This essay aims to analysis gender politics and will to power in Television Historical Drama . was well-regarded by critics. They evaluated this drama as well-made drama. This drama represented powerful women who struggle to get political power. Dukman, a heroine of , was abandoned by her parents, and grew up in desert of Central Asia. But she had to dress up like a man. On returning to his native shores, she had to disguise herself as a man. The plot of unfolds in a way that Dukman regained royal authority. Dukman was crowned queen by Heaven's will and prophecy. The narrative of success of Dukman was bound together in a doctrine of predestination. The femininity of Dukman was denied for her destiny. She had to suppress her femininity for terms of her life. Dukman criticized sharply political view of Misil who was a figure of authority in the political arena of Shin-Ra. Dukman made attempt to govern wisely, but she was a cold blooded ruler especially to Gaya. For unification of the Three Countries of Korea, Dukman pursued closed nationalism.
중앙어문학회 [The Society of Chung-Ang Language & Literature]
설립연도
1993
분야
인문학>한국어와문학
소개
국어국문학의 연구를 통하여 국어국문학의 발전에 기여하고 국어국문학의 학풍을 진작함에 있다. 이에, 국어국문학 연구 자료의 조사/수집/정리 및 연구 결과의 평가와 편집을 하고, 전국 학회 규모의 연구 발표회와 각 분과별 세미나의 개최를 연 4회 한다. 또한 <어문론집>(현재 32집 발간)과 연구물의 간행한다. 더불어 국내외 연구 단체와의 제휴도 그 목적이 있다.