Study on Narrative Technique and Characteristic of the 『Namhangang』 Kim, Hong-jin (Hannam University) This paper, 《Namhangang》 is change in character with a descriptive attribute the change of the focal characters, parodies, such as those focusing on a figure of speech acts and inserted in the narrative ballad with a focus on properties was projected. 《Namhangang》 is the first place, who had a ready-made cigars Sin, Gyeongrim or narrative-oriented characteristics are attributed to. These narratives, such as castle folk songs and traditional folk art, combined with good, while 《Namhangang》 serves as a creative way. 《Namhangang》 the 'dolbae'(돌배), a private entity as the epitome of the folk group byeonhwahaega through the process of communal life and the conscious control shows a commitment to. Japan, as well as the historical context of the colonial era and after the liberation forces in the formation of grassroots response to the historical realities shaped by contemporary folk groups and the narrative of the community will be based on the spirit world and the narrative. In other words, 《Namhangang》 is not a mere representation of the history of the past present and future relationship means that there is metaphor. Therefore, insight into the history and present fairly comprehensive and critical understanding and to explore the future will be contained in the spirit. 《Namhangang》 is common in the folk songs of sequential windows and replacement windows gut(굿) mix together the individual and the collective position of the speaker to sing or not to exchange experiences and to the other party shall have satirically. Speaking on the general sentiment put a familiar melody evokes a broad sympathy. Former young folk of resignation due to weak sentiment for change to be more healthy and active, open new horizons of folk songs when you can evaluate that. Sorrow and grief as the emotional people and with the spirits of optimism is that sex was our tradition of folk art in the world attitudes toward life and one of the important aspects, and a source of strength and beauty of grassroots aesthetic characteristics can be important point can be regarded as containing the work.
한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국
문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문
예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다.
전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강
사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의
목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참
여하고 있습니다.
연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나
와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을
넓히고 있습니다.
한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수
시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다.
별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도
교사 자격 시험'도 운영하고 있습니다.
The Society of Korean Literary Creative Writing is a pure academic
association for the literary cretive writing, and was organized on November
11, 2001 for the purpose of presenting the new direction of literary creative
writing by studying all the methods to activate and develop the theories of
literary creative writing and its education.
Our society is composed of professors or ex-professors, some invited
professor, lecturers, graduate students of the dept. of literary creative writing
as regular members, and the persons interested in our program as associative
members.
Our society holds an annual academic meeting-- literary symposium,
literary creative writing seminar-- and publishes the journal of our society
and our members' anthology of literary works.
Added to these, our society has already started a new project to open the
way for our literary juniors by providing them with a certificate as a leader
and holding a forum for literary creative writing.
간행물
간행물명
한국문예창작 [The Journal of Korean Literary Creative Writng]