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Lim, Hwa (林和, Autonym 林仁植, 1908~1953) is a poet penetratingan important coordinate of modern literature of Korea. Particularly, theliterary movement theory asserting ‘the conformance of literature andsocial movement’moving along ‘Bolshevikism of the literaturemovement’and aesthetic discussions it brought have still become thesubject of attention of points now. However, unlike the plan of Lim, Hwa regarding politicization of thepoem, only few works properly realized the conformance of literature andthe social movement in his poems. The purpose of this thesis is to verifythe fundamental reason of a crack occurred between a plan and realityappeared in his poems from this perspective and discuss the newaesthetic characteristics and meaning of poems of Lim, Hwa throughthis. First, as a result of analyzing his early work 「What Are You LookingFor?」and late work 「Where Are You?」based on lyricism, it could beconfirmed that the protoplasm of Lim, Hwa’s poetic world is theromantic lyricism. However, from 「Cloudy(曇)—1927」 which the aspectas a proletarian poet claiming to stand for the conformance of literature and politics was appeared, the aspect of lyricism differ in aspect. It wasdegenerated into the abstract and ideal slogan poem due to rapid poetictransformation of intuitively acquired ideology of class. As a result,lyricism of early poems became to have tendency of the romantic ideaoverusing idealismThe fundamental reason of a crack occurred between a plan and realityof politicization of the poem could be confirmed through the process ofdebating about short epics of Lim, Hwa. That came from a gap betweenthe poetic plan as a literature activist doing the theoretical struggle andthe reality as a poet creating poems based on lyricism. Especially, self-criticism on his poems shows that such the paradoxical and contradictoryrelationship is the limitation inherent in him intrinsically.

Kim yongho is known as modern relic poet of Korea. And indeed mostof his poems sentimental include relic emotions. However unlike thesecommentaries he was a poet with consciousness about existence. Thus inorder to see the points throughout Kim yongho’s poems that has variouschanges, arrangement in chronological order is needed. It is because thechanges literal works do with the passage of time is considered importantamong history of literature. This research about the changes and characteristics in Kim yongho’spoems, conducted in the purpose written above, found that the firstanthology of Kim yongho, Feastimaged ‘compassion and sorrow for dailylife’based on sentiment and lyricism. The secondary anthologyYearly blooming flowerwas intended toexpress the ‘love and hope for liberated mother country’projected withhistorical mission based on patriotism. Third anthology Blue starexpressed ‘the world of eros and longing forpure nature’with the basis of natural harmony and assimilation. Forthanthology Wingshows ‘recognition of self and fatalistic view of world ’that started from ideal recognition. The fifth anthology Song of praising the south seais understood as thefinale of the historical awareness that makes up for the scatteredsentiment in Kim yongho’s poems. The sixth anthologyPouring clothingcan be understood as a workshowing ‘abyss of existence and recognition of existing’based onknowledge of reality. Considering the matters of above, Changes of Kim yongho’s poetry canbe summarized as starting off as lyricism and non-specific sentiment thatchanges to periodic position after liberation than returning to lyricism,changing to idealistic view and showing the way of recognizing realitybased on fatalistic view and patriotism while changing to existentialism. So we can find out that it is possible to see the basis of Kim yongho’spoetry as a maintenance of historical recognition and existential behaviorof ego, not as a devotion to sentimental emotions. So this essay’s mainidea is pointing out the need for a new way to approach Kim yongho’spoetry.

Wandering is a journey started from groping self-identity as a poet tofinding the social and historical meanings to KoUn. His poetic worldwhich began from the war-torn ruins once was associated with Moderndesign, but later modified by Realistic creativity. In 1980s, the time ofdesire for democratization, multifarious dimensions of space had beenappeared as subjects in his poems; this is a fruit of his will to self-affirmas a poet, rather to connect personal dimension and public dimension. ‘Moving’is realization for the fluid nature of life and conscious expressionabout ‘cannot be settle in’to KoUn. Wandering is not a play or anamusement, but an absolute calling to respond his self-granted order andresponsibility to him, and this calling can be explained by his poeticdiscovery and condensation about nomadic world view composedhistorically. He has longed for a new birth as a poet through poetic materializationabout diverse regions. He has moved from ‘I write, therefore I am’to‘ Igo, therefore I am written.’It is no more than a desire of self-affirmation for a‘ poem by feet’. KoUn, whose poetic otology is materialized throughdiverse levels of space as a subject, will be recorded a poet finding verydistinctive poetic discovery.

The main part of a study of Oh, Kyuwon is a study of poetics. Thesecond parts of it are a study of ‘두두’and‘ 물물’, a study of a view onthe nature, and so on. This study is started from what is the poem toOh, Kyuwon and what is the inside of Oh, Kyuwon which is found on thehis poem, which insisted on objective poetics. He emphasized dry and solid poetics. But this persona is not sure toaccord with his character and it is difficult to say that it doesn’t reflectactual being. We can have a question what is his real character. If hewas an exhilarating person, his poem would be expressed cheerfully anddelightfully. If he attracted public attention and had a heavyresponsibility, his poem would be an appearance of the world which hewant to live in. He tried to continuously use making a new poem, which is collage,parody, metonymy, raw image and so on, and analyzed his poem intoraw image poetics in the many books. We can analyze trying to changehis poem into an indication of fatigue about his poem. But we can find hisuneasy loneliness on his ways that change into all sorts of ways. we can also interpret that his thirst of body and spirit make him go into a lot oftest. We can see an exhilarating persona with worlds, poem, readers into alot of theory, criticism related in him and behind the ways facing it. Sowe can find an anima which keep in mind moist like tears. I think thatthe poem is as follows on him. The poem is to add the white and blackand melancholic world to various colors. The poem is a space like avatarand the world in a dream which free from body and make his waythrough the world. The poem is a ways to free to him with limits of hisability.

Ae Ran Kim’s novels present the existence of class which is invisible inmodern society by showing the desires of subjects and the process whichthose desires are frustrated. Her literature will be effectively understoodthrough Mimetic desire(Rene Girard), Distinction(Pierre Bourdieu) andCapital concept about the classification and variation of desires which sheintensively seeks. The characters of her novels gain a foothold on the position of subjectsinside the mimetic desire which is consist of ‘subject’, ‘object andintermediary of desires’and they persistently long for ‘normal criterion’. But the characters do not exactly knows what the ‘normal criterion’is. And it is not the normal criterion which anyone can reach on average butthe criterion which needs a further. The subject feels satisfied byimitating others who seem like they can reach the ‘normal criterion’because the ‘normal criterion’is not specific. The desires for ‘normal criterion’of her novels is varied to diversecontents. The subject ’s desire to rise of rank is transformed to be Seoulite, academy career capital, inheritance capital, and etc. The aspectof desires presents as a individual voice not a group one. They makediverse effort to reach the ‘normal criterion’but it is not successful. Themain reason is the limit of class which is represented as a lack ofinheritance. The subject of desires who can not reach the ‘normalcriterion’in her literature demonstrate the passive escape rather thanthey choose the way to resist the real world. It is apprehended to theexpression of resignation that the desires for the rise of rank have nochoice but to fail in the real world. In this point of view, this seeking forthe rank which is included in neo-liberalism society is a fundamentalcriticism about neo-liberalism which asserts the equality of opportunityand freedom.

This writing compares and analyzes popular narrative strategies of OhSeong-yoon direcotr’s animation‘ Leafie, a Hen into the Wild’and inwhich creative ways the popular narrative strategies were designed whenthe work was reconstructed from a movie into a cartoon. This paperintends to put forth basic views for the researchers or professionals’reference who plan to reconstruct storytelling in a creative way in thefuture based on this. The animation opened in 2011 was targeted for general audiences forall families by resuming the format of family drama combining thecoming-of-age stories of ‘Leafie’ and‘ Green’. The animation has morecomplex layers of structure than the children’s story. The animationadjusted the personalities of characters for more creative adaptation ofthe story and added supporting characters that did not exist in theoriginal material. The place of adventure changed from ‘reservoir’to‘Upo swamp’to deliver lively images of nature effectively highlightingthe adventurous characters of Leafie and Green. The cartoon consisting of the total of three books is a transition from a moving picture to printed medium creating differences in the method ofexpression. Each book has its own distinct character where the first bookmixes the adventurous narrative and drama when Leafie steps into thewild and watches the birth of a duck. The second book focuses on thegrowth of Green rather than Leafie’s life displaying various events tocreate a harmony of growth, adventure, dueling, and comic relief. Thethird book is about Green becoming a guard with a heroic narrative andcontains dynamic scenes to illustrate this. As such, each central story from the cartoon was designed for classes ofreaders who are seeking various kinds of entertainment employingdiversified strategies to convey a narrative. However, the carton’sstrategy of focusing on characteristics of each book resulted in theconsiderable restriction of philosophical themes such as circular naturalview and respect for life that were found in the original story andanimation.