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Since the “Merger of Korea and Japan”, many governors of the Korean independence movement have fled abroad, established anti-Japanese independence groups and carried out anti-Japanese independence movements. The independence activists of exiled in Shanghai mainly took the French Concession as the base and actively adhered to the anti-Japanese independence movement. After the establishment of the interim government in Shanghai, the Japanese imperialists, fearing that the independence movement would pose a threat to colonial rule, paid attention to it and used the police of the Shanghai consulate general for long-term surveillance and suppression. The Ministry of foreign affairs of Japan has set up translation centers in the governor's office of Korean. The Korean governor's office has continuously dispatched specially hired police with rich experience in suppressing the Korean independence movement. A specially hired Intelligence Agency “informant community” was set up in the police department of the Shanghai consulate general. Not only strengthened surveillance personnel, but also Japan provided sufficient “ban fees” and “espionage fees” to investigate and monitor the activities of the interim government. The Consulate General of Shanghai will sort out the information and materials in time, report to the Ministry of foreign affairs of Japan, and provide them to the police agencies of local consulates. Based on the information provided by the above-mentioned police, the police of the Shanghai consulate general strengthened the control of the Korean independence movement and carried out arrests. They carried out arrest activities by inducing “Prisoners” to leave the French concession or jointly with the French Concession police. Be deceiving by the French Concession authorities, many Korean independence activists were arrested and transferred to Korea for execution. Most of the arrested independence activists are the backbone of the Korean independence movement. Therefore, it has dealt a great blow to the Korean independence movement. Therefore, many anti-Japanese independent groups had to announce their dissolution. The interim government of Korean in Shanghai left the French Concession ,people who anti-Japanese went to various places with twists and turns.

This article seeks to examine the logistical role of the Munitions Command, which was established at the Port of Busan while securing Busan as a bridgehead. The most important elements of the war are strategy and logistics. South Korea could not go to war on its own. All logistics were supported by sea transport. In light of this, we will pay attention to three things in the Korean War. First, what role did the maritime logistics system play in the Korean War? The U.S. military, which commanded U.N. forces, unified the transport of the Army, Air Force and Navy, which had operated in individual systems since World War II, into one system and projected the United Sea Logistics Operations into the Korean War. Second, why did the U.S. and U.N. forces make the Port of Busan a bridgehead? Busan Port was a terminal connecting sea and land transport. Of course, there are road and route transports, but ships and railways accounted for the largest share during the Korean War. This transport system became the main method during the Korean War based on the historical relationship of Busan Port and Busan Port and Busan Station connected to Japan's ports. Third, we noticed that busan port, which was in the logistics system of the modern Japanese “empire”, introduced a combined logistics system that united the United States through the Korean War. Even now, there is a military force in Busan Port, and the system that was established during the Korean War still exists. The three things noted in this article are that we look at the Korean War from the perspective of the oceans, and we will also look at the skirmishes of the 21st century war to develop our maritime power. I was.

The purpose of this article is to examine the origin and social significance of the “spotted village” under Yeongdo Bridge. When Yeongdo Bridge was first opened in 1934, it was the first drawing bridge in Korea and a landmark of Busan. When the Korean War broke out and Busan was selected as a temporary capital, numerous refugees fled to the city to avoid suffocation from the war. During this period, Yeongdo Bridge was more than just a bridge connecting islands and land; It had a clear geographic identity that reflected the socioeconomic situation at that time. Due to the unique location of Yeongdo Bridge, a “dotjaengi village” was created. There are four chapters in all in this document. Chapter 1 discussed prior studies and research methods. In the 1950s, there are few records of the commercial districts of fortune tellers or fortune tellers under Yeongdo Bridge. Therefore, it is impossible to study reading the historical records of the time and analyzing the meaning. Therefore, this paper attempts to approach the subject from the perspective of cultural sociology. Chapter 2 looked at the evacuation of refugees to Busan and why they settled around Yeongdo Bridge. It also looked at how Yeongdo Bridge was linked to the life of refugees and what kind of place identity Yeongdo Bridge possessed. In order to approach the research topic, 19 popular songs that Yeongdo Bridge appeared in the lyrics were analyzed among popular songs in the 1950s and 1960s. The establishment of an astrological community beneath Yeongdo Bridge and its social importance are discussed in Chapter 3. The final chapter is Chapter 4. The purpose The purpose The purpose The purpose The purpose The purpose The purpose The purpose The purpose The purpose The purpose The purpose The purpose

The new thing has no choice but to declare its very existence as truth because there is no standard by which to evaluate it. This is because reality is not captured by any perception. The very existence of an object is a reality. There is truth in substance, and this is the only way thought arrives. In this respect, zombies are not apocalyptic, but new Genesis. This study discusses physical malformations in zombies from the perspective of generative vision. What kind of forces are inherent in the zombie's body, and what kind of explosive power these forces ultimately have, and what they make possible now. This was divided into 1) The monopoly of monster nature and the politics of disease → 2) N power fluid bodies and revolutionary capacity → 3) Transpersonal hospitality and mutual care system. This corresponds to the three-stept change of 1) Monsters as Tragedy → 2) The monster as a point of revolution → 3) Monser as a vision of coexistence 3 of the monster nature. The disease politics that monopolizes monster nature ultimately leads to the creation of refugees. However, upon closer examination, the fluid body of a zombie can become the seat of a revolution. This is the area between creation and it responds to modern creation in which a new combination emerges by connecting with the outside. After all, zombies provide a valid reference point for coexistence with strangers. It is necessary to systematize mutual recognition and care. The problem of philosophy is no longer eternity, but novelty. We are still in danger of thinking only of external differences subordinated to conceptual similarity and identity. Vision often emerges from exclusion and marginalization. This is why it is called Genesis, which rewrites the monster nature of zombies.

Feng Weimin is an outstanding Sanqu writer in the Ming Dynasty. His works are simple and humorous, rich in content, and bold and bold in style. In the process of creation, he used imagery to convey a large number of profound and profound Sanqu works. Feng Weimin faced life head on, replaced his heart with his pen,and fully displayed all aspects of social life. He not only had the literary talent and talent of a poet, but also had universal values and a common people`s perspective that paid attention to pepple`s livelihood and hardships. He wrote a lot of songs that reflected the hardships of farmers` lives, and these songs all wrote about the farmers`living conditions at that time from different angles. This article classifies the images in his works, and divides the images in Feng Weimin's works into two categories: descriptive images and metaphorical images, expounding the thoughts, feelings and connotations expressed in the works from different angles. The descriptive imagery in Feng Weimin's Sanqu not only broadens the category of Qujing, but also further perfects the creation of Sanqu, especially Beiqu. The category of melody continues to expand, the creative style is bold and bold, and the tones are beautiful. He renders his complex and contradictory inner world through simple, natural and natural words and sentences, showing the artistic power of his works. While inheriting the inherent symbolic meaning of the poetry of the past dynasties, the figurative symbolic imagery in his Sanqu is more normalized, popular, and straightforward, and unreservedly reveals the popular and bold expressions in the music. This is Euphemistic poetry can't match. Feng Weimin deserves to be hailed as the most outstanding Sanqu writer in the Ming Dynasty, and his works have high artistic and aesthetic value.

Among the Goryeo Cheong-Sa, Kim Bu-sik’s Geon-Deok-Jeon Cho-Rye Cheng-Sa in Chapter 1 Lao-Tzu's 󰡔TaoTeChing(道德經)󰡕 saying, “It is extremely subtle and controls everything alive,” “Do” was viewed as the ability of the absolute. Kim Geuk-ki's ｢Geon- Heung-Jeol Chorye Cheong-Sa｣ is a “Cheng-Sa,”commemorating the birthday of Myeong- Jong. Regarding Tao(道) he said, It always occurs and always reconciliation comes from free of charge, and he cited the phrase of Chapter 14 of Laozi’s 󰡔TaoTeChing(道德經)󰡕. The “Do” of Lao-Tzu recognized the infinite being of no beginning or end as the absolute being and expressed the images of the absolute being in true leader, Sang-Je, and Sang-Ryeong. Kwon Geun of Joseon said, “The sky responds to those who give virtue of mercy.” Through Confucian scriptures and the Book of Odes, the Cheoningameung Theory that responds to the nature calamity was cited at the Gi-Woo-Cheng-Sa. In addition, the government building, which was written by Gongshindogam, prayed to Buk-Doo for the longevity and Gangryeong of the king to mark the birthday of Tae-Jo (Lee Seong-Ggye). Byeon Gye-Ryang had a firm belief in Taoism. In order to cope with emergency changes, he said he had to perform ancestral rites Choje raining from the sky. The two put forward Confucianism as a political justification, but tried to entrust God with faith in the harmony and praying for good luck of the climate, which is a natural disaster. In the Joseon Cheng-Sa, the images of the absolute ruler were expressed in heaven, Sang-Cheon(上天), Yeong-Gam(靈感), Sang-Je(上帝), Sang-Ryeong(上靈), Ho-Cheon(昊天), and Buk-Doo(北斗).

This article observed aspects of tuberculosis that appear in the novels of Na Do Hyang and Yu Dafu along with their meanings as infection literature. Comparisons revealed the following three facts. First, deterioration of the physical body appears as a strong desire for eroticism. Both writers tried to overcome their fear of death by challenging themselves with the taboo of eroticism, but both become frustrated in front of the moral code of reality. Second, in the works of the two artists, tuberculosis is not only treated as a personal disease, but is also thought of at more ideological and mental levels, and its cause is also linked to the issues of the transmission and traditions of deeply rooted sin. Na Do Hyang is admitting to the succession of tragedy and the frustration of desire due to sin through a physical body with tuberculosis while Yu Dafu is looking for more fundamental causes of tragedy in life from Chinese ways of thinking. Third, the pulmonary tuberculosis of Na Do Hyang and Yu Dafu also reveal mental infections in terms of the succession of sins and a denial of tradition. Mental infection at this time has stronger meanings of vertical propagation and transmission rather than horizontal proliferation. To overcome this, as a place of healing, Na Do Hyang chooses Masan and Yu Dafu chooses Hangju, his hometown, but he cannot find peace of mind there. Through this, it was found that tuberculosis in the novels of Na Do Hyang and Yu Dafu is not limited to passion-romantic symbols of love as evaluated in existing literature, but is also connected to the problem of more fundamental notions, revealing the characteristics of ‘transmission’ and ‘proliferation’ in infection literature.

In 1757, colonial leader Klewu led British troops to occupy Bengal India and began to colonize India. Since then, India was under British’s governance for many years. The upsurge of global national independence and national liberation movement after World War II led India to explore breaking away from the control of the supranational state, and finally realizing the political goal of building a nation-state. However, after the victory of World War II, Britain failed to fulfill its promise to give the independence that the Indian people wanted, which aroused the anger of the whole India, and the growing resistance influenced by the world national liberation movement kept rising. In February 1946, a large-scale insurgence broke out in India, requiring India to get rid of its colonial status, to escape from British’s control, and to achieve true independence. In view of the tension in India, the British government announced in February 1947 that it would return its state power to India in June 1948. Later, the two dominions of India and Pakistan began to exercise self-government independently, which eventually led to the establishment of their own countries. The nation-state construction of India and Pakistan is a final product influenced by not only internal factors including England and India, but also various external factors. To study the external influencing factors of the two countries in the process of nation-state construction can not only find out the influencing factors of historical events, but also provide reference for the research on the development of politics, economy and culture of the two countries. Meanwhile, the influence of external factors on the national construction of India and Pakistan also has certain reference significance for the historical and cultural research of the founding process of South Korea and North Korea in Northeast Asia. This paper adopts the method of literature research to analyze the external factors in the process of state construction of India and Pakistan respectively, and then integrate the influence of external factors on the construction of nation-states of the two countries. It finds that the Muslim ethnic homogeneity, the Soviet Union and the United States are the external factors that affected the nation-state construction of India, while the collapse of the Ottoman Empire and the United States are the external factors that affected the nation-state construction of Pakistan.

This study is intended to analyze the characters and events described in the novel “Convenience Store Woman”(“CSW”) written by Sayaka Murata, for the better understanding of the Satori generation in Japanese society. CSW depicts the personal and also common problems that youth of the Satori generation faces in the modern society. A community or society is a network that can be established only when individuals are connected to each other. This novel connects such individuals with literary imagination and binds them into a single community. The author will trace the worries about a “manual for life”, centering on the main character Furukura. By analyzing the perceptions and differences of the people around her through events related to their occupations and marriages, and examining the meaning of the protagonist’s choice in the latter part of the novel, it is expected to reconsider the ethical judgment and values for an “Normal” life. The “manual for life” consists of what we conventionally believe “normal people” should have in their lives - for example, job, spouse and family. The characters in this novel aspire to a “normal” life defined in the “manual for life” - a life where they have “a regular job, a spouse, and a baby”, while Furukura wants to live a “normal” life because what she really desires is keeping a relationship with her family and friends, not the life everyone else are longing for. At the end of the novel, her choices change as she decides to live for her own happiness. Furukura, the protagonist of CSW, gives up a job interview for a steady job and concludes that her purpose in life is to be a “Convenience Store Woman”, a part-time worker at a convenience store. Her choices have been oriented toward maintaining an identity acceptable to family or friends around her, but at the end of novel, she now thinks her happiness as a top priority in her life. Furukura’s decision to be a “Convenience Store Woman” is a rejection of conventional wisdom in Japanese society, and also a question about what a “normal” or “ordinary” life is. Hence, understanding the Satori generation will give an opportunity to think about how the conditions to lead our lives are changing with insight of the multi-layered society

The study focused on the issue of U.S. military bases in Okinawa, Japan, and a number of issues surrounding “collective determination” amid many current issues in East Asia. In the process of conducting analysis centered on lepo-style references and papers, we learned that political and military issues in Okinawa have formed a historical strata intertwined with western powers in east Asian history, not on issues between one and two countries. In conducting these studies, “Regionalism”, presented as a research method, was inspired by a paper by Marukawa (2003). “Regionalism” is a concept that has been used primarily in modern political science, but Marukawa (2003) gave the concept a new meaning. In other words, it defines it as a “sense of history” that finds historically accumulated structural connections between countries and forces in the region based on “regional liquidity” beyond the framework of the national state. In addition, the introduction of the concept of “geographic space” and “cultural space” within the framework of “region” was considered a valid idea for explaining Okinawa and analyzing the problem in East Asia. In this paper, Based on these research methods, the issue of “U.S. military bases” and “collective determination” was examined in the regionalism view of Marukawa (2003) after the Ryukyu Administration, As a result, it was classified as a period of four phases: 1. the change period of spatial awareness in Japan, 2.geographic distance sensor (geopolitics), 3.cultural distance sensor (cultural designation), and 4.cultural distance sensor adherence (cultural geography). In other words, the concept of “geographic space” and “cultural space” was introduced within the strata of history in East Asia and the framework of “region” to try to analyze the Okinawa problem. These attempts will give a new perspective on east Asia's history and political and military issues, and furthermore, it will become a new paradigm for east Asia's coexistence and peace building, which will expect to give many implications in the future.