the writer, the literature, the background in the literature and the live space etc. If this study is systematically excercised, it could be utilized widely as basic data for literature studies, school educational materials, substitute maerial for literature writing classes, database for cultural contents development, and PR material to globalization of Korean culture. And if the end outcome is transformed into various channels and distirbuted like print, internet home page, CD rome, etc., it would greatly influence the new generation as new cultural sensibility who has grown their imaginateve power through images and computers rather than writings. What is important here is that the heart of literature education is deeply related to the writings ( characters ). If the education is excercised toward visual education materials too much, the heart of literature could get lost. Because there exists a danger that people may tend to enjoy the visuals provided by fancy channels instead of reading. Thus, study on how to mix literary beuaty and visual beauty in harmony is necessary before industralization of literary space. And wide and deep discussion on this matter is needed.
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.33-46
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
The study on the space in literature means a research on the New Space that is created by readers understanding and authors will. The literary space is a point of contact in which production and consumption in literature react on each other. Here the following three levels must be considered; 1) the literary space as a space of text itself, and 2) the authors experienced space in writing, and 3) the geographical space as a background or a description in the work. In other words, 1) the literary space as a space of text itself (1) the structure of test (2) the narrative space of the incidents 2) the geographical space (1) the reconstruction of authors experience (2) the thing of reflection or the origin of text After all, for the study of literary space to come to be important, the value and historical meaning of it must be researched. For example, we are concerned about how a room, a house, a garden, a tree of village, a sea, a road, a plain, and an open space can be meaningful in association with the authors experience and geography. And we are studying on how these things have been historically transformed. Here after, the study on the literary space shall enlarge its object and scope in the concrete texts, and take into consideration the thematic and historical viewpoints. Moreover, this kind of study shall be done in the context of the structurization of the contemporary problems by analyzing the political and social and cultural environment of our country.
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.55-71
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
Through out the analysis of literal works; 〈A post of mother 1〉and 〈Small ball shot by a dwarf〉,this writing will talk about the characteristic of Hyeonjeo-dong as a realistic space and its literal figuration. In spite of the change of ages, the special characteristics of Hyeonjeo-dong are these a peculiarity of slums, a geographical characteristic of suburb near a city, and its intention toward the Metropolis. These characteristics of Hyeonjeo-dong as a realistic space is realized and figured as a literal space, named as outdoor and a happy town in such works;〈A post of mother 1〉and〈Small ball shot by a dwarf〉On the other words, the space preserves its essential characteristic of the periodical which transmits background, from Japanese occupation to 1970s, until present days. Although 〈there is a fixed alienation in between〉a literal imagination of an author and a reality, there rarely is the alienation between, the literal space of Hyeonjeo-dong in 〈A post of mother 1〉and〈Small ball shot by a dwarf〉and the realistic space of Hyeonjeo-dong .This is an actual example which proves that art of time isnt everything for studying narration. In such point, the approachment of space has its unique meaning, and the Hyeonjeo-dong of real space already constants. its significance as a literal space. For understanding literature, this writing is about understanding the theory of space. Especially, through out the field investigation of real space for a literal space, this writing is about the examination of the relationship in which of literature and a embodied actual spot. This work is not the only about outcome of new visual approach spatial theory within literal study, but also has a value as a cultural enterprise and contents business. A field investigation of literal space is an important cultural contents to both students and general readers who have encountered them only through the general texts for wider understanding. However, the speciality of Hyeonjeo-dong which hardly changed through the time, is being faded away, and only some part of them are remained. This means that the closest meaning of outer space within Metropolis of Hyeonjeo-dong will be disappeared at some point of the future, just like other historical spaces. Thus, the construction of database about Hyeonjeo-dong which provides the main spatial background of 〈A post of mother 1〉and 〈Small ball shot by a dwarf〉is crucial. It is indemonstrable that the spaces within out modern literature contains on history. Literal scholars should concern about literal spaces in literature such as city and buildings, and look for the meaning of them. This will be that the literal spaces to be expanded from literal genre to an important natural contents for understanding the manners and history of people.
디지털콘텐츠로의 문학공간 구현 방법 -『관촌수필』의 사이버박물관적 가능성-
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.81-96
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
This study is built on below order. First, 'GANCHONSUPIL' A report on process and result of literary space exploration. Through this, it has been proved that literary space exploration helps understanding the literature and specially effective to revive the livelihood and movement of literature. However, because of lost spaces, there is a limit to experience the totally of literature. Second, Cyber museum, which could be named as , is to overcome this limit. It is transferring the exhibition of conventional museum to internet environment. As it is necessary to have scenario and display in museum, it is also necessary to have systematic digital storytelling and contents with edutainment function. To secure digital storytelling, utilization of intro and space and character centered story telling is proposed. Also, as examples to develop contents with edutainment function, sites are opened in game area, art contents area, regional culture study area. Third, Now the utilization of these contents has been left unsolved. Cultural contents includes artistic contents but also industrial attribute. Thus, before the development of the cultural contents, the distribution must be considered. And for this, utilizing as PR tool for regional culture and way of literature education. To build , there exists the difficulty that the cost of development and developer with literary knowledge must be secured in advance. However, if the digital contents can be built over these obstacles, it will lead to broaden the literature base and literature creation through new channel.
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.109-122
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
Establishment of society that becomes the spiritual background of literature gets influenced by the history and the area where the history has been built. It is because the life experience becomes the base of literature and by the writers experience and knowledge, literature is born and died. Thus, accepting the inter relationship between literary space and real space comes from hard trial of reality acknowledgment. Therefore, methodology to approach literature from understanding real space influences the formation of the base to understand literary imagination. Because it is easier for the readers to understand the literature as they acknowledge writers space. Specially, clear acknowledgment of our historic, philosophical acknowledgment is essential to understand our literature properly. This study analyzes the poems with Imjin River as background, unique literary space that other countries do not have. Through these literatures, I tried to clear the relationship between real space and literature space by dividing the relationships in controversial relationship and ascending relationship. These two group is based on space division by Hartman. Through these division and analysis, I tried to certify how our peoples and writers sentiment is expressed in the literature when the real Imjin River merges into Imjin River as literary space.
Our community is being transifigured rapidly. The literary circumstances is not also an exception. The either-or consideration and recognition about the absolute truth, that are created after the modern age, expose their limits. So varios investigations are being done to skip their limits. On the one hand, this trend seems affirmative, but the other hand we can discover many problems if we examine an event in detail. That establishment about the direction of change and inquiry about the motivation of it is not previewed is the best of them. Then the thing to success the literary tradition and change it according to the trend can be a general plan to over the problem. We have to throw the narrow-minded attitude to regard CLASSICAL LITERATURE(古典文學) as literature that is backward to success literary tradition being immanent in classical literature,an archetype of ours and made it suited us. We must search the object that is recognized an model, and learn the spirit and the cardinal point. Having this gist, we need to recognize the spirit, 'Beopgochangsin(法古創新)', to remade it useful thing. I analyzed examples like this, througt some poems and fiction that was written by 'Seong seock-jae'. I was able to confirm the concrete form that ,in poetry, internal meaning in preceding work changes the meaning and value in new work. I also analyzed the way our literary traditon is discharged in modern society through the fiction that was written by 'Seong seock-jae(성석제)'. And I divided the institution of the head, the composition of the fiction and the discriptive form to analyze it. At last, I was able to know that his works have something to do with our literary tradition. Like this, When the effort for us to success the literary tradition and magnify it constantly and recreate it according to trend is continued, Our literature will re-established 'Korean literature', neither 'classical literature' nor 'modern literature'.
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.157-170
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
Literature in today is facing with a crisis due to recent advancement of Image-Culture. Literature Readers are rapidly diminishing and the traditional sense of literature is also disorganizing. Such change appears more seriously at Poetry Literature in particular. Whereupon, I was attempted to search the way how to escape from the danger of poetry through change of the Education for Poetry Creation. The Alternative Proposal is condensed generally into 3 parts, as follows. Firstly, for the Education of Poetry Creation it is required for students to be accomplished their each personalities in advance rather than merely teaching them the creating techniques only. Namely, the Object which cultivating of the cultured highbrow should be preceded than training of poet. Secondly, there is a necessity to open widely and expand the category of Poetry Creating Education. In order to suit with the requirement of modern society which emphasizing the practicality of knowledge, an open-hearted recognition must be kept in which a poetic imagination is able to be basic nature in creation of Image-Culture or Cultural Contents. Thirdly, the process in which reading and understanding of various literary works should be regarded as more important rather than the training of Literary Work-Composition. Because the reading work on Literary Work is able to acquire personally all Elements what we want such as Completion of Personality, Refinement and Expansion of Imagination, Accumulation of Abundant Experience, Concrete Understanding on Technique, and Cultivation of Composition Technique. When those of such changes are accepted actively, the crisis of literature can be activated as an opportunity to be rather jumped up newly. Only if what the streaming into excessive commercialism is watched with caution, the expansion or popularization of recent literature could be regarded as a desirable phenomenon. Hereby, in order to meet with new Age, the Education of Poetry Creation in today also should turn to the direction where the foregoing contents are widely intensified, by escaping from the traditional method.
농촌 서정의 시적 수용 양상 -박용래ㆍ신경림 시를 중심으로-
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.179-199
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
Through the poetic words about the images of the farming village, the poet Park Yong-Rae lived in the alienated space apart from the center. It was somewhat engaged with his spirit to live his life by getting out of the secular realities and following the law of nature. So, he replaced the alienated space for the images of nature which he dreamed for a long time. So, It can be said that all the poetic words in his poems concerned with nature are the other appearance of the poet. Although he lived in the alienated space, his free will to go back to the uninhibited aspect of nature was formalized by the poetic words of the images of nature. The poet intended to ventilate the emotions by mirroring the inner consciousness of beauty to the outer objects instead of expressing his feelings directly. We come to know the sameness was given to his poetic images and condensation were endowed with in this way . The forms of his poems were simplified and the terminations were minimized. Especially, metrical considerations inhabit in the management of the lingering tone and the subtle margin between the feeling of continuity and discontinuity that are originated from the faulted enumeration of the poetic words that were cut into pieces . And also we can see metrical considerations between the continuing expectations of the rhythm and the odd combinations of the fitful rhythm which is deliberately discontinued. It can be said that the beauty of the poems of Park Yong -Rae is found in the subtle space between the continuous rhythm and the discontinuous rhythm and in the rest place which the space and the fault have . After all, his poems are based on the explorations of formalism which persue the beauty of formality by attaching weight to the visual and formal atmosphere . It can be adjudged that not only he succeeded in this point of view but he had a poetic success in detecting the lyrical images becoming to the formal elements. The narrative-lyric poems of Shin Kyung -Rim can be said to have started from the conscious awareness that , only with the pre-existing traditional lyric poetry , there could be difficulties in formalization of the complexity of the real lif. So, instead of the traditional ways of writing poems, Shin Kyung -Rim sought to extend the ways of the lyrical types by doing efforts to accept the concrete experiences of the contemporary real life. By introducing the elements of the story to the poems, he , so to speak , tried to combine the lyrical poems with the narrative ones . In the process of combining the two types , he basically used the ways of description and narration. And , in this frame , he used the way of inserting the inner feelings and soliloquies of the speaker in the lyrical poems. Such a process of writing poems can be regarded as an intention to overcome the traditional limit of the lyrical poetry which basically uses the expression of the subjective emotions and as an intention to enlarge the bond of sympathy with the readers through gaining the objectivity. It can be seen that the poet , condensing and enriching briefly the narrative elements of the actions and the occurrences in the poetic structure , connects them with the lyrical elements. In the long run, it can be said that this kind of his narrative -lyrical poetry , engaging with the lyricism in the poetic process of formation , enlarges the poetic meaning by the reality acquired from the story which contains the realistic and objective facts.
오규원 시의 공간의식 - '사이'와 '허공'을 중심으로-
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.209-222
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
Many people refers to an object of thinking in poetry, but there are almost never references of an process of thinking and an experience of a person thinks the process of thinking. It is a purpose of a paper that thinking possess inner space and act inside, but in Oh's poetry, the process of thinking free from inner space and move to outer space in "between" and "empty". The valley of thinking is formed "between" and "empty" in nomadic space. The tension formed departing thinking between names is continued the process of thinking. The power that makes acting active is unvisible world of a gap that makes difference different. Because there is space engaged with an idea and a phenomenon, he could receive an idea, a phenomenon and a act of thinking process. It could find in Oh's poetry, the thinking revolves very fast between visibility and unvisibility, as a propeller could rotate because of spaces between wings. The poetry links abstract meaning and phenomenon meaning to antinomy, magnify the range of thinking. A poetry overcomes a limit of words to silence of "between" things. Meaningless mechanism with arranging in disorder replace the limit of words, as witch's spell holds mystery. For raising cold abstract, Oh receives a passion of female's sense.
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.227-241
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
This dissertation has a purpose to discuss creative methods of satiric poet, Shin Kyung Lim. The spectrum of the analysis is his satiric poems from his first collection of poems, Farmers Dance to the last one, Horn. Shin, Kyung Lim has significance in the history of Korean literature, in that he has drastically reformed the methodology of writing lyrical poetry, expanded the ways for writing epics, and tried various paths to reflect the social and historical reality. And one of these mothed, he used to satiric imagnation in social condition of human being.. To summarize the writing methods, allegory and fable as satiric imagnation in the poems of Sin, Kyung Lim, them just like the following. Firstly, he use allegorical method of poems often. He allegory people, dependence on a power of the foreign country and a pro-american as a herd of sheep, dog, sheep rising. And figurative social condition, assert one's big discourse through 'The giant national' and fixed consciousness of human as 'hitch camera'. And allegory limit of human being, not overcome one's recognition level through 'castle' and an inconsistence action of human being through 'castle wall', hope of an individual and community through an attribute of 'train' Secondly, he use fable as method of poems suggest to life and social condition of human being. He satirize to times, promoted to a higher position through bird, importance of disruption and harmony through fight of 'wart' and 'grasshopper' in a bug. And fable the pathos of life, cannot subjectivity think and action as 'horn' of cattle. And fable fictitious love as 'dog', life of alienated labour as 'ant'. In this way, Sin Kyung Rim, as satiric imagnation through method of allegory and fable, a roundabout sensitive political and social problem, satirize or criticize about life of human being.
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.251-277
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
A novel is not merely a composite of actions and events that occur among characters, but it also entails a significant amount of descriptions and episodes of objects. How and why do writers employ objects from nature? In order to answer this question, this study (in lieu of a detailed analysis of a singular work) examines several works, canonical and contemporary, in which the descriptions and episodes of objects are pronounced. This study will show that these devices serve as representations of the characters inner psyche, personality, and human nature, and also as methods by which future events are foreshadowed. Todays writers seldom express their thoughts and impressions in a direct manner. Very rarely will you find straight forward statements of emotions in a novel. Such elements are often detrimental to the artistic value of fictional narratives, and are indeed more appropriate for the prose essay genre. For this reason, a novelists function is all the more difficult because he/she must devise a way to express these elements via the language of imagination. Consequently fictional writing is much more demanding than non-literary writing. As a poet might seek to communicate emotions and thoughts through concrete, rather than abstract, images and figures of speech, so too can the novelist, provided he/she possesses the imaginative power to draw correlations between nature and man, seek a comparable effect by skillfully utilizing descriptions and episodes of natural objects.
This paper introduces an attempt to take theoretical approaches to literary publication and industrial approaches to literary publication in the aspect of cultural industry. The analysis focused on the publication of novel works as major genre in literary publication. For theoretical approaches, this study set up the following two basic directions: First, the concepts and category of literary publication were set up based on the understanding about literary publication that may be divided into literature(contents) and publication(media). Secondly, rapid change of literature in digital era occurs in the dimension of literary communication space, because the change of media has brought about the change of literature. Based on this background, we have to take possible approaches to publishing industry. In order to identify this transition, this study discussed published novel as traditional communication media and electronic novel as a new literary media, respectively. Particularly, this study examined the actual conditions of Internet literature as a new paradigm of literature, which is realized on cyberspace. Then, it also discussed the phenomenon of fusion between printing-based published literature and computer-based electronic literature. For industrial approaches, this study analyzed the current position of publishing industry in cultural industry, the significance of literary publication in publishing industry and the different aspects of published novel market and electronic/fusion novel market respectively. Based on the above analysis, this study presented potential outlooks about novel publishing market in the aspect of cultural commodity. First, the market scale of Korean publishing industry within cultural industry is relatively large enough to take competitive edges in total 9 fields of domestic cultural industry. Secondly, published novel amounted to 46.5% of total books published in literature, and most of annual bestseller lists are realized in published novel. Especially, a terminated broadcast program titled !Exclamation Mark(MBC TV, 2002~2003) paved the road for us to confirm cooperative and symbiotic relationships between publishing industry and visual media(e.g. broadcast media). Thirdly, electronic novel called e-Book becomes already widely popularized nationwide, and we see some circumstances advantageous to facilitate e-Book are built now. However, this tendency is mainly attributed to improved services for novel readers. Fourthly, fusion novel refers to the novel work as published in the form of paper book, which already succeeds in attracting popular supports on Internet. Fusion novel is valued as more marketable than existing literature categories, but it also has some negative aspects such as market limited to teenagers and twenties and deteriorated quality of novel. Our contemporary crisis of literature and book is a phenomenon that occurs around communication space under rapidly changing media environment. Accordingly, now is the time for us to explore the ways for cooperation and symbiosis between various media channels. Furthermore, it is increasingly requested to take the viewpoint of consumers about literature and novel, not that of producers.
'문화콘텐츠 탐사'에 의한 한국문학 공간의 '가상현실'화에 관한 시론
한국문예창작학회 한국문예창작 제3권 제2호 통권6호 2004.12 pp.313-324
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
This study aims to find a way of turning the virtual space, where the Korean literature works are produced, as realistic as our real life, among various ways of using the Korean literature for cultural contents. The field research of cultural contents is prerequisite to that. The goal of the field research of cultual contents is securing the material required to create the cultural contents by visiting sites of Korean literature and conducting investigative research. The field research of cultural contents should not aim to build and store the database. Rather, a real cultural contents can be realized only when we set the direction regarding how to use them to create the new value. This study has the purpose of putting forth the measures to create the virtual reality by establishing the cultural space on the website.
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