Earticle

성매매집결지 ‘선미촌’이 위치해있는 노송동은 전주시 구도심 중 한곳으로 현재 도시재생 대상지로 선정되어 민관이 주도하는 다양한 사업이 진행되고 있는 지역이다. 선미촌 한 가운데에는 본 연구의 대상인 노송늬우스박물관이 위치해있다. 이 지역은 낙후된 집창촌으로 낙인되어 외부인의 접근도 뜸한데다 인근에 사는 노송동 주민들에게도 드러내고 싶지 않은 곳이지만 한편으로 성매매여성들과 관련 상인들은 삶을 이어가고 있는 복잡한 이해관계가 얽힌 공간이다. 전주시는 문화예술과 인권마을이라는 키워드를 앞세워 노송동의 다양한 관점들을 엮어내고자 다양한 테마의 전시관과 마을박물관을 개관했다. 주목할 점은 그 과정에서 주민참여를 시도하여 노송동 일대의 물리적·사회적 변화를 이끌어내고자 하였다는 것이다. 본 연구는 노송동에서 진행되는 일련의 도시재생 사업 가운데 노송늬우스박물관을 연구대상으로 삼아 박물관 전시에 참여한 지역주민과 지역예술가, 문화활동가, 시청 담당 공무원 등을 인터뷰하였고 이를 토대로 노송늬우스박물관의 형성배경과 절차, 내용 등을 살펴보았다. 또한 마을박물관으로서 해당 전시가 갖는 의미를 분석하고 향후 나아갈 방향을 제시하였다.

Nosong-dong is used to be center of the administration, education and transportation in Jeonju. It has ironically been the location of the city’s prostitution quarter ‘called Seonmichon’. This place is recently selected as an area of ​​urban regeneration by Jeonju. The project has involved numerous programs which gradually transfer this place for the women’s rights and arts. This paper focuses on exploring the socio-cultural meanings of a community museum, an archive for gender equality, and an exhibition site for local artists. The Seonmichon quarter has long been stigmatized as an area of ​​ill repute and regarded with contempt by the surrounding neighborhood. It is space where polarized interests are entangled. City authority has tried to reflect this by presenting a variety of perspectives on the Seonmichon district. An initiative of the community museum has been its hosting of several exhibitions around the themes of women’s rights and community arts. The most remarkable aspect of the exhibitions that have taken place in the heart of the Seonmichon district has been the active participation of local community residents as a catalyst for progressive social change. The paper’s overall purpose is to provide an introduction and analyze the process of development of the exhibition initiative, and further examine the social role and meaning of the community museum in Nosong-dong, as well as its future tasks and directions.

In recent years, China's tourism performing art in a series of new completion of the project, increase the box office of tourism performing arts industry, higher economic income, at the same time led to the formation of brand of tourism performing arts and has a good reputation, with the regional culture, has a certain role in promoting economic development, including Large scenario experience drama is one of the key projects. Large scenario experience drama is a new form of drama that simulates the space design of real environment and enables the audience to have active experience in visual, auditory, smell, taste, touch and other senses with strong interactivity.Large scenario experience drama are adapted from traditional Chinese culture, regional culture and long-passed stories, and combine high technology such as lighting, sound effects, special effects and 3D effects to make the audience's experience more real.As the first Large scenario experience drama in China, ‘You Jian Ping-yao’ reflects the profound culture of Shanxi with new forms of expression and creative means, in the form of scene experience and make the audience more intuitive feel the ‘Shanxi emotion’，‘Shanxi sentiment’ and ‘Shanxi Morality’, carry forward the traditional culture at the same time, also passed the Shanxi ancient and great values, strengthened the drama of China's movie village, impetus the development of the tourism industry in Shanxi, drive the Shanxi region of jingjing, gradually formed a complete industrial chain. However, there are also limitations such as improper plot connection and improper tourist management, which can improve the performance effect through more audience interaction and guidance. Therefore, it can be seen that large-scale situational experience dramas play a great role in promoting the dissemination of traditional culture and values, the development of tourism industry, the formation of regional brand characteristics and economic development. Through these, it can be seen that large-scale situational experience plays have enlightenments such as innovative thinking content, gradually forming an industrial chain closed-loop, and broadening publicity channels for the development of live-action performances.

近年来，中国的旅游演艺进行了一系列新项目的落成，使旅游演艺产业的票房增加，经济收入增高，同时带动了旅游演艺的品牌形成，而且拥有了一定的良好口碑，对地域的文化传播，经济发展都有一定的推动作用，其中大型情景体验剧就是重点项目之一。 大型情景体验剧是一种以模拟真实环境空间设计为空间，使观众在视觉、听觉、嗅觉、味觉和触觉等多位感官上进行主动式体验，互动性极强的新戏剧形式。大型情景体验剧根据中国的传统文化，地域文化，流传已久的故事进行了改编，又结合了灯光、音效、特效、3D效果等高科技，使观众的体验更加真实。《又见平遥》作为中国第一部大型室内情景体验剧，以新的表现形式和创作手段来体现山西文化的博大精深。以情景体验剧的形式，使观众更加直观地感受到了“山西人”的“山西情”和“山西德”，推动山西旅游业的发展，带动山西地区的经济，逐渐形成了完整的产业链。但也有剧情连接不顺及游客管理不当等局限，可以通过更多的观众互动及指引完善演出效果。 因此可以看出，大型情景体验剧对地域在传统文化、价值观的传播上、旅游产业的发展上、地域的品牌特色形成以及经济发展上都有很大的推动作用。通过这些，可以看出大型情景体验剧对实景演出的发展具有创新思维内容、逐渐形成产业链闭环以及拓宽宣传渠道等启示作用。