Earticle

In this paper, the so-called the root of the process of the formation of the Sino adverbs with respect to its direction was investigated. Until now, the existence of Sino adverbs, against them as inherent Korean perspective, stemming in part from an existing adverb omitted or left out in the form of the variation you want to argue with adverbs, parts of speech from the perspective of prevailing the zero-derived adverbs in the nouns you want to be made ​​to the center came two arguments can be seen. Sino-changing, but the directional adverb may differ from those in this paper in that it is not yet listed in advance by targeting Sino-Korean adverbs, they looked at the process of change in Korean. Thus, the formation process of Sino Chinese adverbs in the same language, if the borrower, and the borrower Chinese adverbs as the adverb while changing the suffix ‘-이/히’ paste the language of the case to accommodate the two types of adverbs direction is presented. In this sense, when viewed Sino adverb has a different orientation of the same origin as the type to admit watching, synchronic omitted or shortened or cut caused by falling type, but has the same meaning and function, and even different If the direction has, to accept the independence of the two types are considered.

This studying is for the tensification of the Chinese characters in Sino-Korean word which are guessed as a quasi-suffix. Sino-Korean word makes various vocabulary with the characteristic word formation on our language life. At this time, Chinese characters can be a root or suffix. As Some the Chinese characters performance the function of suffix, they show us the feature that is different with the properties as a chinese character. Also, the sound of Sino-Korean characters can not be changed easily because of their conservatism. However, we can see the tensification of the Chinese characters which are guessed as a quasi-suffix. Therefore, to inquire into their tensification, firstly we investigated what is the tensification in Korean language. Secondly, we analyzed the feature of Chinese characters guessed quasi-suffix in the Sino-Korean word structure. Lastly, we tried to establish the cause of the tensification on Chinese characters in Sino-Korean word which are guessed as a quasi-suffix. From these discussion, we can say that Chinese characters which are guessed as a quasi-suffix are not suffix and they have just the attribute of suffix.

Kata, ota, tulta, and nata are verbs that have very active productivity as materials for compounded verbs. This article tries to carry out a detailed analysis of the process of semantic compounding with ‘kata/ota’ and ‘tulta/nata.’As a result, it turns out that ‘kata/ota’ strengthen path constituents in the movement action of their preceding verbs or allow an agent to have, possess, or own certain things. Also, it is found out that in the case of ota, a kind of scope is generated depending on whether a subjective entity is included in the goal argument, and that those compounded verbs influenced by such an image schema cannot be combined with kata. Tulta reflects an image schema of the in-out relation to be combined with its preceding verb while having such meanings as ‘entrance and inclusion,’ ‘approach,’ ‘concentration, denseness, and entanglement,’ ‘permeation,’ and ‘contraction.’ Influenced by both the ‘inside/outside’ and ‘interior/exterior’ schemata, nata is combined with its preceding verb with the meanings of ‘advancement and escape (liberation)’ reflecting the former image schema, and with the meanings of ‘protrusion, prominence, and expansion’ reflecting the latter image schema.

Since Ming dynasty historical novel <SuDangYeonYi> is introduced into Joseon dynasty, a different version has created by the korean printed type old novel. <SuYangJeHeangLakGi>, <SuDangYanYi>, <YangGwiBi> is the korean printed type old novel that is published in the beginning of the 20th. <SuYangJeaHeangLakGi> is adaptation novel excerpt from Ming dynasty historical novel <SuDangYeonYi(隋唐演義)> story which related with SuYangJe( 隋煬帝). This work is focus on royal life of SuYangJe who is pursue luxury and enjoyment, he was build a palace in NakYang(洛陽) and chose a beautiful women for harem. So Su(隋) dynasty is ended because of SuYangJe is addicted to excessive luxury and pleasure with harem. <SuDangYanYi> is written by GoYuSang who is korean writer, it is a adaptation novel of Ming dynasty historycal novel <SuYangJeYeamSa (隋煬帝艶史)>. The main character is same with <SuYangJeaHeang LakGi> but this work focus on grand canal construction of SuYangJe. People suffer damage from the cross-country waterway construction, because they need to provide free labor to their country. The result is same with <SuYangJeaHeangLakGi>, but the reason of the dynasty fell is construction of grand canal which makes he became the object of public resentment. <YangGwiBi> is the adaptation novel of <SuDangYeonYi(隋唐演義)>, this work focus on Dang(唐) dynasty love story of DangHyeon Jong(唐玄宗) with YangGwiBi(楊貴妃). This love story is in <SuDang YeonYi(隋唐演義)> chapter 79 to 91, but <Yanggwibi> is a novel full of dialogue and description. The most part of the novel her evil appears but she accepted death with devotion in the last scene. It seems like contradictory situation but the writer knew that people loves propitiative ending.

In this paper, by focusing on the motif of the 'anti-ghost fence, in a classic epic hero story, and looked at ways to convert it into the game. I looked at the possibility of switching the game, especially through the work of three works. figures and heroes of the fight against the ghost of our old stories, characters, events, and space, and how the shape of the item. Important figures that appear in the "fence" anti-ghost and the ghost of a character to switch to the game's character by character and personality, appearance, behavior, environment, language, etc. we can create various types of characters. The ghost appeared in the three works, the hero of the story, and the hero figures can create an image with a distinctive character. Characterization, the hero of the story that appeared in the work of figures depicting the ability to quantify the weaknesses, you can set a character appropriate to the nature of the game, if typed into the various characters, it is important to make the game available. The creation of the next stage of space within the narrative space of the "fence" anti-ghost video media substitution of the game space is available. Homogeneous phenomenon is a hero story or game world, meaning that overall world. Anti-rational world unusual world, non- rational world writing by share the game space by space to move your character's stats out by increasing the flare free space to be able to move you can make. "Anti-ghost" fence, step-by-step development of the case, the case can be extended depending on the difficulty of the mission given the events of the game, with elements that can be converted with the potential while having strong nature of the narrative, dramatic situation of virtual events to infinity. On the other hand, events in game storytelling, narrative approach, according to the incident, rather than a sequential story. Hero story is the story lead the way for the passage of time go out to proceed consistently be only are consistent story in the game, even though in the presence of various characters in the game, while each of these story elements within the framework of the big themes that are created through a combination of partial connect and events can be configured by combining a variety of stories. You can convert confront the ghosts and heroes of the game, through the creation and placement of items accepted aids to the story of the last hero game. Tools in the game to use the character in the game, items, everything you need. " Things like swords and armor can be a representative example. Added to the character's ability to work to protect the physical. It can be seen that the transition probabilities of the game.

The symbolism of a bamboo and the esthetic sense with integrity and simplicity are properly consistent with an ideal view on human and an esthetic taste of confucian scholars who led the overall culture and established the Joseon Dynasty. The ink bamboo paintings mostly simplify or dispense with the details since the spiritual meaning is considered important in the technical features of the ink bamboo paintings. These features based on the basic expression are coincide with traits of the Korean Chinese poetry which expresses the feeling under the fixed rule. Therefore, the ink bamboo painting and the painting poetry are regarded as a familiar art and created with a long tradition by the noble literati. Painting poetry featuring the bamboo could be classified into three aspects; revealing the integrity and the simplicity of the bamboo, revealing a drawing technique of the ink bamboo paintings, revealing a feeling of appreciating an oriental painting.

Korean society has failed to resolve discriminations and prejudices against children from multicultural families in spite of their rising numbers since they are considered to be "wrong" instead of "different" by children from Korean families. The solution of such problems requires perceptual changes to understand each other as well as policy approaches. It is particularly important to help children develop multicultural sensibility when they have no rejection to other cultures. This study examined the fairy tale storytelling plans for the Kang Gam-chan story, one of the Tales about Marriage between Man and Animal with the elements of child birth and growth, from that perspective. The study first interpreted his birth and growth process according to Marriage between Man and Animal and then his hardship and extraordinary abilities demonstrated in the process in the story in a way that would fit the multicultural era. Based on those findings, the investigator proposed a direction for the storytelling of his story into a fairy tale for young children. One of the suggestions was to replace the part where his father had physical relations with 100 women with a new one where his father formed a marital relationship with a fairy banished from the Heaven in an effort to resolve the ethical issues in the story. The study maintained that the storytelling should take a direction toward emphasizing the abilities of Kang Gam-chan that was born out of Marriage between Man and Animal in order to stress the special nature of difference. The study also proposed the rewriting of the story to secure probability in the stage of resolving conflicts and problems and heighten suspense. The storytelling of an Tales about Marriage between Man and Animal into a fairy tale is a job of exploring the multicultural elements inherent in stories and a scheme to help children from multicultural families understand and accept their identity in a positive manner. Such discussions and storytelling attempts will work to have the heritage of Korean story culture respond to social changes and grant a new force of life to it.

Until now, there were many papers related ｢Heonhwaga｣. By the way, existing research all of the papers was done by considering the unified TongyiSilla period. However, if clearly stated ｢Heonhwaga｣ in time and space of the original, it will be clues for the study to overcome the ambiguity. First, we narrowed the width of the time. By the record 『續日本記』, based on the period of Seongdeokwang(702-737). Mrs.Suro of her husband Kimsunjeong, who died 725 years, before the death of her husband in time was limited. Than any time in that period kingship was stable, natural disaster were also frequent but the country's ability to respond was strong. And in the period of seongdeokwang, Kimsunjeong were led Figures by trade for the Japanese and foreign, Records of Japan invaded Silla 『Samguksagi』is found in the 󰡔Samguksagi󰡕 seong- deokwang'30 (731). Next, ｢heonhwaga｣ was investigated in a creative space. When Mrs. Suro's for the Travel to Gangneung, east sea coast was no proper road. Therefore, At that time, Going to land would have a hard moving to the mainland. Almost Seaside Is a cliff from SamChuck to Woolgin. On the east coast, From Hamhung to Gangneung is gentle terrain but in the Taebaek Mountains runs into the sea and of the stem in myeongjugun gangdongmyeon. ｢Heonhwaga｣creative space ‘石嶂如屛臨海’ where two in this regard, and through the '水路' toughest of the East Coast - which between the Wooljin and Samchuk would have docked fishing village. Finally, I thinking about the meaning of the '水路'. The name of the character can explain the meaning of the whole story because it can act as a clue. ｢Mrs. suro｣ look at verse, the party of people with Mrs. suro had lunch in the ocean Cliff stretches like a folding screen. The azaleas were in full bloom over Ceiling Height a cliff. (高千丈上有躑躅花盛開). In other words, Mrs. suro looked down seen the flowers. The way to overland and down to the cliffs to the ocean, seen azaleas was to be awkward. On a road from Gyeong Ju to Gangneung, it was too far and difficult road to take the family travel. The 702 years after, Mrs. suro and her husband, sunjeonggong, it is quite enough headed to Gangneung by "ship".

Historical dramas on television have been changed since the late 1990's. <DaeJanGeum> is the climax of the change. A great part of the historical dramas is telling about a story of kings. But <DaeJanGeum> is focused on not a king(or history) but a personal story. The 'history' degenerates into the device of stimulating romance of the old-fashioned things. Also, <DaeJanGeum> has a structure for description of hero because of focusing on a personal story. However, this story of hero bears a close parallel to animation and game. Like <DaeJanGeum>, the genre and boundary of recent historical dramas is beginning to disappear. Therefore, it is increasingly important to study historical consciousness and veracity for which recent TV historical dramas aim.

This essay aims to analysis gender politics and will to power in Television Historical Drama <The Queen, Sunduk>. <The Queen, Sunduk> was well-regarded by critics. They evaluated this drama as well-made drama. This drama represented powerful women who struggle to get political power. Dukman, a heroine of <The Queen, Sunduk>, was abandoned by her parents, and grew up in desert of Central Asia. But she had to dress up like a man. On returning to his native shores, she had to disguise herself as a man. The plot of <The Queen, Sunduk> unfolds in a way that Dukman regained royal authority. Dukman was crowned queen by Heaven's will and prophecy. The narrative of success of Dukman was bound together in a doctrine of predestination. The femininity of Dukman was denied for her destiny. She had to suppress her femininity for terms of her life. Dukman criticized sharply political view of Misil who was a figure of authority in the political arena of Shin-Ra. Dukman made attempt to govern wisely, but she was a cold blooded ruler especially to Gaya. For unification of the Three Countries of Korea, Dukman pursued closed nationalism.

The aim of this thesis is to speculate and analyze the criticism at the era of liberation in Korea. The era of liberation is generally taken for the period from the independent day at August 1945 to the establishment of sole south Korean government at 1948. The era of liberation is a period with chaos in Korea. All the subjects are called up to the field of violence as a naked body which is named 'Homo sacre' by Giorgio Agamben. Many innocent people died in the genocide. As a new colonial ruler, the American Army Administration reemployed pro-japanese for the reason that they are skilled people. They only wanted to build up an anticommunis camp at Korea. This policy turned Korea to the killing fields. Many people of this period became a refugee as a naked body or doer of violence simultaneously. They are captivated by the feeling of Horror and Resentment, and they killed each other for that reason. But there are very poor mention about naked life in the literature. Korean writers did not depict or consider about them as Homo sacre, because they did not have appropriate method on such a being.

In 1945, Japan was defeated and Korea, liberated. Lost and liberation, though the starting point for both countries after the war was totally opposite, one common thing was that both countries ended up under the occupation of America. The leverage of the US was quite big when discussing the relationship of Korea and Japan after the war. And even among the same people, women's defeat and men's defeat, women's liberation and men's liberation were not the same. In same context, like Korea or Japan mainland, Okinawa is yet in another position. With the defeat of Japan, as Okinawa was freed from the mainland, it was occupied by America. And of course, the postwar for Okinawan women, whether it was defeat or liberation, was not same as the Okinawan men. With these aspects observed, this thesis is to illuminate the work of Oshiro Tatsuhiro and Higashi Mineo through the gender frame. Although it is not hard to imagine that their work reflects Okinawa's transition period for returning to Japan after the occupation, it would be meaningful to study how that is portrayed in the certain gender-structure specifically, and how that is similar and different.

This article analyzed marriage in Na-do-whyang’s novel ‘The delight’ and ‘Mother’, that through figured out the gap ideal between reality of the 1920’s love, romance and marriage. ‘The delight’ showed hero and heroin’s romantic love, new marriage, sweet-home but they had many trouble accomplished their love by money, sexual desire and jealousy. Seoung-young and Young-chuyl are incompetent intellectual, they fall in erotic love each other, however fail their love to suicide of two women. Though their relation paradoxical prove how much difficult are completion love or free marriage. ‘Mother’ presented ideal of romance and sweet-home. But hero collapsed because heroin was married with one kid. Moreover she was a concubine. The author criticized men and a faulty system instead of women. Finally Na-do-whyang asserted sanctified and idealized motherhood.

『Our Country's Sinseon & Seonnyeo Tales』Volumes 1～5 of Seo Jeongju are collection which adapted traditional fairy tales from fables of our country. Traditional fairy tales of Seo Jeongju have much transformation if compared to original form of fables. As appeared in titles of the collection, transformation of leading characters to Sinseon and Seonnyeo is especially remarkable. Differently from the function which figures and space had in fables, such transformed figures and Sinseon world became the object of praise through aestheticization. In addition, due to change in narration, not only origin of nature and things which used to be deconstruction of discourse but also sacredness which handled communion and severance became weakened and commonplace. Fact that adaption in fables and traditional fairy tales was widely made means that the writer's consciousness was strongly reflected in the process of remaking. Seo Jeongju tried to convey 'Sinseon and Seonnyeo tales' through traditional fairy tales of 『Our Country's Sinseon & Seonnyeo Tales』. Representative image of 'Sinseon and Seonnyeo' is directly linked to 'eternity' which is found in his poem world. The poem consciousness of 'eternity' is materialized as prose in traditional fairy tales, where longing for Sjnseon world in order to get a life of Sinseon by transcending the limit of a personal life, and denying consciousness on human being as well as self-denying consciousness act as impetus of imagination. In the meantime, children and women who appeared in traditional fairy tales of Seo Jeongju were those who could communicate with Sinseon world. To overcome the limit of human being and to reach transcendental world through them were realization of 'eternity' which he desired so much. Thus, Seo Jeongju shifted his own desire for transcendence of reality to children through traditional fairy tales.

The purpose of this paper is to study the aesthetics of Kim Ji Ha recognized minority in any aspect revealed. South Korean Kim Chi Ha ever of the transpiration gangilsun, 'Nam'' was influenced by the ideas. Of Korea to come in the future, so that the hope expressed in the form of the collective unconscious dreamed of an ideal society and the world of the people who suffered for a long time Shipbuilding ethnic South Korean ideology. Background or origin of ideas in south Korea, Mai- treya and stipulates that more than ever, and with the ideas and the ark long-awaited jinin (眞人待望). There is a hidden meaning in the life realize themselves the 'Salim' and 'mosim,' latent in the unconscious depth of the shoulder wound and shade of the world of the mind, ever moving in the practice road Nam Chosun ever.

The purpose of this study is to analyze characters ranges in Korean textbook in view of multiple cultures. Multiculturalism is the ideology and the goal that multi-cultural society should posses. The purpose of the multi-cultural education is to fulfil the multi- culturalism. It is multiculturalism that people have their each cultures and enjoy it without prejudice and bigotry about races, nationality, culture, gender, ages, classes. Also people should understand each others’ culture and know all of the people have the universal right. It hard to find the Korean text book based on multiculturalism. But the characters in the Korean text book is chosen by national, gender, age, job so I analyzed the multi-cultural factors with the characters’ ranges. Korean text books that I studied is for international students, marrige immigrant women and multicultural background students. The text book should have various characters in order to improve awareness of multiculturalism. This study is going to have good effects on the further studies about setting direction and developing Korean text book.

This study aims to analyze the relations between type of rhetorical sensitivity and Korean language achievement using the rhetorical sensitivity scale. The survey was conducted on 100 Chinese students who are studying Korean language, and we compared types of rhetorical sensitivity and Korean language results. As a result, the noble self styled students got high grades in every parts. As a compare to Korean language parts, the noble self styled students got the best score and the rhetorical sensitivity styled students got the second score, the rhetorical reflector styled students got the last score. Our result of the statistical significance level in this study, there are some the relations between type of rhetorical sensitivity and Korean language achievement especially in the reading and speaking (hearing) parts