영상문화 제3호::한국영상문화학회

This paper discussed on the computer game and its storytelling. The structure of computer game has divided in two divisions. One is the symbolic form of the database, the another is the performance of the computer gamers. So, the interactivity of computer game is due to this characteristics of this dual structure. The spectacle and the space structure of the game make for the flow in computer game.

5

테마파크와 서사

이상원

한국영상문화학회 영상문화 제3호 2001.06 pp.45-61

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5,100원

Theme park could be understood as a composition of ’theme’ and ’park’. This structure is based on a narrative: one of the humanities. The objective of the study was to confirm the narrative structure of theme park, then establish frameworks for theme park design on the basis of Narratology and Semiologie. Theme park could be analyzed to the story and the discourse from a narratological perspective, and these two elements are separated by parole and langue from semiological perspective. Among these 4-elements, the langue of story can be understood as the major factor to evoke ’nostalgia’, and the langue of discourse was also 'deviation' on the experience in theme park. Two frameworks were established as a design methodology. The first framework shows that the structure of narrative elements in theme park was linked to design process and the real theme park types. The second framework explained how visitors experienced the theme park narrative. Finally, empirical case study indicated that competence of narrative structure in theme park and elaborate expressions of elements were the most important factor for repeat visitation. These findings indicated that theme park narrative is the basic aspect of theme park and could be achieved by design.

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김기덕 영화 미학의 작가와 장르의 변증법 - 영화 <파란대문>을 중심으로 -

신양섭

한국영상문화학회 영상문화 제3호 2001.06 pp.62-74

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4,500원

7

[너에게 나를 보낸다]의 나른 욕망 : 장선우의 죄의식에 대한 지라르와 들뢰즈의 상이한 진단

곽영빈

한국영상문화학회 영상문화 제3호 2001.06 pp.75-104

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7,000원