Earticle

본 연구는 국내 빙과류 매출 상위 제품의 패키지디자인을 비교 분석하려는 시도이다. 분석방법은 디자인의 원리에 대해 밝힌 후 연구 대상들을 반복, 다양성, 간결성, 리듬, 균형, 강조를 중심으로 분석한 다음 그 결과를 토대로 비교를 유사점과 차이점을 연구하였다. 그 결과 각 브랜드에 사용된 주 디자인 원리는‘월드콘’은‘강조’를 활용하였는데 특히 배경에 강렬한 색채 대비인 빨강과 남색 그리고 그 위에 크게 브랜드명에 입체감을 주어 삽입하였고 바로 하단에 금별 모양을 삽입하여 강하게 부각되었다.‘메로나’는‘균형’이었는데 중앙에 브랜드명을 중심으로 좌에는 원재료만 우에는 아이스크림과 원재료를 삽입하여 비대칭 균형 원리를 활용하여 무난한 대칭 구조를 이루었다.‘붕어싸만코’도‘균형’을 활용하였는데 상단 중앙의 제조사를 중심으로 좌측의 브랜드명과 대칭되게 우측에 본 품의 절단된 내용물과 원재료 들이 구체적으로 형상화 되어 표현되었다. 그리고 위 디자인 주 원리 외에‘월드콘’은‘다양성과 균형’을 활용하였고‘메로나’는‘다양성과 간결성’을‘붕어싸만코’도 역시‘다양성과 간결성’을 부각하였다. 특히‘다양성’은 세 개의 브랜드가 공통적으로 식료품의 특성상 주어진 디자인 면이 협소하기 때문에 생길 수 밖에 없는 결과로 이해된다.

This study compares and analyzes the package design of the top products in Korea's ice cream sales. The analysis method first reveals the principles of design, and based on the contents, it focuses on the subjects of Repetition, Variety, Economy, Rhythm, Balance, and Emphasis. Then, based on the results, we will find out what similarities and differences there are through mutual comparison. As a result, the main design principle used in each brand was 'Worldcon', which used 'Emphasis'. In particular, the red and navy colors in contrast to the background and the largest brand name were inserted in three dimensions to show the gold star shape at the bottom. By inserting, the package itself was expressed more strongly than other brands. 'Melona' was 'Balance', but the center of the brand name was placed in the center, and only the raw material on the left side and ice cream and raw material were inserted on the right side. ‘Bungeossamanko’ also used ‘Balance’. The cut contents and raw material illustrations of this product were specifically shaped and expressed on the right side, symmetrically with the brand name on the left, centering on the manufacturer at the top center. In addition to the above design principles, 'Worldcon' utilized 'Variety and Balance', 'Melona' emphasized 'Variety and Economy' and 'Bungeossamanko' also emphasized 'Variety and Economy'. In particular, 'Variety' is understood as a result of the concerns of designers and management teams that are inevitable due to the narrowness of the given design because of the characteristics of foods common to all three brands.

This paper is to present design principle and operation strategy of acceptance control chart by the use of OC-Based sampling inspection for continuous data. The unified control limits for acceptance control chart when considering both APL(Acceptable Process Level) and RPL(Rejectable Process Level) are proposed. The control limits can be also extended to the acceptance control chart with unknown process standard deviation.

국민 생활안전과 관련된 안전디자인에서 기본적으로는 안전성이 가장 중요한 요소가 되지만, 디자인 의 고유 요소들도 아울러 고려하지 않으면 안 된다. 안전디자인은 산업디자인의 고유 특성과 인간공학 과 안전 공학적 측면을 포함해야한다는 특성을 가지고 있다. 즉 안전디자인이란 제품․시설․공간 등에 설계․제조․건축․운영 등의 형태로 적용되어 주기능의 ‘안전’ 달성도를 높이고, 타 기능과의 상승적 융합 을 통해 사회 안전 수준을 향상시키는 것이다. 본 연구에서는 지금까지의 국내외 관련 논문, 보고서, 통계자료 등의 문헌연구에 대한 이론적 고찰을 통해 안전디자인 개념과 구성요소, 안전디자인의 범위에 대해 살펴보았다. 또한 작업공간에서의 안전디 자인의 개념을 체계적으로 정립하고 있는 호주의 안전디자인 원칙 가이드라인에 대해 살펴봄으로써 안 전디자인에서 지켜져야 할 다섯 가지의 원칙에 대해 논의하여 안전디자인의 확립에 도움이 되는 기초 연구로서 활용이 되고자 했다.

This thesis is analyzing how much does the aesthetic principle of design participate in creating hair style above other factors such as body, hair, heating machines and chemicals. The result led by applying the principle to various hair style shows that about 90% of hair style involves this aesthetic principle. The principle of design is applied in many types of beauty and expected to continue being studied.

본 연구에서는 부산 시민공원의 보행 환경을 유니버설디자인원리에 따라 평가·분석하여 도시공원으로서의 문제점과 바람직한 개선사항을 도출하고자 하였다. 연구의방법으로 선행연구, 현장조사, 사진촬영을 이용하였다. “장애인·노인·임산부 등의 편의증진보장에 관한 법률”과 “교통약자의 이동편의증진법”에서 규정한 세부기준을 토대로 본 연구에 적합하다고 판단되는 항목들을 선정하여 실현장조사에 사용할 분석의 틀을 개발하였다. 부산시민공원의 보행로는 본 연구를 위해 부산시민공원 홈페이지에서 제공하는 보행로를 기초로 1∼8구간으로 구분한 후 평가하였다. 연구결과 1구간이 가장 높은 평가점수를 받았고, 5, 7, 8 구간순으로 높게 나타났다. 가장 낮게 나타난 구간은 3구간으로 보도 및 접근로에서 가장 낮게 나타났다. 평가항목별 비교에서는 “편의시설,” “주차장,” “엘리베이터”에서 가장 높게 나타났고, “휴게시설”이 가장 낮게 나타났다. 본 연구의 결론으로 첫째, 부산시민공원은 유니버설디자인 원리에 따라 충실히 디자인 되었으나 일부 소소하지만 개선을 해야 할 부분(일부 안내판 미설치, 일부 화장실 앞 점형블록 미설치, 일부 보행로에서 선형블록 이음 단절 등)에서 가능한 한 빠른 시일 내에 개선이 필요하다. 둘째, 공원 보행로 중간에 보행자를 위해 제공한 “쉼터”는 규모, 모양, 재료가 한가지로만 구성되어 획일적 디자인일 수 밖에 없다는 지적이 나온다. 쉼터의 규모나 모양 등을 다양하게 제공하여 이용자들이 그들의 이용목적에 맞게 선택케 하여 선택할 수 있는 선택권을 이용자에게 제공하는 다양한 쉼터가 되공되었으면 한다.

This study was to evaluate pedestrian environments of Busan citizens park through a universal design principle for the suggestions of improvements. Literature study, site visits, and photography were used as study methods. The evaluation tool was made from detailed acts suitable for this study, such as "Act on the Promotion and Guarantee of Access for the Disabled, the Aged, and Pregnant Women to Facilities and Information," and "Act on the Traffic Vulnerable Convenience Facilities." Busan citizens park was divided into 8 pedestrian ways based on Busan citizens park home page for this study. The study results showed that 1pedestrian way scored the highst, 5, 7, 8 pedestrian ways next high. The lowst was 3 pedestrian way in which the section of pedestrain and access way were low. "Convenient facilities," "parking lot," and "elevator" showed the highst scores with sections conparisons, "resting facilities," recorded the lowst. The conclusion is that, firstly, Busan citizens park was designd according to the universal design principles. But some parts of sections should be urgently renewed such as "no information sign in particular areas," "no installations of tactile tiles in front of some restrooms," "blockage of liner tactile tiles in some pedestrian ways." Secondly, the resting areas in the midle of pedestrian ways were just one type of size, shape, and material. The same size, shape, and material of the resting areas were looked as one uniform design which was pointed out as the lack of diversity for users. Various sizes, shapes, and materials of the resting areas should be considered to give users their choices to the purposes of the usage.

The purpose of this paper is to design photo gallery in framing at the valuable places on applying the principle of camera. It is important to preserve the value of place. However currently Seo-cheon has a tended to proceed with development of maximize economical factors. And directions of the development is excessively approached with preservation of existing building(Korean-style House). Therefore, this paper is be able to frame of the valuable places in Seo -cheon using the principle of camera based on the concept of ‘serial vision’ by G.Cullen.

This research understands architectural form in terms of the result of the architect's mind and the design process. Accordingly, we analyzed the design process of the Villa Savoye for the revealing formal principle of the Villa Savoye. And, we presented formal principles of Villa Savoye based on design process and method. The analysis of the design process is the comparison of the state of architectural conditions including client's demands with Le Corbusier's drawings and sketches which arranged design process. Focusing the Le Corbusier's drawings and sketches is due to the architect's drawings and sketches involving his architectural mind and concept. The Villa Savoye is the fourth composition of Le Corbusier's ‘Four Compositions’ of 1929년 The Four Compositions are Le Corbusier's major houses of the 1930s which are Villa La Roche Jeanneret(1923), Villa Garches(1927), Villa Carthage(1929), Villa Savoye(1931). Fromthe above analysis we found that the Villa Savoye has a important position of the Four Compositions and houses after the 1930s because the Villa Savoye integrate the other houses and the system of Domino and Citrohan. And also, the design process of the Villa Savoye has a dialectical method to integrate the Four Compositions and Five Points. And we have realized that forms and formal principles of the Villa Savoye are constantly changed by client's demands, technical conditions, social environments, design conditions on the design process.

최근 교육과학기술부에서는 컴퓨터 활용 위주의 정보통신기술교육과정을 컴퓨터 과학 교육 측면을 반영하여 개정된 정보통신기술교육과정을 발표한 바 있다. 이와 같은 변화는 컴퓨터 교육을 실시하는데 있어 응용 소프트웨어의 활용이나 단순한 컴퓨터의 사용방법에 대한 학습보다는 컴퓨터에 대한 심도 있는 이해와 원리를 파악하는 것이 보다 학생들의 사고력을 자극하고 창의력 위주의 교육을 실시할 수 있기 때문이다. 이에 본 논문에서는 원리학습 중심의 컴퓨터 교육과정을 설계하고 제시함으로써 초․중등 컴퓨터 교육을 실시하는데 있어 학생들이 보다 양질의 컴퓨터 교육을 받도록 하는데 작은 밑거름을 제시하고자 한다.

Recently, the Ministry of education science and technology announced a revised information and communication technology curriculum, emphasizing aspects of computer science education rather than application of computer softwares. This change would benefit students to stimulate their thinking ability and facilitate creativity learning through in-depth understanding of principles of computer science, compared to the previous curriculum of computer education mainly focused on the skills of utilizing application softwares. Thus, the paper presents the design of a computer education curriculum based on the principles of computer science education, which would lead to trigger constructive ideas for improvements on the subject so that students may experience better education in the area.

피타고라스 정리는 학교수학에서 핵심적 내용 중의 하나이다. 이 논문에서는 역사 발생적 원리에 입각하여 초등수학영재교육에 적합한 피타고라스 정리의 지도 방안 을 구안하였다. 고대 중국, 인도, 바빌로니아 등 역사발생의 초기에 피타고라스 정 리와 함께 나란하게 등장하는 개념이 있다. 그것은 ‘피타고라스의 세 수’로서, 피타고라스 정리와 유사하지만 수학적으로 명확히 서로 구별되는 내용이다. 이 논 문에서는 피타고라스의 세 수가 피타고라스의 정리보다 교수학적인 측면에서 보다 근본적이라고 가정하였다. 이 논문에서 구안한 지도안은 산술적 수준, 기하학적 수준, 대수적 수준의 순서를 따라 설계되었다. 이는 이 정리의 유구한 역사적 발전과정과 일치한다. 피타고라스 의 정리는 기원후 17세기에 이르러 비로소 대수식 a  b  c으로 표현되었다. 첫째 실측활동을 통하여 몇몇의 피타고라스의 세 수를 경험적으로 추측한다. 둘째 이렇게 추측한 몇몇의 세 수를 수학적으로 확증하는 과정에서 기하학적 피타고라 스의 정리를 발견한다. 셋째, 피타고라스의 대수적으로 표현하고 증명한다. 이 지도안에서 각 단계는 전 단계를 기반으로, 그로부터 연속적으로 자라나오도록 설계되었다. 경험적으로 발견된 몇몇의 피타고라스의 세 수는 격자판 위에서의 넓 이 계산 활동을 통하여 수학적으로 확증된다. 나아가 이 넓이 활동은 일반적인 피 타고라스의 정리를 발견시킬 뿐만 아니라, 그 정리에 대한 기하학적인 증명법을 제 공한다. 이 증명법은 유명한 대수적 표현(a  b  c )을 생성해 냄으로써 피타고라 스의 정리를 새롭게 변신시킨다. 이러한 대수적 단계는 외부적으로 부과된 것이 아 니라, 이전의 기하학적 단계에 내재된 요소가 명시적으로 발현된 것이다. 요약하면 이는 Freudenthal이 말한 ‘수학화’이고 ‘안내된 재발명’의 사례이다.

The Pythagorean theorem is one of the key contents in school mathematics. In this paper, a teaching plan for the Pythagorean theorem suitable for gifted elementary school mathematics education was designed based on historico-genetic principle. There is a concept that appears side by side with the Pythagorean theorem in the early stages of history, such as in ancient China, India, and Babylonia. It is the ‘Pythagorean triple’, which are similar to the Pythagorean theorem, but are clearly mathematically distinct from each other. In this paper, it is assumed that the Pythagorean triple are more fundamental in pedagogical terms than the Pythagorean theorem. The map designed in this paper was designed in the following order: arithmetic level, geometric level, and algebraic level. This is consistent with the long historical development of this theorem. The Pythagorean theorem was first expressed in an algebraic form in the 17th century CE. First, we empirically estimate several Pythagorean triples through actual measurement activities. Second, in the process of mathematically confirming these three guessed numbers, the geometric Pythagorean theorem is discovered. Third, express and prove algebraic Pythagorean theorem. Within this map, each stage is designed to build on and grow continuously from the previous stage. Several Pythagorean triples discovered empirically are confirmed mathematically through area calculation activities on a grid. Furthermore, this area activity not only discovers the general Pythagorean theorem, but also provides a geometric proof method for the theorem. This proof is based on the famous algebraic expression(a  b  c ), thereby transforming the Pythagorean theorem. These algebraic steps are not externally imposed, but are explicit expressions of elements inherent in the previous geometric steps. In summary, this is what Freudenthal called ‘mathematization’ and a case of ‘guided re-invention’.

Due to the material features, organic helmets and armors cannot remain the same with the passage of time. In order to examine their origin or genealogy, organic helmets and armors which date from earlier times should be restored first. When the excavated helmets and armors are too rare to study, ethnographical or anthropological data will help find out the unique characteristics and manufacturing technology of organic helmets and armors, which allows to study the technological correlation. Also, comparing with the helmet and armor cultures in nearby areas will help further study the rare remains. That is why we introduced and analyzed the armors of ‘Itelmen’, the Far East original inhabitants, that are currently housed in the Arseniev museum, Primorsky, creating the opportunity to restore the structure and some parts of the organic armors. The Itelmen armors (organic) are different from the plate armors (iron) in material. Yet, the two have the same goal to protect a human body as arms, which implies that the Itelmen armors and plate armors have similar manufacturing processes despite their different processing methods. Therefore, we took advantage of the relationship between the manufacturing process and technology which was applied to the survey of the plate armors so as to find out the manufacturing process and the unit manufacturing technology of the Itelmen armors. After the survey, we found that the Itelmen helmets and armors belonged to the traditional manufacturing technology of wooden armors because the Itelmen relics made of wood plates were used for defense and their plates were covered with leather to connect each piece. In terms of the design principle, the Itelmen remains adopted a vertical principle (the design of rectangular plates arranged in a row) just like the plate armors, which strengthens the correlation between the two. By analyzing the structure of the back part of the neck band platesr and the manner of wearing, we realized that the traditional manufacturing technology of the wooden armors were used to make the plate armors and assumed that there were some changes in manufacturing (about 2 steps) between the two. Aside from it, we suggested that the relationship between the ‘Gobal’-type wooden armors (a log is divided into 2 to 3 parts to be suitable for the upper part of a human body and then is made into an armor) with diverse decorations among the wooden armors found in the Japanese archipelago and ‘Wamoon’ (whirl decorations / a symbol of sun) of the plate armors be examined. However, other manufacturing technologies such as leather and scale armors as well as wooden armors were also found to affect the plate armors, implying that diverse cultures related to helmets and armors should be included in examining the origin and genealogy of the plate armors.

The rapid proliferation of unmanned services and kiosks, accelerated by the pandemic and industrialization, has exacerbated the digital divide for older adults and individuals with disabilities. This has become a significant social concern, as many elderly patrons in large supermarkets still prefer traditional checkouts over self-service technology (SST), underscoring a critical gap in user experience. This study aimed to identify and analyze the user interface (UI) design problems of domestic hypermarket kiosks from an inclusive design perspective, with the goal of proposing improvements that mitigate digital exclusion among the elderly. The research methodology involved conducting in-depth interviews with elderly participants to identify their pain points, followed by a systematic evaluation of kiosk usability based on inclusive design principles and Peter Morville's Honeycomb model. The analysis revealed that the difficulties experienced by older adults stemmed from a complex interplay of cognitive, physical, and psychological factors. Primary challenges included overly complex procedures, small text, and unfamiliar terminology. The evaluation further confirmed that while feedback and stability were rated above average, key usability metrics—including intuitiveness, readability, and accessibility—showed significant shortcomings. This study provides a practical contribution by empirically identifying the specific UI limitations that cause reluctance among elderly users. The findings offer concrete guidance for designing more intuitive and accessible kiosks, which can ultimately help to bridge the digital divide.

To develop computational thinking skills, university students are learning how to solve problems with algorithms, program commands and grammar, and program writing. Because non-computer majors have difficulty with computer programming-related content, they need a learning method to acquire coding knowledge from the process of understanding, interpreting, changing, and improving source codes by themselves. This study explored clone coding, refactoring coding, and coding methods using reconstruction tools, which are practical and effective learning methods for improving coding skills for students who are accustomed to coding. A coding learning process with the code reconstruction principle was designed to help non-computer majors use it to understand coding technology and develop their problem-solving ability and applied the coding technology learning method used in programmer education.

In a three-dimensional laser scanning system, the measurement accuracy of the entire system is determined by the optical system. To improve the accuracy, this paper designs a three-dimensional laser scanning optical system. In order to improve the performance of scanning, to reduce the influence of stray light and the imaging geometric distortion is required, as far as possible to improve the distribution uniformity of the image illumination. In this paper, the semiconductor laser is chosen as the light source which is suitable for laser triangulation measurement. This system ensures accuracy in the first place, and obtain larger working distance later. The volume of the measuring system is reduced by introducing layout that the beam splitter and the normal are coaxial. The Scheimpflug conditions are deduced under this structure, and the experimental results of the laser triangulation optical system are analyzed finally.

Signal generator is a kind of electronic devices that generate repeating or nonrepeating electronic signals which are generally used in designing, testing and so on. Under a certain reference frequency, it is able to control the output main signal frequency by selecting the suitable mixed signal at the output with bandwidth filter. This paper introduces a design and implementation of a high-frequency signal generator based on the DDS mixing principle. The generator uses the characteristics of D/A convertor as DDS output frequency spectrum. Experiments show that using the bandwidth filter, most of the spurious signals are removed and the main frequency is confined, thus, signal of 101MHz could be achieved significantly. Additionally, it is observed that the Sine wave is finally obtained from the figure and the filter circuit is able to confine the signal bigger than 30dB for the frequency over 101MHz.

본 연구는 프랙탈(Fractal) 조형 원리를 응용하여 헤어 디자인 커트 원리와의 연관성이 발견되어 연구하였다. 예를 들어 프랙탈의 기본 조건이 서로 연관성을 갖는 다양한 변화 를 거쳐 자기 유사성, 무작위성 그리고 불규칙적인 특성이 나타나는데, 헤어 디자인 커트 조형과도 매우 밀접한 유사성이 발견되어 본 연구를 하였으며, 헤어 디자인 커트를 프랙 탈 관점에서 재해석함으로서 보다 21세기 미래 지향적인 헤어 디자인 커트 연구의 초석을 마련하는 것이 본 연구의 목적이다. 프랙탈 기하학 조형 원리의 특징들 중 자기 유사성 (Self-similarity), 불규칙성(Irregularity), 무작위성(Randomness) 선정하여 프랙탈 기하학 과 관련된 자료 중 논문, 단행본, 기사, 인터넷 매체 등을 활용하여 정보를 수집하 여 고찰한다. 프랙탈 조형 원리의 자기 유사성은 동일한 커트라인의 반복을 통하여 액티 베이티드(Activate) 한 무게감이 표현됨을 알 수 있었고, 불규칙성은 모발의 질감처리를 통하여 율동감과 불규칙적인 언액티베이티드(Unactivate) 함을 알 수 있었다. 본 연구를 통하여 다양한 미래 지향적 헤어 커트 디자인 을 위한 연구가 활발하게 이루어지기를 기대해본다.

This study examined the correlation between applied fractal design principle and hair design cut. For example, the fundamental conditions of fractal go through various changes which are correlated to each other and show self-similarity, randomness and irregularity. And since these have close connection with hair design cut, so this study was conducted to lay the cornerstone of future-oriented hair design cut research in 21st century by reinterpreting hair design cut from the viewpoint of fractal. Among those characteristics of fractal geometry design principles, we select self-similarity, irregularity and randomness and we collect and consider the data about fractal geometry from articles, books, thesis, internet media etc. We found out that self-similarity of fractal design principle expressed activated weight area by repeating same cut line, and irregularity showed a rhythmical sense and irregularly unactivated through hair texture treatment. We expect to see more active and various future-oriented research for hair cut design in the future.

오늘날 ‘한국적 디자인’에 대한 접근은 한글이나 태극기, 한복 등 그 대상과 해석의 여지가 매우 제한적이다. 이는 회화적 전통이 현대적 디자인 정체성으로 계승되고 국가 브랜드로까지 발전한 일본의 경우와 매우 대조적이다. 이에 본 연구자는 조선 시대의 궁중 미술에서 유일하게 민화로 발전하였으며 세계적으로 그 조형적 관심이 높은 책거리 그림을, 한국적 디자인에 대해 새로운 관점과 단서들을 제시할 수 있는 가능성이 높은 장르로 보았다. 그 중 이형록의 책거리 그림을 연구 대상으로 선정하고 조형 원리로 분석하여 회화를 통해 한국의 정서를 담은 디자인 정체성과 국가 브랜드로의 발전 가능성을 제언하였다. 분석 대상 작품 모두에서 조화와 대비, 통일과 변화, 균형, 비례, 강조, 율동의 8가지 원리가 적용된 것을 확인할 수 있었다. 조화의 유사조화가 아닌 대비조화가 나타났으며 균형에서는 비대칭적, 시각적 균형을 확인할 수 있었다. 폭마다 소재들의 배열 위치로 구분감을 주어 3등분으로 구성되였다. 또한, 다중 강조 구성 방법으로 대비 강조를 주어 분산되어있는 소재들에 초점을 제공하였다. 결론적으로 다양하고 보편적인 조형 원리를 폭넓게 만족하는 책거리 그림은 한국적 정체성을 지니면서도 국제적이고 모던한 조형 감각을 지닌 디자인으로 발전할 가능성이 높다. 마지막으로 그 외의 근대 한국 회화를 통한 한국적 디자인 정체성 정립의 가능성도 아울러 확인함으로써 후속 연구 방향을 제시하였다.

The approach on ‘Korean Design’ has been limited to Han-geul(Korean alphabet), Han-bok(Korean traditional costume), and other traditional materials. Therefore, this study has selected Chark-geo-ri(Book rack) paintings from Joseon Dynasty, which were developed to commoner’s art, called Min-hwa as an object of analysis.The study has selected the 4 Chaek-geo-ri paintings of Hyeong-rok Lee based on the literature review on Min-hwa Chaek-geo-ri paintings and analyzed them according to the 8 formative principles from The Textbook of Basic Design. The analysis results revealed that in all 4 Chaek-geo-ri works, all 8 formative principles were applied; harmony and contrast, unity and variation, balance, scale, accent, and rhythm. There were complement harmony, and asymmetric and visual balance on the works. Lee aligned objects together and generated lumps. It created 3 division on each screen which has the scale of it’s own work style. Also, there was a complement accent in multiple accents, which gave focuses among scattered objects. On the conclusion The study confirmed the value of Korean art work as an object of research for the analysis of the design studies which contains Korean sentiments. As a result, this study proved that Chaek-geo-ri painting is one of the case studies that have the possibility of self-development of Korean Design. Therefore, the profound studies on Korean sentiment and expression techniques of the design can be performed by Korean traditional art as the fields of crafts, architect, and costume.

The hairsty1e that reflects society and cu1ture of a particu1ar period is expressiona1 and symbolic ro1es in formation of human' s image as an expression of comp1icated beauty. Human need and idea of hairsty1e have historically varied. Woman' s hair sty1e in the Chosun Dynasty indicated not on1y the socia1 status of woman but a1so aesthetic expression. This paper ana1yzes the typica1 hairsty1es of women in the Chosun Dynasty into its design princip1e. For the method of the study photos and 1iteratures were used, and the 1atter part of the Chosun Dynasty se1ected as the range of the study. The historica1 hairsty1e that started from design princip1es he1ps a new idea of modern hairsty1e. This in -depth study on the design ana1ysis of historica1 hairsty1e will contain a pre1iminary information on creating a new modern hairsty1e.

연구배경 우리는 자연 속에 살고 있으며 그 안에서 끊임없이 새로운 디자인 영감을 얻으며 살아가고 있다. 자연현상들 중 복잡함 속에 일정한 규칙을 가지고 있는 프랙탈 (fractal)은 단순한 구조가 끊임없이 반복되면서 복잡하고 묘한 구조를 만들어낸다. 이러한 프랙탈의 무작위적 반복성은 일정한 무늬가 자연스럽게 연결되는 텍스타일 디자인과 상통하는 부분이라 볼 수 있다. 연구방법 연구방법으로는 프랙탈 이론을 고찰하여 프랙탈 기하학의 기본 원리를 도출하고 다양한 분야에서의 프랙탈 활용 사례를 조사하였다. 이를 토대로 컴퓨터 그래픽 프로그램을 활용하여 텍스타일 패턴을 제작하고 여성복에 시뮬레이션화하여 표현하였다. 연구결과 프랙탈의 구성 원리에는 자기유사성, 무작위성, 비선형성, 불규칙성이 있으며, 그 중 자기유사성은 부분의 모양이 전체를 이루어 형태를 만드는 것을 목적으로 하는 것으로 일정한 규칙으로 반복되는 텍스타일 패턴 디자인과 유사성을 갖는다는 것을 알 수 있었다. 그리고 조형원리인 중첩과 반복, 스케일링의 변환은 패턴을 구성하기 위한 개체간의 관계를 시각적으로 보다 효과적이며 화려하게 만들어 주었다. 이러한 디자인들은 Digital textile print 시스템을 통해 단기간에 다양한 원단에 제작할 수 있었다. 결론 프랙탈 원리를 적용하여 만들어진 텍스타일 패턴 디자인은 이미지의 종류에 상관없이 프랙탈 원리를 일정한 패턴원리에 대입함으로서 빠른 시간에 의외성의 다양한 제품을 생산할 수 있었다. 이는 소비자 개개인의 개성을 충족 시킬 수 있는 다양한 제품생산을 가능하게 할 수 있을 것이다.

Background We live in nature, and that is what has been constantly inspiring us with new designs. In the world of different natural phenomenons, fractal works with regular rules of complexity and goes through an endless series of simple structures which, in the end, comes up with some indefinable and strange structures. Such random repeatability of fractal is considered to be associated with textile design in which regular patterns would be naturally connected with each other. Methods Regarding research methods, the study inquired into the fractal theory and extracted fundamental principles of fractal geometry. The study then investigated how fractal has been influential in diverse fields. Based on findings of the research, the study uses a computer graphic program to design textile patterns on women’s apparel through simulation. Result The composition principles of fractal include self-similarity, randomness, non-linearity and irregularity and of the principles, self-similarity aims to help forms of parts create a whole. After all, self-similarity is found to be similar to textile pattern design that would repeat with certain rules. Add to that, the formation principles such as overlay, repetition and transformation of scaling made relations of entities even more effective and visually brilliant. Such designs were put into a digital textile print system, and they produced diverse fabrics in a short period. Conclusion The textile pattern designs created out of the fractal principles ended up presenting a completely new genre which is different from existing textile pattern designs. Regardless of types of images, when the new designs were applied the fractal principles to the certain pattern principles the result turned out to be quick production of varied goods that satisfy different personalities.

In modern times, the concept of beauty treatment is accepted as a form of artistic expressions to deliver our own emotion and imagery. In order to grow as an specialist suited for the high -quality beauty culture era, the systematical process to make beauty as study is required in the perspective of designing activities. Thus, in this study, the viewpoint of design is grafted onto hair and 5 haircut works, applying the proportion among the design principles, have been produced, based on the theoretical study on hair cutting. And then the concept of texture out of design elements have been applied. As a result producing 5 works, it had been identified that the weightiness and the movement of forms and haircut design could change according to the selection for the proportion and the expression of texture in the development process of hair, and diverse cutting designs were available by using this. Through this study, the basic data for hair design based on design principles is provided and, as a result, the foothold for creating new design, thorough the introduction of practical development process. At the same time, this study is expected to contribute the development of the hair design field.