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The fictional world of Lee's fictions, in totality, has been formed at a meeting point living axis that makes a round trip to a country-a city and artistic axis that maintains tension between an actuality and a language. He was shy about a sense of guilt and an injurer consciousness that remained original and experienced a wound in living progress. Then, he wanted to express that the inside traces and vibrations was accepted essence of life himself. That was his fiction. As the inside writing, his fictions's map was described going along a point of coordinate that got imprinted with meeting a horizontal axis of his hometown-city and a vertical axis of an actuality-language. The way that the author was suited to actuality cloud embody three aspect. The first way was to make a diagnosis with seeking a liberty of an intellectual through to reveal a prohibition that the time inflicted to him. The second way was to seek self-identity with enduring poverty and shyness as destiny from childhood since, and with converting it into living energy. The third way was to grope to reach a way of reconciliation and a vision of superiority that made for a healthy condition with art, religion and myth. According to this map of his fictions, we cloud make mention of that Lee, cheong-joon had demonstrated of existence through creating fiction style. Lee's writing was to construct 'frame of spirit' that fixed to be equal to his time and living. The world of seeking by him was opening word that was not to be fill up same type, same size of spiritual shoes like a shoes-store but to deconstruct the one frame and to organize diversity of harmony and enrichment that was set forth beforehand trust about diversity of our living and spirits To reveal through his the whole works were wounded person in this actuality, by actuality as substance of a oppressed negative power. He is not so much to struggle against to oppress actuality as to bring a substance of oppression to light by searching the wounded inside, futhermore he sat his face toward to present, by implication, from a origin of being to the problem of a human eternity. Especially, the sensitive nature that complains being's hurt under the name of a human that was very incomplete being like a bug sometimes in a base of the writer spirit. With Such a sensitivity, It was the ultimate end of life as a writter that he was to practice an eager desire that rejects totalitarianism. In this point of view, the dynamic power of his works is rather 'the spirit of liberty' than the will to live. In consequence, he had got self-eternity and had practiced a dream as space of a liberal living.

Although limited to his early days, a lattice structure is a notable principle of Lee Chung-Joon's novel. He always invested lack understanding and self-examination in modern world. Narrator, in his a lattice structure novel, pursuits of truth and speaks other's experiences. Pursuits of truth is his own story, other's experiences is common remembrances. A detective story makes two stories a consistent theme. A lattice structure both takes after traditional story type and includes modern literary style. His consistent interest is individuals in modern society. In his novel, individual is isolated himself from society. Society used to bring undue pressure upon an individual. Pressure probably contains faith, mass, history, ideology, authority, and what should be, etc. Lee's novel is concerned about existent subject in various aspects. Individual is also relevant to reality, sincerity, communication, a suffering. He emphasizes that human conditions always tragic but we cannot help doing our best in oder to preserve our 'empty' hope.

This study has the purpose of finding the relation of Lee Chung-Jun's Literature and Nam-do Literature. This relation has to consider on the context of Korean Literature History. But Korean Literature History often exclude the Region Literature work and author. This tendency was intended by Modern Ideology. The text of this study is [Snow road(눈길)], [An Introduction of sociolinguistics (언어사회학서설)], [Man of the Namdo(남도사람)], and [Nagative and positive pictures under the scissors(가위밑 그림의 음화와 양화)]. I study on the relation of Nam-do oral literature and Lee Chung-Jun's Literature. Lee Chung-Jun's novel represent his hometown emotion and rhythm. Also his literature was influenced from Namdo ‘Pansori’, folk song, traditional culture. That was from his mother and home. Lee Chung-Jun's novel remind problem of modernity, lost home, and hometown word. Therefore Lee Chung-Jun's Literature came out from land form of Nam-do modern literature.

In the novels of Lee Chung-jun, an image of a mother haunts who repeatedly goes away and get near to the little garden near a seashore where the author was born and grew up. This paper interprets the scene as a kind of variation of Freud's ‘fort-da’ game and examines its influence on the whole works of Lee Chung-jun. Freud relates ‘fort-da’ game to the subject’s struggle to cope with a separation anxiety. It is asserted in this paper that almost all of Lee Chung-jun’s novels are the consequences of his struggle to get over the anxiety about separation from his mother. The later part of this paper explores Seo Pyun Jae and Chun Yeon Hak, the screen versions of his works, focusing on how the separation anxiety and the desire for incest, which are considered as the unconsciousness of his series <Nam-do Folks>, are embodied in these films.

This paper aims to study the homology of empirical narrative and fictional narrative in Korean Modern Novel. The text of this study is Yoon Hoo-Myoung's 『Me farthest away(가장 멀리 있는 나 )』, Kim Sung-Dong's 『Dream(꿈)』, Kim Yoo-Taek's 『Violet Curtain (보라색커튼)』, Yoon Dae-Nyoung's 『Mi-Ran(미란)』. These Korean Novels tell imaginary and fancy worlds. For example, these novels present impractical tour, dream, unrealistic love, and intoxication. Nevertheless these novels represent post-modern and post-capitalism's social problems because these unreal narratives make a distance from decomposed post-modern and post-capitalism's society. This distance is a critical or aesthetic distance. Therefore these Korean novels criticize post-modern and post-capitalism's social problems. In addition, these novels represent the homology of empirical narrative and fictional narrative.

Literary men in Joseon period were attached to nature and It was a way of doing a great deal in self-culture for them to take pleasure in nature. The love for nature was actualized in a grove, palace, pavilion in the whole nation. Since many literary works recited those places, the literature for a place and pavilion plays a role of materials that clearly give a notion of an outlook on nature and scenic aesthetics Dasan Jeong Yak Yeong, the great realist in the post Joseon period, embodied his view of nature in scenic aesthetics according to his literary works, especially the literature for a place and pavilion. Dasan was also attached to nature like any other contemporary writers and such a kind of his attitude was expressed in positiveness of scenic scanning As a way of understanding Dasan's scenery aesthetics, this manuscript construe his landscape poems less conducted researches on than the poetries on a realistic cognition. In the eighteenth century, there were many literary changes and achievements. Dasan established a new sight of words and painting deviated from existing Sung Confucianism as well. The cognition of objects ,based on a real world, extended to a view of nature recognizing in the actuality not in the abstract. Dasan's view of nature is well explained by his landscape poetry. among his poems, NuJungJeYoung, shown the typicality of landscape poetry, is the one of great examples. This manuscript, therefore, will examine Dasan Pal Kyung Sa, one of Nu Jung Yuhn Jak Je Young, with his nature perspective and its characteristics through linguistic and painting perspectives. This article could be unsatisfied since it explicates his literary works with only side issues not whole Dasan's great volumed philosophy and literature. However, for having various view of perceiving his poetry world not biased on social and peasant poetry, I do believe this article provides important foundation for analysis of landscape poems that can in no way be negligible because of its great volume.