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The thesis has made reviews and examinations on the relative relations with what's called "Fabled imagination", and "Sense of Realism", which appeared in the collection of plays by Writer of Play, Lee Kang-back. At this juncture, it deserves to be noted that the writer must have shed light on 'stories far from the reality', by satirizing the ongoing situations, although his play works are dotted with the realistic and factual stories, on the surface. In the sense, <Obscure Status>, one of his works, takes on the form which drastically eliminates the predisposition of political drama. Given that it is very the issue surrounding the "existing sense of solitude", that a fellow in the play raises the main character, the "ultimate source" in the existence of human beings, not 'political power', plays a pivotal part in this work. Against this backdrop, it is inevitable that the death of the main character is interpreted in different viewpoints, depending on circumstances and contexts. And, such different interpretation, or, ‘extensive text' can be associated with the 'fabled style", that demonstrates in his works. In contrast, < Lives of Average people>, his another work, appears as if it is focused on realism, on the first glance. Considering that Writer Lee demonstrates that his works assume the 'fabled' style, however, he also wrote stories on the basis of 'realism', his works have something to do with the turbulent situations and events in the 1980s. It is true as the writer would look forward to pursuing 'surrealism' and, ideals, in the face of the situation which required him to live conforming to the given things. Actually, most of his works reflect his subjective aspiration that he used to have in his mind. In the vein, the above-mentioned <Lives of Average People> is worth while to be read, reminding of how painful and sad the writer felt in the dark days. It is obvious that as a writer, he had no choice but to cherish dreams impossible to come true.

Poet of Limhwa appeared in the literary world by one person in second half of the year in the 1920s that our society begins to construct modernistic dimension now just. He relates in KAPF hanging down in left wing ideology by single way and grows into the central active person since. Limhwa struggled against imperialism through time and conference, discourse mainly. It is that 6.25 sedition that Limhwa calls that it is the motherland war steers him by collapse as a result to do Aireonik. He was known as speak criticism that pass over near city and 200 for 80 in life until stand in North Korea administration's High Court court-martial department's court. When argue leftist literature after proletarian literature and sun spinning and weaving in Korean modern suggestion and history of criticism, especially 1920~30, he is recorded by person to examine compulsorily. Gimoegon expresses, and express that it is aporia(aporia) that is met certainly if it is a person who study our literature laying stress on concept of modern age this. He believed in socialistic ideology. But, he did not stop outstretched hand that use market or any occasion. Another is that he always spread literature activity by collective form. Finally, it is tried so that he seeks literature theory or ideology through whole life and develops something to keep in mind. On the other hand, concept of journalism is concept that mean new literature differing qualitatively to form as well as last day and contents that do literature in new age that is opposed with history of Korean modern literature of all therefore form for him. Therefore, Limhwa is defining that is begun from European literary implantation in shipbuilding that buy journalism. For Limhwa, ideology and literature were inseparable relation. Writer that decide human's existence it is not human's consciousness social existence of human that decide human's ceremony Marx's reference flush wish to. Marx's meaning of such word is clear. All spiritual (ideological) systems are is product of social ?? economical existence. I explain relation with literature and society to concept of 'Reflection' that do Georg Lukacs that develop more this. To say 'Reflection' is 'Give frame in mind structure' displacing in language. People may see reflection of reality, that is, that have human nature as well as personal belongingses and ceremony about social my relation routinely. Of course, art will not be able to reflect society structure

Literature brings an isolation and a neglect upon itself looking away from the actual life. For this reason, people who have difficulties in finding purity of literature get used to consume faked literature disguised as a real one. Now, we have to aware of a cycle of production and demand of literary works. Therefore, fine works have to be produced continuously and these have to be enjoyed by people. For doing so, it is needed to manage the works as a form to be consumed by people easily. It means 'making literature to the cultural contents'. The literary work is dealt in mechanism and managed as 'literary contents' whether the writer wants or not, the work denies or not. Literature become more like literature and this literature should be granted as the most highest value in the world that money decides everything. The fine work can be a fine cultural contents, so a plan for local culture and local economy should be examined. Lee Moon-gu and Kim Ju-young, representative writers of Korean industrialization, are known for their novel with their each hometown. Their local government promote a construction of literary center and composition of literary theme town for increasing of value added of local society and praising their fame. Their works have raised and will raise their value of cultural contents winning many literary prizes, being best-seller, or being made to drama. The strategy of cultural industrialization of their works and the literary space should be planned with a construction of literary center and composition of literary theme town as a momentum. Especially we can plan an exploration course which is connected with Hwa-ahm auditorium, Moon-gu Lee's lecture hall and Cheongna reservoir focused on 'Galmuri', the Moon-gu Lee's hometown and setting of his main work 'Gwan-chon Essay'. Limiting to Boryung, it stands comparison with one-day literary exploration adding Seongju Temple which was temple in Baekjae dynasty. Could widen a range of vision to the neighbor city or the setting of his work 'The our hometown', Bal Ahn, Hwa-sung, GeongGi. Although a literary exploration intends to survey the space of literature, it could be effective to enjoy scenary and food in such as Dae-chon beach connected with sleeping accommodations and restaurants. On the other hand, the mud festival which is the most famous event in Boryung could be added in this course. In addition, we could prepare the course of exploration of the literary center and the writer's birth place connected with Galmuri, the house of Han Yong-un's birth and coming-literary center of Dong-youp Shin in Booyeo.

This study aims to achieve the method which educates a good composition. A sentence is the substructure for creating novel. Character, plot, theme, story were all important things that consists the novel, but the first step is the creating sentence. If the novelist can not acquire the method of good writings, much subject matters were useless. So, teaching method of writing good sentence is the most important curriculum in department of literary arts. Besides internet words more spread usually at nowadays, more accurate writing sentence is a precondition to literary aspirant. Especially, the study would show how to write sentence of novel for beginners. When it educates writing sentence of novel, an instructor must have three object. First, presents writing a correct sentence. It is emphasized on grammar that was social agreement. Many students lose sight of an important grammar. But if a regulation fall to pieces in the sentence structure, we can not communicate each other about all things. This point is basic item and a qualification that beginners must have for novel. Second, give a lecture on sentence of literature. The literate words were different from the language of life. A clever writer make full use of metaphor, symbol, satire. Fine sentence is not meaning of dictionary, it is implicative writings. Third level, for becoming a stylist, characteristic traits is necessary. A originality, creativity of unique writings is a important requirement for master. Individual character is the essential point into artist. So, a literary aspirant must practice good writings for many readers who expect great works. Because writer is the especial existence.

In order to study the peculiarity of Bok Ko-hill as a writer, first of all, his belief on adoption of English as an official language needs to be considered. His assertion on adoption of English as an official language raised arguments in our society. His opinion is the consequence of a realistic reflection that the globalization rapidly spreads all over the world, and the fluent use of English as an international language should be required(Furthermore, he insisted on the use of English as a mother tongue). This is closely related with his specific imaginative faculty of SF prospecting our future on the basis of science and technology in variety fields. In addition, this has resulted from his outsider mind as a bilinguist(the tragic mind born from the outside of global culture), before starting a career as a writer. It could be predicted why he has often convinced the realistic power to rationality because he has been too sensitive to this matter. Although continuous publishing of Science Fictions under our literary circumstance that a genre literature(genre novel) has been treated as a public literature and excluded from a main stream(nongenre novel), Bok Ko-hill is the only writer who have a solid position on the main stream of literature. In the article dealing with his personal literary view, he has described that literature is a mouthpiece of ‘bestiality(instinct)’ in opposition to ‘humanity(civilization)’ makes the literature limited. He is an very unusual writer to make a balance in our literary world biased to bestiality. However, it is quite questionable whether himself is on the balance for this matter. Rather, his current position as a social critic is not likely harmonizing bestiality and humanity but more likely to the position biased humanity. His loss of balance might have been occured since he got directly involved in realistic issues as a social critic in mid 90's. Moreover, it should be fundamentally resulted from the two ideologies, the capitalism as an economy system and economic liberalism basis of its ideology, that he has believed. These also has been come from the modern world view including Marxism and aggressive violent Nationalism, which is often appointed by Bok Ko-hill as the original source of our social problems. With the writer dealing with ‘the global empire in 3000's’, it would be no doubt to expect the prospect to go beyond the limitation of the current globalism focused on economy and its sequential global village.

This paper deals with two movies about national division in 2000's, 'JSA, Joint Security Area' and 'DMZ, Demilitarized Zone'. Although they were made with similar subject matters in the same period, only one of them could achieve a public success. Investigating its main reason in the scenario aspect is the aim of this paper. In this research, an approach has been made to plots, characters, and ideologies, which are considered as the most important factors of playwriting. In the plot aspect, firstly, the connection between plot point and sequence was examined. On one hand, JSA properly located the plot point using the direct introduction method, which generates tension from the beginning. On the other hand, DMZfailed in the cohesion of plots due to the delayed position of plot point, indirect introduction, and linearly arranged episodes. In the aspect of character-making, JSA established the distinctive characters between major roles, and showeda good model by closely relating each character to plot. To the contrary, DMZ depicted a reversed relationship between the leading role and the supporting roles in the character establishment, ending up with a disturbance of audience identification with characters, as well as a loose plot caused by a number of minor roles occupying their own episodes. In regards to the understanding of national division, JSA took an attitude to encourage both carelessness and seriousness which is distant from the traditional solemnity, thus it could conformto the sense of young generations in 2000's. Meanwhile, DMZ failed to generate a distinctive perspective from past movies, by staying in the traditional dichotomy. In summary, advantages and disadvantages of scenarios, other than external reasons, had primary influences on success or failure of these two movies. Nevertheless, this issue should be further investigated from many other angles as well, considering those influences from the mechanism possessed by today's industrialized society.

The 7th Literature education curriculum accepted not only appreciation education bur also expression education in literature education, especially including creative writing education. It has been recognized that creative writing education in literature can not be taught in middle degree course because it is difficulty for middle or high school student to learn creative writing. and literature education is not aimed at making student to be a writer or poet. So the creative education curriculum is not considered in literature education before the 7th literature education. But after tha, literature education curriculum accepted creative writing curriculum for the pursue of self-education for life times. But even though literature education curriculum accepted affirmatively creative writing education curriculum and literature textbook included many kinds of materials about creative writing, High school students can not learn easily to write creative poem. First of all, literature teachers in the high school did not know how to teach student to write creative poem. Because the literature teacher did not learn creative writing education when a college student before. so, It is necessary that literature teacher in high school must prepare about many kinds of creative writing materials and method to make creative writing education to be active. So, the aim of this study is how to help literature teacher prepare to learn the creating education's value about the creative writing method of Dramatic poem by Whang, Dong-Gyu. Because Whang, Dong-Gyu has been writing dramatic poem by the 'self-revival study of poetry' almost for 45years. This kinds of self-revival creative writing is a personal creative writing method. And this self-revival creative writing has a close relationship with self-education in literature education. Therefore literature teacher in high school must consider to accept Whang, Dong-Gyu's creative writing method of Dramatic poem in high school literature education curriculum. Most of all Whang, Dong-Gyu's creative writing method of Dramatic poem is useful for the high school students who were want of the ability of writing poem.

Noh Hyang rim holds up the coherent versifying methods since his poem The fire was elected by 'A New Man Prize' in Wolguan Literary in 1970. The poems of Noh formed by scenery drawn by sensible words make internalized self-emotion under the poems come the scenery and present an emblem of the soul. Especially, Noh was born and grew up near the sea, so the meaning of the sea and the islet is peculiar for him. It's the basement of his emotion and the origin in the world of his poems depicting the scenery of the inside. The sea in Mokpo and Aphae Island are important space lightening his poetic outlook on the world. Noh's poetic world is quiet and desolate. The reason comes from not only poetic scenery but his inner feeling. The inner solitude have something to do with the point of view toward the sea in Mokpo that left disease, poverty and loneliness. The vague view left memory and contrition but, because of that, we could dream the returning the world full of longing caused the despair of nonexistence in the floating time. Ensuring space of tragic self-recognition means gaining a source of power to dream. The space of solitary recognizing the death is tragic space of self-cognizance and it's just Aphae Island, which is A Hoopoo doesn't come. His view toward the space Aphae Island created by solitude and loneliness is transparent and clear. Aphae Island is refreshing islet for him. Even though someone just showed it, this hiding thing moves his heart. Endless dreaming for Aphae Island which is full of loneliness and desolation and is waiting for not coming bird is dreaming toward affection beyond solitude and hopelessness and lonely inner scenery swelling in childhood sea.

When a story dramatizes for other genre such as TV, radio and stage, the one of remarkable issues will be a distortion problem of the original. The most dramas arranged story have not freed distortion argument from the original. This paper will research the cause and example of distortion argument about TV drama adapted the original. The cause of distortion argument should be a different state between the author and a scriptwriter. The faith to the original was regarded as an important matter for them. In addition, theme and sentiment of the original will be distinctive points to dramatize it. The decision of reinterpretation and distortion could be subjective so that writers have different views. However, as a result of analyzing their opinion, it will seem to be evaluated 'Reinterpretation', if a drama maintains theme and sentiment of the original. Otherwise, it will tend to be decided 'Distortion'. For instance, the develop way of story line is not so different between the noveletteRoyal Azalea Blossom Festivaland TV Drama Royal Azalea Blossom Festival. On the other hand, each works focused on different aspects about Korean war and ideology. The noveletteRoyal Azalea Blossom Festivaltells the conflict of family history as a main topic rather than political issue, while TV Drama Royal Azalea Blossom Festival leads the audience to realize the anti-communism ideology. Such refraction of theme will occur to judge between distortion and reinterpretation. Therefore, it should be reasonable that the story Royal Azalea Blossom Festivaldramatized TV Drama Royal Azalea Blossom Festival evaluates distortion rather than reinterpretation. It is expected that story adapted for TV drama will be dramatically increased. Also, distortion argument between two genre will be often problematic in this aspect. Consequently, two factors the preservation of theme and the maintaining of sentiment of the original should be crucial principles to judge between distortion and reinterpretation.

This novel discloses the other side of modern society where the fittest-oriented tendency is pervasive. 'wife' exists there. Solitude, isolation and discontinuance which a 'wife' in Eun Heekyung's novel 'A Wife's Box' has refer to the dismantlement of world built by men and the difference from traditional world. Sex is not alone in the discovery of modern person but the symbol as a life which a woman's body occupies should be newly spotlighted. Woman's isolation and discontinuance come to the surface, containing the crisis over the conservation instinct and an idea of an end. On this score, crisis gets spread out. This situation slashes the expectation toward human immortality and makes confront the moment of contradiction, a contemporary leading character. As a result, Eun dismantled the isolation derived from man-oriented society and made a new category on isolation. The life in a desire citizens endure remaining anxious. Unlike other people who go to all lengths to live a normal life and to appease the unrest by life-taken creatures, the wife empties surroundings and herself. She, even though modern technology is needed to reproduce, denies the help. The sterility symbolizes the retribution from the human's arrogance of easily choosing and abandoning a life in an artificial way. What she tries to get over is 'water' where the inside can drift around. On the other hand, the narrater in the book occupies water which is used to spread the inner wrath, that is black-hearted water. Finally, the conflict between the wife and the world makes them stand on the road. It means the dismantlement of body and spirit, of co-residing house, of the inside, and the end of 'love'. The narrater would return to his routines after abandoning her, but he wouldn't be what he was any more. He would become a self who has the inside. The inside provides people with inconvenience because feelings like retrospect, pity and love would put the brake on the speed given by today. What the wife looks comfortable is only when she denies her own self. This also shows our own sad selt-portrait that we are half eaten by the big monster 'modern society' and manage to live in the way of what the contemporary society plans and allocates.