This paper aims to study the homology of empirical narrative and fictional narrative in Korean Modern Novel. The text of this study is Yoon Hoo-Myoung's 『Me farthest away(가장 멀리 있는 나 )』, Kim Sung-Dong's 『Dream(꿈)』, Kim Yoo-Taek's 『Violet Curtain (보라색커튼)』, Yoon Dae-Nyoung's 『Mi-Ran(미란)』. These Korean Novels tell imaginary and fancy worlds. For example, these novels present impractical tour, dream, unrealistic love, and intoxication. Nevertheless these novels represent post-modern and post-capitalism's social problems because these unreal narratives make a distance from decomposed post-modern and post-capitalism's society. This distance is a critical or aesthetic distance. Therefore these Korean novels criticize post-modern and post-capitalism's social problems. In addition, these novels represent the homology of empirical narrative and fictional narrative.
목차
1. 사실과 허구의 역설 2. 현실로부터 탈주와 여로형 소설-윤후명 소설 『가장 멀리 있는 나』 3. 현실로부터의 초월과 욕망의 서사-김성동 장편소설 『꿈』 4. 일상으로부터의 도피와 중독의 서사 - 김유택 장편소설 『보라색 커튼』 5. 환상적 세계와 사랑의 서사-윤대녕 장편소설 『미란』 6. 미적 가상의 세계, 소설의 미래 참고문헌 Abstract