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This dissertation Yanbian dialect clarify the aspect of realization hearer honorific system and the purposes to be intended to clarify the social factors affecting its realization. So in the area, a televised comedy sketch and drama script language by using statistical data analysis methods were attempted. Existing 3rating systems(hapso-level, hao-level, haera-level) in addition to hae–level raised the need to set up and dismantle the Low form different character and scope of clarifying. Based on the hae-level of Yanbian dialect [+intimacy] and hapso-level, hao-level, haera-level such a special treat that can be used in honorific grades. Ending the finals was divided into descriptive, imperative, plain pleasures type. These finals were examined for realization form of hearer honorific system. Sex, age, related type, status, number of meeting, degree of intimacy relation decide on a factors influencing the realization of hearer honorific system and aspect was investigated through the use of final endings the frequency.

This study aims at assuring effects of inquiry study on the improvement of student's learning motivation. In other words, this study confirm a next hypothesis based on Pintrich &De Groot(1990). First, Inquiry study will improve student's self-efficacy and Intrinsic value. Second, Inquiry study will not help solution of Test anxiety at all. But it will has a negative impact on Test anxiety. To achieve this aim, I have used the ‘Questionnaire of Grammar Learning motivation’(included 22 questions). A reliability(Cronbach Alpha) of measurement tool was turned out that self-efficacy was .81, intrinsic value was .85, test anxiety was .86. The whole reliability of measurement tool was .78. The following are the major results of this study. First, inquiry study improved student's self-efficacy(M=3.567, p=.006) and Intrinsic value(M=8.267, p=.000). Inquiry study group is showing significant moderating effects than the control group(p<.05). By teaching Grammar, inquiry study is actually played a vital role. Second, inquiry study does not have an affect on Test anxiety(M= -.6, p=.791). Inquiry study group is not showing significant moderating effects(p<.05).

目前，中韓兩國的交流越來越密切。中國大學開設韓國語專業的學校 也越來越多。尤其是近期，由於中韓兩國在經濟以及文化方面的交流大 大增加，對韓國語翻譯人才的需要也越來越到。中國也開始了對韓國語 專業翻譯的培養。。從2010年之後，中國開設了韓國語翻譯碩士學位， 目的是培養專業的翻譯碩士。學習韓國語翻譯的中國學生越來越多。但 是針對翻譯碩士的調查研究並不多。因為，本文想要調查壹下翻譯碩士 專業學生對課程的要求以及學習中的難點問題。 通過對中國國內大學研究生院62名韓國語專業學生的調查研究。問卷 顯示出如下幾個問題。第壹，很多學生學習翻譯專業的目的是提高韓國 語水平。第二，學生認為自己的韓國語水平遠遠不夠做翻譯。第三，與 聽力及閱讀相比，學生覺得寫作和會話的難度更大。第四，學生希望學 習韓國文化。第五，在詞匯學習方面，學生認為外來語比較難。因此， 韓國語翻譯教育應該借鑒以上學生的難點和要求。

This study is wordless picturebooks for students to read and understand the aspects examined in the educational plan. The proposed study, only the picture exist the wordless picture book of Raymond Brigg's "The Snowman" read and understand themselves. After they construct story. This study analyzed the student's story and educational measures were also found, how to teach for education. Students see a wordless picture book, after make story themselves configure compared to the 'reflection', 'Delete', 'distorted', 'added' to the four analyzed and looked for the cause.

This paper is aimed at investigating into possibility of education of understanding characters in novels using a parallel curriculum. For this, the stages and methods of the education of understanding characters in novels which fits for each characteristic of students were examined through parallelism of core curriculum and identity curriculum. The current education of understanding characters in schools only hands down the knowledge of understanding and appreciation which are organized in reference books to most students, not leading to a profound understanding of character. Accordingly, this study aims to identify the correlationship between parallel curriculum model and education of understanding characters through focusing questions of PCM; to connect internal factors of the education of understanding characters with contents of core curriculum; and to design the plans for the education of understanding characters by relating external factors of the education of understanding characters to identity curriculum. The internal factors of the education of understanding characters includes objective information of characters, viewing attitude towards characters, and roles of characters in fictional works, and as external factor, there are learners who interpret the works. This study is intended to contribute in helping learners create character-related knowledge and actively appreciate novels through parallelism of core curriculum and identity curriculum where concept discovery for an understanding of characters progresses along with education fit for learners' characteristics at the same time.

The purpose of this study is to take a look at the contents of history of Korean language(revised in 2009) in an effort to increase the value on education in history of Korean language. After reviewing how education in history of Korean language is conducted, we suggest expanding our topic into the areas on history of Korean language life. Eongan explicitly show various daily life languages used in that time, and they have been the most common way of delivering emotions of daily lives. So the letters reflect the true picture of society or individuals. Therefore, Eongan is good resources which can help us see the vivid pictures of old days in many areas including language, education, ethnic, society, economy, and medical. It is important these days to informative those cultural heritages and reorganize them as educational contents as an active way of accepting cultures. Cultural heritages should be preserved in tact to be succeeded by the future generations. Cultural heritages will become more valuable only when they properly meet the cultural desires of students who will lead the information society in the future.

In narrative and semantic terms, the evolutionary relevance between Honggildongjeon and Korean folk-tales of infant generals has been conferred posthumously. The applied approach and its order are as follows. It is both fundamental and variation forms of the representative infant falk-tales that have been suggested from the perspective of spatial enlargement. The latent potentiality of evolution—the latent motif embedding the possibility of division or expansion of motif and the implicative symbol embedding the possibility of semantic expansion or actualization—in the folktales has been analyzed. It is centered on the analysis of the latent potentiality of the motif division ambushed in the folk-tales, contrastive to the motif or narratives of Honggildongjeon extensively produced. Moreover, the contrastive analysis of the implicit meaning which the symbols of the folk-tale convey and the explicit meaning which those of Honggildongjeon convey has been conducted. The reference of analysis is on the basis of the basic feature as the homogeneous narratives and sememes which both have in common. The basic feature appearing in the infant folktale is implied via four symbols. The analysis has been attempted through focusing on symbols of wing and symbols of infant. The sememes which the symbols imply remain as ‘symbols of wing: extraordinary ability’ and ‘symbols of infant: immaturity and potentiality’. These two symbols and sememes aim to evolve into novel via the repetition of the division and increase of motif in the folktale and the semantic expansion and actualization. Honggildongjeon also aims at the imaginary cheer, based on the narratives and semantic features corresponding to the symbols and sememes of the infant folktale. Most of the narratives and sememes occurring in Honggildongjeon have been considered as the division of latent motif in the folktale’s symbols and semantic expansion and actualization. It is the basis of the possibility that Honggildongjeon is the narrative which could be evolved from the infant folktale. The conclusion is that the folktale is likely to be defined as the implicit narratives of Honggildongjeon and Honggildongjeon is likely to have evolved from the folktale.

『Pollen』is Lee Hyo-Suk’s full length novel. It describes complex triangular relationship infidelity, rape and homosexuality, could feel like a kind of erotic novel. Analyzing 'Sexuality' to Works of Lee Hyo-Suk is lively debate had long been in progress. He also spoke directly, rejecting to evaluate his works as ‘Erotism’ and judge by traditional moral to his characters. There is no superiority in characters that is corrupt or not. Lust is instinct to human. Georges Bataille regards human beings as inherently individualized. ‘Erotism’ is moved nostalgia of continuity. People who seek erotism, wanting eternity. Objects is important that erotism is affected by them. Characters of 『Pollen』pursued their passion. In this novel, Mi-ran, main character, is desired by others. She is most beautiful person in 『Pollen』. Her beauty is caused by her body and young. It means that she symbolize vitality and unlimited potential. However, Me-ran entered the World of order and contravention who ruled by Hyun-ma.『Pollen』 showed process to be stabled rules by Hyun-ma. Mi-ran’s beauty, her vitality and ability changed to exclusive and metaphysical aesthetics. Modernity megaphoned by Hyun-ma is barren space of Pluto.

Drawing on M. J. Bennett’s theory of ‘Developmental Model of Intercultural Sensitivity (DMIS),’ this study explores the developmental stages of adaptation to other cultures as represented in the Korean-Canadian novels. Korean-Canadian novels written in the early period of immigration show the stage of denial of difference and defense against difference. Yet as the reaction of Korean-Canadians to cultural differences gradually goes through the stages of minimization of difference, acceptance of difference, adaptation to difference and finally Integration of difference, the Korean-Canadian novels indicate the change from ethnocentrism to cultural relativism. That is, the novels reveal that while Korean Canadians have become part of the new culture of Canada as they stayed longer there, they have maintained the native Korean culture and integrated it to the newly-adopted culture to reach a complex form of values. This implies that the policy of Canada to keep multiculturalism for immigrants is gradually accepted by the Korean immigrants, and Korean Canadians overcome the culture shock they had to face at the early stage of immigration and they are adapting themselves to the local culture as they settle down in the new society.

『Namaste』was classified into the literature of ‘post modern enlightment’ in this study. Through a formalistic study on 『Namaste』, it was reported that the contents of ‘post modern enlightment’ are relevant to criticism of social problems, respection on others and otherness, and organization of a new subject. Namaste is accusing ‘Korean dream’ and ‘American dream’ by disturbing 'narrative' and 'focalization'. It states that capitalistic properties such as ‘anger, ignorance and desire’ interrupt comumuction with others. 『Namaste』describes repeatedly through metaphors that hospitality to others is essential to receiving multi-cultural society. The reason on highlighting of others is to emphasize that our ethics should be changed to fit in well with a multi-cultural society. 『Namaste』sets 2021 as the present tense. However the practical time background is the present space where many immigrant labors in Korea is working under a work permit system and industrial trainee system. Therefore 2021 is fictional space where mixed-race children as subjects and languages as varieties are reterritorialized. The formalism is the result of author's desire. In conclusion, the narratives in 『Namaste』 is formation of ‘post modern enlightment’.

In novels by Park Wan Seo, since dailiness is connected with her 'experience of modernization' in the great fetters of the history, modernity is both a major theme and a keyword for examining her diachronic variations. A viewpoint of the modernity, in '70's novels by Park Wan Seo, shows a critical aspect even containing heckling and contempt. However, such a critical viewpoint is conspiring with the modern logic as the 'critical reflection' to deny the old and affirm the new. However, entering '80s, straight looking into the coexistence of contradictions in the modern times allows a paradoxical angle on the modernity seeing ambivalence rather than the dichotomy of affirmation/negation. Such a viewpoint becomes an opportunity for recognizing the transition to the flexible modernity changed newly rather than criticism or denial. Such recognition makes the author maintain an attitude of 'Verwindung(metaphysical overcoming)' having an alternative instead of denying the modernity. So, in novels after 2000s, characters come to be as a 'state of twist' that exist in the modern times but make its internal power implode. As such, by continual recollection and memory through variations of a viewpoint on the modernity, novels by Park Wan Seo come to take a role of An-denken for re-tracing critical moments of the modern history.

Jo Sehui's novel "The Dwarf" had been changed as it rewrote to the film scenario and to the drama. This essay will examine the changes in the female characters that occur in the film adaptations of the novel "The Dwarf". The transformation of female characters in the adaptations not only reflects the realities of the times but also result in the public seeking out the original literary works. Therefore, a construction of systematic theories regarding adaptation processes is required in order to lead the way to a more desirable transformation in literary awareness. In particular, the distortion and transformation processes of the female characters are mainly due to the realities and circumstances of the respective periods and also the patriarchal perception still dominates those characters. Furthermore, there have been many cases of character distortion and damage to the work due to political purposes. However, comparative research of the female characters in different adaptations must continue if only for the creation of images formed by the spread of media, and it is the object in this essay that one cannot ignore the possibility of their direct influence on the consciousness of female consumers.