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A new aspect in intellectual novels - Mainly an intellectual's novel since the 1990's - Kim, Byeong-Deog In the Korean history of convulsions, intellectuals made an effort to improve the irrational society according to their ability. The intellectual's novels which responded to such circumstances were the fruits of their desire to embody an opened society through criticism of the intellectual's practical intelligence and an attitude of idle ease. But the rapidly changing social situation made them cease to exist as a matter of course from the novels one by one. Finding an intellectual as the characters in such novels were by no means common because many novelists were interested in an everyday experience and the world since a middle period in the 1990's. This society still is as full of inconsistencies as the past. The more complicated problems than the past days seems to lie scattered about the world of a microscopic living. It is effective in the point that the intellectuals to bring up a question are a necessity under the present circumstances, too. But, it is the demands of the times that a way for their being could arrive safe at a living world to get rid of a past ideology oriented aspects . This thesis found out such an intellectual's image and aspects to practice on the spot or assume the attitude of an onlooker through the literary works of Yang, Kwi Ja, Lee, Yoon Ki, and Kim, Won Woo. In the process of study, firstly the present writer was attracted by a novelist, who suffered from some mental conflict without discarding the ideology of the old era. Through this study this study has clarified that there are the aspects with some retired educator of dignified presence as a classical scholar, and some intellectuals of bourgeoisie to lead an independent life to keep up with the times. Also, it found even a professor's aspect to lead a life of idle ease disregarding the reality. It seems that though some contradiction in reality is in a stark existence, the intellectual's novels will be not a rosy future. Though such a matter, the intellectual's novels would be demanded in the changing times as the intellectual's characteristics with a sense of mission. People's power has greatly increased in their power that they have ever been the past, however the intellectual's mission is because they who have a good knowledge of morality and expertise must bring up a question and propose an improvement against various irregularities.

A Study on the utilization of Cultural Content with Yoon Suk-jung's Works -Focusing on the composition in <Yoon Suk-jung's Village of Children's Song> Kim Soo-bok This study is purposed on specification of making a brand by creating an originative content of culture and tourism with Yoon Suk-jung's works. Although geographical features, relationship and history related with a writer of juvenile stories and Yoon Suk-jung are highly appropriate for the utilization and development of content of culture and tourism, they had not been discussed this business before. Therefore, this study suggests the plan of construct and operation of <Yoon Suk-jung's Village of Children's song> with the background of these contents. Below is the potential effect through the construct of <Yoon Suk-jung's Village of Children's song> . First of all, <Yoon Suk-jung's Village of Children's song> is expected to be the frontier of development of children's culture and tourism industry which keeps within bounds of a wholesome entertainment as well as an unusual distinct brand of 'the birthplace of children's culture industry for the 21st Century'. Second, creating a variety of cultural contents out of <Yoon Suk-jung's Village of Children's song> could have an enormous influence in building value of the cultural brand of local society. Especially, this work has a high value in that it could be a major factor which develops "Region Identity" by suggesting the cultural feature of the area. Third, the industry related with children's literature as an advanced culture industry holds the biggest demand in the publishing market now. Especially, a children's field trip has a huge significance in that it opened a new chapter in exploration of the site of field study for students with family unit. Children's literature industry has enormous possibility to emerge as the center of a field trip in the area of research as well as creation. Lastly, based on the above contents, the potential to apply <Yoon Suk-jung's Village of Children's song> into contents of culture should be examined. Various related research materials would be helpful for this application and a market analysis for each contents should be conducted. In addition, a far-reaching consulting should be prosecuted including public relations, a training program, and a delicate marketing strategy.

A Study on the layers of the meaning in Shin, Dong Yup's Poetry Kim, Wan-Ha The turning process for the 20th century Korean literature is due to the harsh competition with reality and a reconciliation dialectic. As the historical and social factors were brought out into the limelight, the literature's trans-historicity, or the freedom aspect was weakened, so the social part of literature had progressed to current day as a competing reconciling process, parallel to the periods' tensing and slacking. Up until now, Korean literature was unable to perceive the divisional barrier or lacked the ability to surpass it. First, it was unable to be freed from the emotional feelings that were aimed at the Japanese colonization in Korea. After the 8.15 liberation there was the ideology confrontation from both sides, and the 6.20 Korean War, the tyranny in government, all these historical happenings gave off an energy that lasted well in to the late 20th century. Through it, we were able to know how much socialism and history the literature needed, but it is also true that the height of the mentalism needed and the ability to put in the very depth of a soul was limited. Around this time, we look back to the poet Dong-yup Shin. At one time, he was thought of as an unsettled and disorderly poet, and even to this day some of that criticism still remains. However, he had a through understanding in Korea's status at the time, and he also kept within him the mentalism to surpass it. Looking back into Dong Yup Shin's literature with a 'globalization of korean literature' perspective, his aspect of the reality contains the problems of both the individual and the nation, and even the problems of humanity itself. His space of poetry magnified into the thoughts of the universe, while putting reality as the background. Through the interests and examination of the universal origin and attributes, he showed us a way to view the world with a wide and broad sense of mind. The poetic imitations of his historical reality stood on top of the specialty of the reality of the nations, and it spread out to the majority of mankind. That shows that his poems were rooted deeply into the rich circularity which awakened the readers to show strong emotional reactions, overcoming the controversies.

Study on Narrative Technique and Characteristic of the 『Namhangang』 Kim, Hong-jin (Hannam University) This paper, 《Namhangang》 is change in character with a descriptive attribute the change of the focal characters, parodies, such as those focusing on a figure of speech acts and inserted in the narrative ballad with a focus on properties was projected. 《Namhangang》 is the first place, who had a ready-made cigars Sin, Gyeongrim or narrative-oriented characteristics are attributed to. These narratives, such as castle folk songs and traditional folk art, combined with good, while 《Namhangang》 serves as a creative way. 《Namhangang》 the 'dolbae'(돌배), a private entity as the epitome of the folk group byeonhwahaega through the process of communal life and the conscious control shows a commitment to. Japan, as well as the historical context of the colonial era and after the liberation forces in the formation of grassroots response to the historical realities shaped by contemporary folk groups and the narrative of the community will be based on the spirit world and the narrative. In other words, 《Namhangang》 is not a mere representation of the history of the past present and future relationship means that there is metaphor. Therefore, insight into the history and present fairly comprehensive and critical understanding and to explore the future will be contained in the spirit. 《Namhangang》 is common in the folk songs of sequential windows and replacement windows gut(굿) mix together the individual and the collective position of the speaker to sing or not to exchange experiences and to the other party shall have satirically. Speaking on the general sentiment put a familiar melody evokes a broad sympathy. Former young folk of resignation due to weak sentiment for change to be more healthy and active, open new horizons of folk songs when you can evaluate that. Sorrow and grief as the emotional people and with the spirits of optimism is that sex was our tradition of folk art in the world attitudes toward life and one of the important aspects, and a source of strength and beauty of grassroots aesthetic characteristics can be important point can be regarded as containing the work.

Literary and Publication System Changes in the Modern Transformation Period Jong-Han Shin This paper focuses on changes in the literary environment of modern novels resulting from the shifting roles of printing and publications, the diffusion of books, new reading trends, and the formation of public readers. These environmental changes are significant insofar that they influence the internal changes in novels of the period. The 17th century was a period of transformation, where the medieval began its shift to the modern and where cities and commerce developed. The main agents of the market economy were merchants, the middleclass(jung-in), and illegitimates (suh-ul), all of which were among the subordinate classes. As consumer culture and the distribution system flourished, publishing business developed, leading to commoditization of books. As a result, novel distribution was prevalent. Book rentals(se-chaek) dealing with hand-transcribed texts(pilsa-bon) appeared and bookdealers(chaek-quae) played an important role in the development of the book rentalbusiness. Public readers of rented books were primarily thought to be women of aristocratic families. However, newly discovered credit accounts indicate that clientele came from a variety of social standings. In other words, the number of people in Joseon society reading Korean script (Hangul) novels boomed. This transformation led to a demand that exhausted the available supply and in turn brought about the emergence of mass-production wood block texts (bangkak-bon). Bangkak-bon refers to the xylographic books printed by private publishers for the purpose of commercial profit. Emerging with the increase in the demand for Korean script novels, they are classified according to the places they were published—Kyungpan (Hanyang, now Seoul), Wanpan(Jeonju), and Ansungpan(Ansung). Since they were produced for the purpose of profit, bangkak-bon novels tend to abbreviate stories, there by damaging the literary value of the original. At the same time, however, they contributed greatly to the formation of public readers by enabling people to share texts with fixed forms. In the late 19th century, Western and lead-type printing techniques were introduced. These changes greatly affected literary history. Books became products, and public readers were formed in the mechanism of mass production and consumption. Although there are negative opinions concerning the old style printing books(guhwaljabon), for example, they are thought by some to only be popular, low-grade and degenerating amusements, they should be considered in terms of public refinement as well as the tastes of readers. The formation of public readers, in accordance with the development of publications in the modern transformation period, significantly led to the development of a socio-textual community that established the use of Hangul. It also built a proper foundation required for progressing into the modern period.

Aspect of re-appearance in educational establishment and counter narrative of women -Park, Kyoung-ree, 「Period of Fantasy」, Gong, Ji-young, 「History of Madness」- Ahn, Sang-won(Ewha Womans Univ.) This study sets on aspect of re-appearance in educational establishment and counter narrative of women in Colonial and Industrial times in Park, Kyoung-ree's 「Period of Fantasy」, Gong, Ji-young's「History of Madness」. Educational establishment is not only responsible of trading knowledge but also re-arranged by central Ideology. Students' body and mental are built by central Ideology. In Colonial Age, Educational establishment became two sided space with strife/conspiracy for Modernization. Because it was counted as a tool which could make Korean people free from Japan through taking new discipline. But it was an irony for the system also came from Japan, which repressed Korea. Educational reform form traditional system to new one changed people and made grade of ranks so much like Japanese/Korean, men/women, the rich/the poor. And poor (Korean) women had the lowest status in this hierarchy. But in Park, Kyoung-ree's 「Period of Fantasy」, illogical narrative and Fantasy became counter narrative. Min, the narrator can make no distinction between reality and fantasy and time consciousness can not link strings together. From this way, narrator refuses to grow. She can not remember what is real or not. Sometimes she confused her feelings whether she was sad or angry. She tells it is no rare thing. Her attitude to the world comes from some trauma, her family, and violent educational space in colonial times. So her fantasy, autistic actions are read refusal of 'growth' what Modernity requests, because the 'growth' means joining the main stream of educational system. Sometimes this makes readers feel unclear why there are no cubic, clear memory, plot, narrative. But this means obsession of being clear, smart could be overwhelming violence. And in Industrial Age, students also are disciplined by the political and educational force. From late 1960's, the military have power and set on 'Industry' to make rich and strong Korea. Educational system also changes. It gives emphasis obedience and allegiance to fatherland. But that educational system leaves deep trauma. Gong, Ji-young's 「History of Madness」 which awakens Michel Foucault's 「Histoire dela folie a l'age classique」describes through Yun-hee's accuracy. There is no a baseline which distinguish 'Madness' from normality. Foucault says that madness is made by main ideology when it disturbs uniting society. But that working is also obsessional. Inside of novel, Yunhee, the narrator lies when she forced to confess, and hold her tongue when she has no threat. But Yun-hee and her colleague should remind educational doctrine that means obedience, obedience to fatherland everyday. Teachers and Political minister pile up to make students industrial human agency. After their resistance failed, they lies, or they hold their tongues because there are no way to run away. And this time, plots-narrative of frame-can make psychological-distance to describe season of 'madness'. These two novel display the 'wrong' way of logic and the clear-education, that can make a counter-narrative which main ideology could not show.

The analytic target of this thesis is in the poems of Jin-Eunyoung Kin-Minjeong Lee-Minha. And the poets in these poetries chose ‘the child of the infancy’ as the poetic narrator, and tried to meet this world through the sensory organs of the child’s body. So the writers in their poetries show flexible free associations, the imagination which upsets the existing world and fantasies that are grotesque. The narrators in these poems expose their desires to ‘become something’ not to ‘become an adult’ in the way of murmuring to themselves. For example, ‘a girl’ changes into ‘a cat’ or it sometimes changes into “a thin writing paper” and sticks to the ceiling. Here ‘the girl’ or ‘the cat’ is the substitute of the narrator to keep his or her own system against the social demands. This substitute means escaping of the reality of the poetic subject. So fantasies are generated here. These fantasies are usually presented by the grotesque images: “the body” which is mutilated and damaged like “pieces of photos”, “wheat flakes noodles made by the mom's and dad's bodies”. Here we can see there is an escape of the reality of the poetic subject. It shows the extremes of both sadism and masochism related with the human body. ‘Dad cut legs’ ‘the decapitated baby’ ‘the baby cooking flesh and wheat flakes noodles’ are the good examples. Here and there we can see the wounds of the damaged bodies. And in this part the image of the eyes is very important and it draws attention. The eyes and the mirror are composed of similar terms. And it’s ironic the eyes and the mirror watch over the subject and devide and split the subject, at the same time, wake the subject up. The wounds of the mutilated body is the gap which shows ‘the reality’ beyond ‘the symbolic world’. These poets didn’t use the metaphoric way of writing to see the gap. Instead, they spread the metonymy by the discontinuous narration. In Lee-Minha’s poems we can see the unreasonable and absurd aspects in our society by the grotesque images, on the other hand, the poems of Kim-Minjeong show the collision between the corrupted world and the pure life by producing the grotesque situations. And in the poems of Jin-Eunyoung, we can feel the blank space of life in the world of violence through free associations. These poetries show ‘the poet’, ‘the poetic narrator’ and ‘the inter-subjectivity’. ‘The poetic narrator’, who is ‘the child of the infancy’ is ‘the epistemology other’ who incessantly communicates with the poet. The image of the past does perform the interpretative function, not the historical function. The narrator in these poetries is the child who is still not growing up in “The tin drum”. This is an irony and also allegory. Therefore, the aspects of confrontation in the reality are shown just as they are and they made characteristic conversation of 2000’s poetries through ‘strange and unfamiliar voices’ and by throwing away the existing poetic language.

『Ripple marks in the moon's forehead』 was inspired from reading to writing poetry is destined to have a unique appearance. On the other hand, simply because of its morphological specificity in the instructions that only the type of poetry as this poetry has two qualities with the semantic differentiation implies naeyongjeok. This context the poet's words quoted above, the two married a few amenities that characterize the nature of the implications that can be obtained from poems. At this point, 『Ripple marks in the moon's forehead』 and 『Ah, what have not mouth』 published the same year the forehead 』 (literary and intellectual history, 2003, less 『mouth』, citing the city title as a serial number attached to marry daesinham) with the start of 10 years from breaking the silence on the fact that poetry is worth noting. Therefore, the poems of the poet, his poetry in that it shows the reason for the journey intact is its primary significance. In the two poems' write poetry 'and' when read 'the poet, not a separate objective of their' poetic reason "to deploy the process and are considered way. Therefore, "when read" and "write poetry" is not separated from each other the "poetic reason" that converge in the center of the concentric rings are pictured. It's' What is compassionate, there is no Iranian poet? "Is associated with the question of identity. Admitted to a desire to confirm his identity, where the origin is that. It is a notion at the time of the traditional face-to-be a challenge, that is, when the poet's own 'City of the expression crisis "arises from. The level of discourse and reason which dakchyeoohneun it 'The fundamental concept of crisis "that depends on the ability to bear can be seen. Therefore, the fundamental concepts and poetic strain of the crisis, a question of how the acceptance and processing to gauge the level of the city yiseongbok eventually become a barometer. Married with two crucial importance of two right here. Therefore, the 'City of expressions crisis' assertion that the meaning and limitations of this poetry with two sets all. Started two poems Strictly speaking the fundamental conditions of the 'City ontological "and the poetic possibilities of language, asking" the language of the ontology' is also in this context is not. Such a poetic journey of the reason he announced earlier motifs and themes of poems begins with cud. Two poems about the kind of poetry existing commentary, giving the impression it-yourself guide, and two is similar. Readers 『mouth』 forehead affectionately watched city in the yiseongbok poetic motifs and materials that they can easily see being repeated. The poetry of the marry an existing report and touched on the point of discrimination, nonetheless being repeated on yiseongbok that leads the unique Let's look at what is a consistent flow. Poets and poetry and language, two thousand people in the sense of the ontological yiseongbok these aspects of city origin and track the changes are not separated with a historical ontology.