괴물, 유동하는 N개의 신체와 현대적 생성 - 영화 <킹덤>, <기묘한 가족>, <카고>를 중심으로
Monster, N bodies in floating and postmodern becoming - Focusing on the movies Kingdom, Weird Family, Cargo
The new thing has no choice but to declare its very existence as truth because there is no standard by which to evaluate it. This is because reality is not captured by any perception. The very existence of an object is a reality. There is truth in substance, and this is the only way thought arrives. In this respect, zombies are not apocalyptic, but new Genesis. This study discusses physical malformations in zombies from the perspective of generative vision. What kind of forces are inherent in the zombie's body, and what kind of explosive power these forces ultimately have, and what they make possible now. This was divided into 1) The monopoly of monster nature and the politics of disease → 2) N power fluid bodies and revolutionary capacity → 3) Transpersonal hospitality and mutual care system. This corresponds to the three-stept change of 1) Monsters as Tragedy → 2) The monster as a point of revolution → 3) Monser as a vision of coexistence 3 of the monster nature. The disease politics that monopolizes monster nature ultimately leads to the creation of refugees. However, upon closer examination, the fluid body of a zombie can become the seat of a revolution. This is the area between creation and it responds to modern creation in which a new combination emerges by connecting with the outside. After all, zombies provide a valid reference point for coexistence with strangers. It is necessary to systematize mutual recognition and care. The problem of philosophy is no longer eternity, but novelty. We are still in danger of thinking only of external differences subordinated to conceptual similarity and identity. Vision often emerges from exclusion and marginalization. This is why it is called Genesis, which rewrites the monster nature of zombies.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.