Earticle

본 연구는 농촌을 배경으로 한 영화 <빈관>에 묘사된 마을 공동체의 질서와 개개인의 욕망의 발현의 문제에 주목하여 경제개혁 이후 급격히 도시화되고 있는 중국의 농촌 사회가 겪고 있는 딜레마를 고찰해보고자 했다. 이를 위 해 텍스트의 이야기 구조와 표현방법을 탐구하는 서사분석을 진행하여 공동체적 질서와 윤리, 가부장제와 부권, 개인 주체들의 욕망의 발현에 대해 살펴봤다. 영화 <빈관>에는 공동체적 관습, 향토적 문화, 예치주의에 훈육된 마을 사람들 과 폐쇄적 공간이 묘사된다. 영화는 마을 공동체 일원의 죽음을 다루는 범죄 미스터리물이라는 외피를 두르고 있지만, 인물들의 시점들에 따른 퍼즐식 서사방식을 통해 공동체적 질서와 윤리라는 상징계적 규율에 대항하는 개인 주체들의 상상계적 욕망의 발현을 이야기하고 있다. 결론적으로 영화에 대한 서사분석을 통해 중국의 급격한 도시화 과정에 따라 약화된 시골의 공동체적 규율과 부권, 주체들의 정신적 무기력증과 신경증이 서사에 함의되어 있음을 고찰할 수 있었다.

This study aimed to examine the dilemma of rural China under rapid urbanization process after economic reform, by paying attention to the problem of the order of village community and the expression of individual desires depicted in the film <The Coffin in the Mountain> with a rural background. To this end, the narrative analysis, which is suitable for exploring the story structure and expression style of the text, was conducted to examine the community order and ethics, patriarchy and paternity, and the expression of desires of subject. In the film, closed space and villagers, who are disciplined by community customs, local culture, and formality of the rule of manners, are depicted. The film is covered in a form of mystery movie dealing with the deaths of members of the village community. However, the film talks about the rise of the Imaginary desire of subject against the symbolic rules of community order and ethics through the puzzle pieces story according to the perspectives of the characters. In conclusion, through the narrative analysis, it was possible to examine the implications of weakened communal discipline and paternity of the countryside by the rapid urbanization of China, and implications of the lethargy and neurosis of the subjects.

본 연구는 게임이라는 매체에서 음악이 단순한 배경 요소를 넘어 내러티브와 감정적 몰입을 심화하는 핵심적 요소로 작용할 수 있음을 규명하는 데 있다. 이를 위해 액션 어드벤처 게임 데스 스트랜딩에 개념적 혼성망(CIN) 이론을 적용해 라이선스 음악이 게임 내러티브와 결합하 여 메시지를 전달하는 방식을 분석하였다. 히데오 코지마 게임 감독은 특정 상황에 밴드 로우 로어의 세 곡을 의도적으로 배치하여 주인공의 여정과 주제적 요소를 상징적으로 나타냈다. CIN 이론에 따라 줄거리와 음악 입력 공간의 상호작용을 분석한 결과, 이러한 음악들이 게임 의 주제와 서사적 요소가 긴밀히 결합하여 의미를 형성함을 확인하였다. 본 연구는 음악과 게 임 간의 상호작용을 탐구하는 새로운 관점을 제시하며 CIN 이론을 활용한 게임 음악 분석 분 야에서의 연구 방향과 그 잠재적 효과를 시사한다.

The purpose of this study is to investigate that music can act as a key element that deepens narrative and emotional immersion beyond simple background elements in the medium of games. To this end, the CIN theory was applied to the action adventure game Death Stranding to analyze the way licensed music combined with game narrative to convey a message. Hideo Kojima, the game director, intentionally arranged three songs of the band low lower in a specific situation to symbolically represent the main character's journey and thematic elements. As a result of analyzing the interaction between the plot and the music input space according to the CIN theory, it was confirmed that these pieces of music form a meaning by closely combining the theme of the game and narrative elements. This study presents a new perspective to explore the interaction between music and games, and suggests the research direction and potential effects in the field of game music analysis using CIN theory.

Between various genres of Korean variety shows, one of the rising star in the recent years was a survival audition program, which possesses a reality show and a competition characteristics (Park, 2011). In the history of successful Korean audition-based show—from "Superstar K," "K-Pop Star," to "Produce 101”—they have not only been immensely popular with viewers—locally and globally via an impact of Korean Wave—but have also driven many talented singers and ‘normal’ individuals to the spotlight, which as well leading the producers to create more of these shows (Dong, 2021). Throughout the years of South Korea's thriving K-Pop industry, survival audition reality shows have given rise to many idol groups that come from audience votes, while some of them could make it to the top. After “Produce 101” was suspended due to its controversial issue regarding the voting manipulation, “Boys Planet” was introduced as a counterpart of the same series, with a new twist of producing a ‘global K-Pop idol group’. It is important to discuss the continuation of survival audition programs after “Produce 101” with the introduction of “Boys Planet”, which highlights the broadcaster's efforts to engage a global audience with K-pop culture through these shows, considering the increasing globalization of the K-pop phenomenon. The key factors behind the success of an survival audition show could be identified by looking at its narrative format. Using the case of Mnet’s recent audition-based show “Boys Planet”, this study aimed to examine the narrative format and narrative structure by employing Seymour Chatman’s (1978) Narrative framework. The result of the analysis showed that competition and evaluation are the main events, while the other elements such as entertainment ,variety, and individual stories serve as functional events. In order to further understand the intention of the program’s ‘Korean vs Global’ narrative, Levi-Strauss’s theory of binary opposition (Levi-Strauss, 1955; Story, 2001) is used. In addition, this study also explored the aspect of cultural representation (Hall, 1997) in the broadcast, addressed issues aroused from cultural differences between the participants as there were also non-Korean trainees joining the program. The analysis revealed a contrast belief towards K-Pop between the local and the foreign trainees, although they all love and share the same dream of becoming a K-pop star, which too, reflecting a highly competitive and not-allowed-to-fail nature of the Korean society. This research is hope to contribute to the media industry to understand the current trend of narrative of the survival audition programs, and to gain more understanding in terms of cultural sensitivity; it is the responsibility of the producers, to the program participants, as well as to the audiences.

This paper tries to analyze the strategies used in the translation of metaphors of President Xi Jinping’s popular quotes and sayings selected and summarized from six public speech scripts delivered in 2018. Using the Metaphor Identify Procedure (MIP) proposed by the Pragglejaz Team in 2007, this paper identifies 12 types of conceptual metaphors in the data and focused on those popular and influential quotes and sayings from a cultural perspective. Applying theoretical frameworks in post-classical narratology (especially Mona Baker’s narrative theory) first put forward and developed by David Herman and concepts in cognitive linguistics, it investigates how metaphors of the public speech scripts, with unique Chinese characteristics meanwhile, were translated in the Chinese media. By drawing on the strong points of Baker’s narrative theory, it makes a comprehensive narrative account of the translation process for Xi’s speech in the broad sense, namely, narrative material selection before the translation, narrative framing (re-narration) during the translation and narrative reception after the translation, with a focus on the narrative reframing process, in other words, the translation process of Xi’s speech in the narrow sense. After that, several conclusions are obtained: in the narrative framing process, the translator makes a re-narration from narrative time, narrative perspective and narrative structure on the micro textual level. In the narrative reception, three commonly used strategies in the translation of metaphors in Xi’s speeches are proposed to improve the narrative reception effect for the receptors’ sake, namely, reproducing the same image of the metaphor in the target language, replacing the image of the metaphor with a familiar one in the target language, and abandoning the image of the metaphor while translating the meaning of the image instead. Meanwhile, those strategies found out to properly reflect the manifold characteristics of the popular quotes and sayings and demonstrate the constant propagandistic practice of the Chinese media.

An organization with sufficient data and well-defined AI processes is said to be better positioned to seize AI opportunities than its competitors, and is referred to as an AI-matured organization. Unlike traditional software systems, AI systems depend on large data sets, raising ethical and operational risks throughout the life cycle. With increasing demands for responsible AI, standardized life cycle processes such as those by IEEE and ISO were introduced. This study investigates the potential disconnection between standardized AI life cycle models established by IEEE and ISO and real-world practice. By pinpointing where and how actual practices diverge from standardized processes, this study clarifies AI life cycle operations, which is crucial for advancing theoretical development on the connection between AI process capabilities and organizational AI maturity.

Color has become a fundamental element in contemporary visual arts, significantly influencing emotional resonance and narrative depth. Alberto Mielgo, an acclaimed animator and director, has gained international recognition for his innovative use of color and unconventional visual storytelling, particularly in digital animation. This study examines Mielgo's representative animated works—The Witness, The Windshield Wiper, and Jibaro—from a colorological perspective, analyzing how his distinctive chromatic strategies enhance narrative structure and emotional engagement. Specifically, The Witness employs extreme complementary contrasts of neon colors within urban environments to evoke simultaneous feelings of anxiety and allure. Conversely, The Windshield Wiper utilizes muted pastel palettes with subtle shifts in brightness and saturation to convey introspective emotions characteristic of modern urban life. Lastly, Jibaro integrates symbolic chromaticism through metallic gold tones contrasted against serene natural hues, visually allegorizing themes of greed, toxic relationships, and colonial violence. Through these analyses, this paper highlights how Mielgo's sophisticated integration of traditional color theory with contemporary digital technologies expands the expressive possibilities of animation. Ultimately, this research underscores the critical role of color as more than mere aesthetic decoration; rather, it functions as a powerful narrative device capable of profoundly shaping viewer perception and emotional immersion. The findings further suggest meaningful implications for future creative practices across diverse digital media platforms including animation, gaming, VR (Virtual Reality), and XR (Extended Reality).

In an attempt to explore how local traditional narrative manifests in a globalized media format, we analyzed five aesthetic elements of Korean traditional performances in Infinite Challenge (Muhan tojŏn) in terms of the sinmyŏng narrative. In the Infinite Challenge show, the personae release pent-up energy through endless challenges, sustain positive attitudes towards life by wiping away tears through laughter, have fun with playful deception games or word play, act like childish fools (pabo) and pranksters (kŏndal ) who indulge their unbound desires, and interact with participatory audiences in an open structure. Coupled with previous research confirming that traditional communication styles shape modes of expression in contemporary media content, we believe this study can provide empirical evidence to substantiate the creative potential of local traditional narrative in indigenizing global media programs.

Purpose: With the development of sports science, some major sports have made significant progress over the past few years by introducing big data analysis technology. Whereas, fitness sports events that are closer to the general public, such as weight training, are slow to use big data analysis techniques to increase the accuracy and precision of exercise methods. This study aimed to review the current big data analysis technology and discuss sports scientific application methods that can be used in the fitness field. Methods: A total of 10 articles related to big data published within the last ten years in sports science and medical fields were reviewed, and key contents were summarized to suggest a future fitness exercise case using big data and sports scientific research methodology. Results: The successful use of big data analysis in the sports field requires core technologies, including data collection ans storage, analysis algorithm accuracy, user experience-based interface, network protocols and security etc. As a result of reviewing all articles, an integrated platform was derived that technically provides a function of coaching and notifying accurate posture in 3D model simulation while capturing trainee's posture and movements in real time during fitness exercise, and in terms of research methodology, it was confirmed that the integrated big data platform needs to be verified through randomized controlled studies on bodybuilding performance, health fitness level, quality of life, and user satisfaction etc. Conclusion: Through the results of this study, it was confirmed that advanced industries and services can be expected by using big data analysis technology in fitness sports in the future, and technical and clinical verification should be actively conducted academically.

This study measures the discursive factors of current narrative journalism through analyzing a corpus of sample narrative news and describes how the reporters realize the news event in news-writing. A corpus was collected of comprising of 200 narrative news reports, collected from the major online newspapers such as New York Times, Washington Post, Los Angeles Times, and Metro Times. The primary objective of this study was to use Coh-Metrix indices to retrieve the distinctive language features of narrative news, and a multivariate statistical technique to provide an empirical, statistical measurement. As a result, five linguistic dimensions of narrative journalism are found as being significant: 1) Lexico-Phrasal Familiarity Dimension, 2) Action Sequence Dimension, 3) Varied Word Position Dimension, 4) Diminished Noun Phrase Dimension, and 5) Casual Connectives Dimension. In sum, the discursive features of narrative journalism can be summarized as having enhanced comprehensibility, narrativity, and spoken discourse characteristics.

This study analyzes the story structure of director Kim Chiun’s film Changhwa Hongnyŏn (A Tale of Two Sisters), as well as the characters that arouse, lead, and complete the events that unfold in the story. While eight years have already passed since its release, this film continues to serve not only as the subject of many studies conducted by researchers involved in the field of film studies but also those engaged in the field of literary studies. To this end, this study begins by reviewing the opinion pieces written by film critics, pieces which caused much debate in fan magazines at the time of the film’s release, as well as the great majority of the previous studies that have focused on this film. Many individuals have conducted comparative studies about the direct and indirect relationship between the classic novel Changhwa Hongnyŏn chŏn and the film Changhwa Hongnyŏn. Such studies have focused on how the film adapted and transformed the classic novel, or how far the film deviated from the original work. However, these issues were not addressed in this study. This is because it is advanced herein that from the very beginning Kim’s decision to entitle his film Changhwa Hongnyŏn was based on a heavily calculated strategy that did not involve any intention to inherit or adapt (translate) any element of the original story in the film. The second issue which came to the forefront during the review of previous studies was the fact that the majority of researchers had a negative assessment of the film narrative’s degree of completion. In this regard, the present study conducted a thorough segmentation-based analysis of the text that saw the temporality and causal relationships found in the story be reorganized in a logical manner. The narrative structure of the film was also delved into in a detailed manner. Next, an analysis of the relationship between the characters and their personalities was undertaken. The dramatic relationship that exists between the characters was explained using the summary found in Figure 1. Thereafter, an analysis of the key characters, namely Sumi who serves as the film’s main character, and Muhyŏn (father), who serves as the cause of all the events that unfold therein, was carried out. An analogical examination of the elements which caused Sumi’s mental illness was also undertaken. Based on this process, the originality of Sumi’s complex ambivalence and how this ambivalence was expressed are clearly revealed. In the concluding section, the symbolism of the house as the background (space) for this film and its connectivity with the narrative was addressed. While the film does not suggest any alternative measures concerning the tragic situations that have been unlimitedly repeated inside of Sumi’s head, the present study does suggest that Sumi’s physical and mental departure from the house mark the first step towards overcoming her illness.

본 연구는 캐리비안의 해적 삼부작에 사용된 영화음악과 영화의 서사간의 상관관계를 크리 스토퍼 보글러가 「신화, 영웅, 그리고 시나리오 쓰기」를 통해 제시한 ‘영웅의 여정 이론’을 통해 분석 한다. 캐리비안의 해적 삼부작은 「캐리비안의 해적; 블랙펄의 저주」, 「캐리비안의 해적; 망자의 함」, 「캐리비안의 해적; 세상의 끝에서」세 편으로 구성되어 있으며, 서사는 영웅의 여정 이론에서 제시한 12단계 기능을 따라가고 있다. 본고는 영화에서 사용된 영화음악(Original Score)을 분석하고, 영화에서 나타난 기능에 따라 영화음악의 기능이 전개되어 서사에 영향을 미치고 있음을 가정한다. 캐 리비안의 해적 삼부작의 OS는 「블랙펄의 저주」의 OS가 3부작 내내 이어지며, 「망자의 함」의 OS 또한 「세상의 끝」에서 재생되는 연결성을 보여주었다. 작품 내에서 갈등과 해결을 모두 보여준 「블 랙펄의 저주」OS는 일상세계부터 일상으로 귀환까지 모든 기능에 해당하는 OS가 나타났으며, 「망자 의 함」과 「세상의 끝」에서 ‘일상세계’, ‘모험의 부름’등의 기능을 하는 OS는 「블랙펄의 저주」의 OS를 재사용하는 모습을 보여주었다. 영화를 포함한 영상 서사매체의 OS는 영화 서사의 보조요소로, 관객의 몰입도를 높이는 역할을 하고 있다. 본 연구는 영화에서 사용된 OS의 분석을 악곡분석, 작곡가 분석을 넘어 OS 연구에 서사분석이라는 새로운 방법을 제시하였다는 의의를 지니고 있다. 본 연구에서 제시한 연구분석을 활용하면 영화와 드라마의 OS 서사분석은 물론, 하이퍼텍스트, 인터렉티브 기능이 포함된 웹드라마, 비디오게임에서 사용된 음악의 서사분석에도 활용할 수 있을 것이다. 또한 이러한 매체를 위한 작곡, 미디어 제작에 도움이 될 것이다.

This study analyzes the correlation between the film music used in the Pirates of the Caribbean trilogy and the film's narrative through the 'Hero's Journey Theory' presented by Christopher Vogler in ‘The Writer’s Journey’. The Pirates of the Caribbean trilogy includes “Pirates of the Caribbean; The Curse of the Black Pearl”, “Pirates of the Caribbean; Dead Man’s Chest”, “Pirates of the Caribbean; At the End of the World” consists of three parts, and the narrative follows the 12 stages suggested by the hero’s journey theory. Therefore, this paper analyzes the film music (Original Score) used in the film and assumes that the function of the film music is developed according to the function shown in the film and influences the narrative. The Pirates of the Caribbean trilogy continues the Original Score of “The Curse of the Black Pearl” throughout the trilogy, and the Original Score of “Dead Man’s Chest” also showed connectivity playing in “At the End of the World.” The “Curse of the Black Pearl” Original Score, which showed both conflict and resolution within the work, appeared to cover all functions from the ‘Ordinary World’ to ‘Return with The Elixir’, and in “Dead Man’s Chest” and “The End of the World” the ‘Ordinary World’ , the Original Score that functions as ‘Call to Adventure' appears to reuse the Original Score of ‘The Curse of the Black Pearl'. The Original Score of video narrative media, including movies, is an auxiliary element of the movie narrative and plays a role in increasing audience immersion. The significance of this study is that the analysis of the Original Score used in movies goes beyond music analysis and composer analysis and suggests a new method called narrative analysis for Original Score research. The research analysis presented in this study can be used not only for Original Score narrative analysis of movies and dramas, but also for narrative analysis of music used in hypertext, web dramas with interactive functions, and video games. It will also help with composition and media production for these media.

본 연구는 경력단절여성이 재취업과정에서 겪는 각종의 장애요인들을 페미니즘적 관점에서 추적 한 연구이다. 이를 위해 경력단절을 경험한 40-50대 기혼여성을 대상으로 한 내러티브 연구방법을 적용해본 결과, 연구참여자들은 경력단절 전 업무만족도가 높았지만 전통적인 가부장제에 의하여 어머니로서의 역할과 책임이 강조되고, 업무 특성, 남편의 경제력, 물리적인 거리 등 다양한 개인적 인 어려움으로 노동시장에서의 이탈을 경험하였다. 또, 경력단절여성의 삶에서 재취업은 경제적인 문제해결보다는 자신의 가치를 높이고 자아실현, 자원봉사와 같은 나눔을 실천하는데 있음을 확인 하였으며, 그들은 자신의 경험과 특기, 전공, 취미 등을 살려 자유로운 형태로 자신의 일과 경력을 추구하고자 하였다. 그러나 경력단절여성의 재취업 과정에서 사회문화적 배경, 성별 분절, 성역할 고 착화 등의 장애요인들이 개입하고 있음을 찾아낼 수 있었다. 결론적으로 모성이 강조되는 우리 사 회에서 가사의 책임 편중, 노동시장에서의 차별, 그리고 미흡한 재취업을 위한 직업훈련 및 교육환 경의 개선이 시급한 과제임을 확인하였다.

This study aimed to examine various obstacles experienced by career interrupted women in their process of re-employment from a feminist perspective. For this purpose, narrative research method was conducted including married women in their 40s and 50s who experienced career interruption. Despite high satisfaction with the job before career interruption, it was found that they experienced departure from the labor market due to personal characteristics such as the role and responsibility of mothers emphasized by the traditional patriarchy, characteristics of work, husband's economic power, and physical distance. The purpose of re-employment in the lives of study participants was generally to acquire high self-worth and self-realization and practice sharing by volunteering rather than solving economic problems. Career interrupted women tended to pursue their work and careers more freely by utilizing their experiences, skills, majors, and hobbies. However, it was shown that the barriers including socio-cultural background, gender segmentation, and fixation of gender roles were intervening in reemploying process of the women. In conclusion, it is rediscovered that in our society where motherhood is emphasized, the responsibilities of housework are still concentrated, discrimination in the labor market exists, and the vocational training and educational environment for re-employment is insufficient.

본고는 대전 지역의 6ㆍ25 한국 전쟁체험담을 경험 주체의 성격에 따라 전투체험담과 민간인 전쟁체험담으로 구분하고, 민간인 전쟁 체험담이 ‘적군에 의한 피해담’과 ‘아군에 의한 피해담’으로 구분되는 가운데, 이 중 ‘아군에 의한 피해담’을 분석한 논문이다. ‘아군에 의한 피해담’은 크 게 비행기 ‘공습 피해담’과 ‘민간인 학살담’으로 분류된다. 대전 지역은 6 ․ 25 한국 전쟁 중 대전역을 중심으로 한 비행기 폭격의 피해가 큰 곳이었다. 인민군 점령기 시절에 주로 집중된 비행기 폭격은 인민군을 겨냥한 폭격뿐만 아니라 오폭 사고도 많이 일어나서 이로 인한 민간인 피해가 매우 컸던 곳이었다. 본고에서는 이러한 폭격이 민간인들 에게 체험되면서 기억되는 일련의 에피소드와 트라우마가 담긴 담화 유 형을 소개하고 분석하였다. 이는 대전 지역민들에게 ‘전쟁=비행기 폭격’ 이라는 전쟁 인지 공식을 형성케 해주기도 했다. 한편, 대전 지역이 수복 후 인민군들에게 협조했던 사람들에 대한 처형 이 주된 담화의 골자를 이루는 서사 및 산내의 골령골에서 이루어진 대전 형무소 수감자들에 대한 대형 학살 사건을 담은 ‘민간인 학살담’이 대전 지역민들에게 기억되어 구연되는 유형을 분석하였다. 인민군에게 밀고 를 해 이웃을 죽게 한 ‘지역빨갱이’들에 대한 적개심도 활발한 구연 동기 가 되고 있는 한편, 억울하게 지역빨갱이로 몰려서 수모를 당한 서사들도 적지 않게 전승되고 있었다. 대전 형무소 수감자 학살 사건은 흔히 ‘트럭 에 실려간 사람들’로 대전 지역민들에게 가장 널리 알려진 사건이다. 이 들이 빨갱이라서 죽었다는 당위성보다는 억울한 죽음이었다는 연민이 더욱 강하게 읽혔던 것은, 학살의 규모 즉, 트럭에 실려간 사람들의 수가 너무 많았다는 것이 큰 이유였던 것으로 보인다. 따라서 그들 중 빨갱이 라는 누명을 쓰고 죽은 사람이 많았다는 연민의 서사, 혹은 인민군들이 죽였다는 와전된 서사가 함께 병존하고 있다.

This paper classifies the Korean War experiences in the Daejeon area into combat experiences and civilian war experiences according to the nature of the subject of experience, and civilians’ war experiences are also classified into ‘victimize stories by the enemy’ and ‘victimize stories by friendly forces’. In the middle, this is a thesis that analyzes 'victimize stories by allies’ among them. ‘victimize stories caused by friendly forces’ are broadly classified into ‘victimize stories caused by air raids’ by planes and ‘stories of massacres of civilians’. The Daejeon area was heavily damaged by airplane bombing centering on Daejeon Station during the Korean War on June 25th. During the period of occupation by the People’s Army, the main concentration of airplane bombing was not only targeting the People’s Army, but also a lot of accidental bombing accidents, resulting in great civilian damage. This paper introduces and analyzes a series of episodes and types of discourse containing trauma that are remembered as civilians experience the bombing. This also helped the residents of Daejeon to form a formula for recognizing war: ‘war = plane bombing’. On the other hand, after the restoration of the Daejeon area, the execution of those who cooperated with the North Korean People’s Army was the main focus of the narrative, and the ‘civilian massacre story’, which contains a large-scale massacre of Daejeon Prison inmates in Golryungol in the mountain, was written by the local people of Daejeon. The types that were memorized and narrated were analyzed. The hostility towards the ‘local commies’ who informed Mingun and caused their neighbors to die was also a motive for active storytelling, while not a few narratives that were unfairly accused of being local commies and were humiliated were handed down. The massacre of prisoners at the Daejeon Prison is the most widely known event among the local residents of Daejeon, often referred to as “those who were taken away by trucks.” It seems that the scale of the massacre, that is, the number of people taken by trucks, was a big reason why the pity that the deaths were unfair was read more strongly than the justification that they died because they were Reds. Therefore, it can be found that the narrative of pity that many of them died because they were unjustly accused of being communists, or the erroneous narrative that the North Korean People’s Army killed them coexist.

본 연구는 현대 사회를 ‘좀비사회’로 진단하는 데에서 출발한다. 그 어느 시대보다도 진보된 시대를 살아가고 있는 현대인들은 매우 역설적이게도 피로에 지쳐서 탈진된 상태에서 살아간다. 권력과 자 본은 감시와 통제의 메커니즘을 최대한 활용해서 인간을 아무 생각 을 하지 못하는 상태로 몰아가고 있다. 몸은 살아 있지만, 주체적인 생각 없이 하루하루 살아가고 있다. 그야말로 현 사회는 ‘좀비사회’ 다. 이러한 분석과 함께 본 연구는 오랫동안 유교전통 속에서 살아 온 한국사회의 좀비론에 대한 고찰을 시도하였다. 한국전쟁이후에 서구화에 성공하여 발전된 물질문명을 누리면서 살아가고 있는 한 국적 상황에서 생각하는 좀비론이다. 이를 위해서 본 연구는 2019 년도에 발표된 드라마 <킹덤> 시즌1을 중심으로 좀비의 한국적 사 회학에 대해서 고찰하였다. 드라마의 역사적인 배경이 한국전통사 회라는 사실과 당시 사회의 모습을 매우 적절하게 잘 설명하면서 좀비론을 전개했다는 점에서, 드라마 <킹덤>에 나타난 서사(내러티 브)에 대한 분석이 좀비의 한국적 사회학을 잘 드러내고 있다. 이러 한 내러티브 분석을 바탕으로 본 연구는 기독교사회윤리적 해석을 시도한다. 본 연구는 좀비사회에 대한 기독교사회윤리적 대안을 모 색하고자 한다.

The study is initiated by diagnosis of modern society as 'Zombie society.' In spite of living in the most advanced age in history, contemporaries are ironically extremely exhausted. The control mechanism of power and capital drives people to live tired. Although the body is alive, humanity becomes like zombies which do not have any thoughts. Truly, the current society is the ‘Zombie society.’ Along with this analysis, this study examines the zombie theory of Korea, which has long lived in the Confucian tradition. It is a zombie theory that thinks of the Korean situation where people live by enjoying materialism that have been developed by Westernization since the Korean War. To this end, this study focuses on the Korean zombie drama, <Kingdom>, the season 1, which was released in 2019. The analysis of the narrative in this drama reveals the Korean sociology of zombie in that the historical background of this drama was Korean traditional society and that it developed zombie theory very well. Based on this analysis of Zombie society, this research tries to Christian social ethical approach on it in order to make an alternative plan on this social phenomenon.

본 연구는 자살예방활동에 참여 중인 이·통장의 경험과 변화 과정에 대하여 탐구하고자 하였다. 연구 참여자는 지역사회 내에서 2년 이상 자살예방활동에 참여하고 있는 3명의 이·통장으로 하였으며, 각자의 경험을 심층적으로 이해 하기 위하여 질적 연구방법인 내러티브 탐구를 활용하였다. 연구결과를 이·통장의 자살예방활동 참여 시작, 경험, 변화 와 성장 순으로 구성하고 그 의미를 탐색하였다. 그 의미는 다음과 같다. 이·통장 활동을 하면서 쉽게 할 수 있겠다는 생각으로 ‘가벼운 시작’을 하였으며, 자살예방이라는 어려운 문제에서 나름 각자의 방법을 터득하여 활동을 유지하는 ‘부담감에서 벗어나기’를 거치게 되었다. 그리고 ‘이·통장으로서의 책임감’은 자살예방활동을 지속하게 하는 원동력이었 으며, 그 활동으로 인해 자연스럽게 ‘나의 변화’를 발견할 수 있었다.

The purpose of this study was to explore what chiefs of tong/ri’ experiences in suicide prevention activities are and what their changes are. The study participants are three chiefs of tong/ri who have participated in suicide prevention activities for more than two years in the community. In order to gain a deeper understanding of their respective experiences, used a qualitative method of narrative study. Chiefs of tong/ri’ experiences experience in participating in suicide prevention activities consisted of start, experience, change and growth. The meaning is as follows. They did a "light start" with the idea that they could do it easily in their original activities. “Escape from the burden” of learning and maintaining each of own ways in the difficult problem of suicide prevention, “Responsibility as a chief” was the driving force behind suicide prevention activities. They were able to find "change of their own" because of the activity naturally.

Dubbing has been stigmatized as “lie” and “inauthentic” as its process erases the original dialogue. However, it can be ungrounded accusations without concrete empirical studies. Indeed, some films have different narrative structures between its original and dubbed version. This study analyzes Yongary, Monsters from the Deep, a South Korean kaiju film featuring Yongary, directed by Kim Ki-duk. The film’s ending is daringly disparate in its original and dubbed version, which requires a thorough narrative analysis. The aim of the study is to identify the difference in narrative structures of the original and its dubbed dialogues and provide plausible explanation. Vladimir Propp’s morphology of the folktale was adopted as a method to seek narratological distinction in a syntactical manner. Translation studies may be furthered by the incorporation of the narratological perspectives into the audiovisual translation studies as all films are stories and narratives.