Through the poetic words about the images of the farming village, the poet Park Yong-Rae lived in the alienated space apart from the center. It was somewhat engaged with his spirit to live his life by getting out of the secular realities and following the law of nature. So, he replaced the alienated space for the images of nature which he dreamed for a long time. So, It can be said that all the poetic words in his poems concerned with nature are the other appearance of the poet. Although he lived in the alienated space, his free will to go back to the uninhibited aspect of nature was formalized by the poetic words of the images of nature. The poet intended to ventilate the emotions by mirroring the inner consciousness of beauty to the outer objects instead of expressing his feelings directly. We come to know the sameness was given to his poetic images and condensation were endowed with in this way . The forms of his poems were simplified and the terminations were minimized. Especially, metrical considerations inhabit in the management of the lingering tone and the subtle margin between the feeling of continuity and discontinuity that are originated from the faulted enumeration of the poetic words that were cut into pieces . And also we can see metrical considerations between the continuing expectations of the rhythm and the odd combinations of the fitful rhythm which is deliberately discontinued. It can be said that the beauty of the poems of Park Yong -Rae is found in the subtle space between the continuous rhythm and the discontinuous rhythm and in the rest place which the space and the fault have . After all, his poems are based on the explorations of formalism which persue the beauty of formality by attaching weight to the visual and formal atmosphere . It can be adjudged that not only he succeeded in this point of view but he had a poetic success in detecting the lyrical images becoming to the formal elements. The narrative-lyric poems of Shin Kyung -Rim can be said to have started from the conscious awareness that , only with the pre-existing traditional lyric poetry , there could be difficulties in formalization of the complexity of the real lif. So, instead of the traditional ways of writing poems, Shin Kyung -Rim sought to extend the ways of the lyrical types by doing efforts to accept the concrete experiences of the contemporary real life. By introducing the elements of the story to the poems, he , so to speak , tried to combine the lyrical poems with the narrative ones . In the process of combining the two types , he basically used the ways of description and narration. And , in this frame , he used the way of inserting the inner feelings and soliloquies of the speaker in the lyrical poems. Such a process of writing poems can be regarded as an intention to overcome the traditional limit of the lyrical poetry which basically uses the expression of the subjective emotions and as an intention to enlarge the bond of sympathy with the readers through gaining the objectivity. It can be seen that the poet , condensing and enriching briefly the narrative elements of the actions and the occurrences in the poetic structure , connects them with the lyrical elements. In the long run, it can be said that this kind of his narrative -lyrical poetry , engaging with the lyricism in the poetic process of formation , enlarges the poetic meaning by the reality acquired from the story which contains the realistic and objective facts.
목차
1. 문제 제기 2. 농촌 서정의 표현 양상 1) 자아 투영 공간으로서의 '농촌' 2) 현실 반영 공간으로서의 '농촌' 3. 시적 형상화 방법 1) 윤율과 형식을 통한 의미의 내면화 2) 서사를 통한 의미의 확대 4. 맺음말 참고문헌 Abstract 각주
한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국
문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문
예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다.
전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강
사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의
목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참
여하고 있습니다.
연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나
와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을
넓히고 있습니다.
한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수
시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다.
별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도
교사 자격 시험'도 운영하고 있습니다.
The Society of Korean Literary Creative Writing is a pure academic
association for the literary cretive writing, and was organized on November
11, 2001 for the purpose of presenting the new direction of literary creative
writing by studying all the methods to activate and develop the theories of
literary creative writing and its education.
Our society is composed of professors or ex-professors, some invited
professor, lecturers, graduate students of the dept. of literary creative writing
as regular members, and the persons interested in our program as associative
members.
Our society holds an annual academic meeting-- literary symposium,
literary creative writing seminar-- and publishes the journal of our society
and our members' anthology of literary works.
Added to these, our society has already started a new project to open the
way for our literary juniors by providing them with a certificate as a leader
and holding a forum for literary creative writing.
간행물
간행물명
한국문예창작 [The Journal of Korean Literary Creative Writng]