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이청준 소설의 지형도
The Topographical map of Lee, Cheong joon's fictions

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  • 발행기관
    순천대학교 남도문화연구소 바로가기
  • 간행물
    남도문화연구 바로가기
  • 통권
    제16권 (2009.06)바로가기
  • 페이지
    pp.55-89
  • 저자
    임환모
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A140661

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원문정보

초록

영어
The fictional world of Lee's fictions, in totality, has been formed at a meeting point living axis that makes a round trip to a country-a city and artistic axis that maintains tension between an actuality and a language. He was shy about a sense of guilt and an injurer consciousness that remained original and experienced a wound in living progress. Then, he wanted to express that the inside traces and vibrations was accepted essence of life himself. That was his fiction. As the inside writing, his fictions's map was described going along a point of coordinate that got imprinted with meeting a horizontal axis of his hometown-city and a vertical axis of an actuality-language. The way that the author was suited to actuality cloud embody three aspect. The first way was to make a diagnosis with seeking a liberty of an intellectual through to reveal a prohibition that the time inflicted to him. The second way was to seek self-identity with enduring poverty and shyness as destiny from childhood since, and with converting it into living energy. The third way was to grope to reach a way of reconciliation and a vision of superiority that made for a healthy condition with art, religion and myth. According to this map of his fictions, we cloud make mention of that Lee, cheong-joon had demonstrated of existence through creating fiction style. Lee's writing was to construct 'frame of spirit' that fixed to be equal to his time and living. The world of seeking by him was opening word that was not to be fill up same type, same size of spiritual shoes like a shoes-store but to deconstruct the one frame and to organize diversity of harmony and enrichment that was set forth beforehand trust about diversity of our living and spirits To reveal through his the whole works were wounded person in this actuality, by actuality as substance of a oppressed negative power. He is not so much to struggle against to oppress actuality as to bring a substance of oppression to light by searching the wounded inside, futhermore he sat his face toward to present, by implication, from a origin of being to the problem of a human eternity. Especially, the sensitive nature that complains being's hurt under the name of a human that was very incomplete being like a bug sometimes in a base of the writer spirit. With Such a sensitivity, It was the ultimate end of life as a writter that he was to practice an eager desire that rejects totalitarianism. In this point of view, the dynamic power of his works is rather 'the spirit of liberty' than the will to live. In consequence, he had got self-eternity and had practiced a dream as space of a liberal living.

목차

1. 머리말
 2. 도시 지식인으로서의 균형 잡기
 3. 자아의 정체성 찾기
 3. 자아의 정체성 찾기
 4. 화해와 합일의 세계 소망하기
 참고문헌
 Abstract
 토론문

키워드

topographical map living axis artistic axis seeking a liberty self-identity self-eternity diversity of harmony a vision of superiority space of a liberal living

저자

  • 임환모 [ Lim, Hwan-Mo | 전남대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    순천대학교 남도문화연구소 [The Jirisan Region Culture Research Inatitute, Sunchon National University]
  • 설립연도
    1986
  • 분야
    인문학>역사학
  • 소개
    호남지방 및 남해안 지역의 향토문화를 조사ㆍ연구함으로써 지방 문화의 계승과 발전을 도모하며 민족 문화의 창달에 이바지 하기 위하여 여러 가지 사업을 수행한다.

간행물

  • 간행물명
    남도문화연구 [The Centre for Namdo Culture]
  • 간기
    연3회
  • pISSN
    1975-826X
  • 수록기간
    1994~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 911 DDC 951

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