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Examining “Discussion of Revenge” in the Latter Joseon Period through Historical Poems Baek, Jin-Woo The purpose of this thesis is to analyze the series of historical poems created in the latter Joseon period after the Manchu War of 1636 and reveal the relationship between the creation of these poems and the discussions of the time. In Joseon after the Manchu War of 1636, “a desire for revenge” was established as the national discourse in an effort to get revenge against the Qing Empire and cleanse itself from national disgrace. This type of discourse was influential in many aspects of Joseon society. There were also many literary creations which were based on the topic of “revenge.” Especially in the case of historical poems, which describe the lives of historical figures, the number of poems describing vengeful people rose rapidly compared to the previous period. Some of these historical figures are Wu Zixu(伍子胥), Ju Jian(句踐), Yu Rang(豫讓), Jing Ke(荊軻). The authors of these poems actively revealed the general desire for revenge against Qing at the time by praising these figures’ vengeful acts. One can say that these historical poems are the chemical fusion of history and literature, especially as seen through the authors’ historical points of view about the lives of historical figures. Accordingly, in this thesis, I seek to analyze the differences in the ways these figures were viewed compared to previous periods and discover what meanings these poems had by looking at them in their historical context. <Key Words> historical poems, the Manchu war of 1636, discussions of the time, revenge, wipe away a disgrace, history and literature.

We researched, in this paper, the structure of narration, the aspect of witticism, and mixing use of Sokga(a popular song) about <Jangdaejang taryeong>, one work of Jsedam-sori of Seoul based on a literature material <Jangdaejangne Gut>, <Jangdaejang-taryeong> and on a music material <Park chun jae/Back yeong chun Sori>. Jsedam-sori is a special formed song mixing with Jaedam(witticism) and Sori, This study is a following up work of <Jangdaejang-taryeong> consideration and was centered to consider the implied humor and satire in this paper. One important point is that I wrote this paper by paying heed to the popularity of Park chun jae who was artist at that time and cultural-artistic pervasiveness which is in <Jangdaejang-taryeong> he called. Eventually, We can search the meaning of Jaedam-sori, Jangdaejang-taryeong of Park chun jae the work which make them insighting the times by humor and satire through ongoing performance, a collection of poems and a disk sale etc. against a large number of readers in opening area and which highten one step of critical intention about socio-cultural phenomenon by opening the area of recognition of them.

The purpose of this study is to find out how the sense of location in Songnisan poetry has been presented in Korean literature. The sense of location in the field of literary geography does not fix it only on the emotional aspect, but present the emotional image along with the inner feelings. In order to find out this inner aspect, this study attempted to analyze the basic scenery and locational experience of Songnisan as a geographical place which has been shown in classical and modern poetry. The findings of this research indicated as follows; First, Songnisan as a locational experience was likely to be presented as a mental place to find peace or a paradise of fairyland in the classical poetry. Here, it showed the sense of location which had been assimilated into the scene of the mountain, presenting the atmosphere of spiritualization. Second, the sense of location presented in the modern poetry has been classified into two categories; non-genuine and genuine. The genuine sense of location was likely to be exposed as the identical with the genuine attitude, concertizing the ethics of community. Also, it can be said that poets were likely to be free from the material world and mundane affairs. Third, it seems to emphasize Songnisan as its non-genuine sense when people got into and out of the mountain, and were out of their karma; however, even in this case, the sense of location was distinguishable. Sometimes, the sense of location was maximized when the place was transformed into an intimate place, and its dramatic twist was not observed.

This study aims to explain the meaning of a woman growth on the base of two desires that prescribes the heroine's growth in En, Hue-kyeong's <Gift of bird>, which a desire for being approved by grandmother, the subject of mother love and the other desire taboo for a blood relative mother. And this study aims to search what meaning the confirmation and repetition of women's fortune has on a woman's growth in the world of capitalism. This work shows the progress that the desire for mother love and a blood relative(mother) love organizes the heroine's growth(and a woman's growth). In the situation that bloody relative mother and father were deficient, the heroine was raised by her grandmother, an ideal and devoted mother in capitalism patriarchy. She confirms the violence of patriarchy and the solidarity for women's fortune through seceding both from her grandmother, the subject of mother love and her bloody relative father. And her growth was completed with the sympathy on women's body fortune like menstruation and pregnancy.

This paper discussed some elements of German philosopher Nietzsche’s thoughts found in the works of modern Korean poet Yu Chi-hwan. In his essays, Yu Chi-hwan mentioned Nietzsche’s famous declaration ‘God is dead’ two times. This is external evidence which Yu Chi-hwan read Nietzsche. Internal evidences are as follows: (1) critique of Christianity, (2) duality of Nihilism, (3) the life and the will, (4) eternal return, The Earth. (1) and (2) are considerably concrete in his works, but (3) and (4) found in his poems only. In modern Korean literature Yu Chi-wan is only poet who discussed Nihilism. Therefore we can evaluate him a largely recipient poet of Nietzsche. Yu Chi-hwan is one of thinker-poets in Korea. His literature can be elucidated from the point of view on the reception of Nietzsche’s thoughts.

A gap of lyric and will, or sentimentalism and realism of Oh Jang Whan poems be in connection emotion of sadness intimately. Commonly, sadness is emotion belong to lyric or sentimentalism. But from Oh Jang Whan poems sadness is affect will of very hard to work to realism. That is not stay such as hopelessness or resignation appreciate of level. Poetic self and solidarity with object appear and reach to social semantic network. Oh Jang Whan shows negative consciousness, but on the one hand become have desire about source world. But hard to work cause want be realist Oh Jang Whan is incite his will inhibit fall out root world. That impetus is in Oh Jang Whan poems ironic emotion titled sadness. He read introspection, purification and consolation into emotion titled sadness, find to solidarity with object through a medium sadness. Finally, center of problem like negativity, one's hometown, mother, realism flowing sense about eternal nature meanwhile pass unnoticed emotion titled sadness.

The purpose of this paper is to argue the lyricality of the early short-stories of the author Hwang Sun-won, focusing his first book of the short-stories <Neup(늪)>. The author Hwang Sun-won had apeared as a poet at first, but he wrote the short-stories. As a poet he was influenced by the modernistic tendencies. So in his first book of the short-stories <Neup(늪)> this tendencies apeared. And in his first book of the short-stories <Neup(늪)> we classified two categories by the setting in arguing the lyricality of his works: the urban short-stories, and the rural short-stories. In the urban short-stories Hwang Sun-won presented the urban lyricality and described the inner consciousness of the young men. And the rural short-stories Hwang Sun-won presented the rural lyricality and reported the romantic and symbolic aspcts of the peasntry's poor lives.

Modern society is a consumer society. Things in the realm of consumption is used as a tool and as an element of happiness, prestige role. Consumption activities in modern society was a meaningful interaction based on a certain code and communication process. Furthermore, it acts as a symbol that distinguishes themselves and others. Modern consumption patterns are involved in the life of modern people. The culture of consumption has underlying such as the desire that social distinction, the desire to be recognized by others, same the hierarchy of the chemistry. However, Characters in the novel, excessive commercialization and consumer society swept away by a logic to forget the true meaning of life and essence. Therefore, this article is divided into three chapters analyze. First, the distinction that, the consumption characteristics of the products, depending on the tastes and lifestyle of people. Second, for consumption on the subject's narcissistic tendencies. Third, Characters is to desire the things that others desire by trying to raise the value of their existence. This is simply out of the sight of economic activity associated with the human psyche will be able to look at various aspects of consumption.

This paper aims to discuss the problems on liquid deletion that are described in the high school textbooks. Furthermore, the correct way of describing will be proposed for liquid deletion in high school curriculum. Such problems are caused by following Hangul Spelling Regulations in 1933 uncritically. On the other hand, liquids deletion had not received the limelight even in the early 1980s, unlike the synchronic assimilation phenomenons and diachronic phenomenons. Liquids deletion should be described into three aspects as follows; (1) Liquids deletion by phonologically conditioned alternation: s'ɨl+nɨn￫s'ɨnɨn s'ɨl+nik'a￫s'ɨnik'a (2) Liquids deletion by morphemically conditioned alternation: s'ɨl+o￫s'ɨo s'ɨl+ma￫s'ɨma (3) Liquids deletion by consonant cluster simplification(syllable structure constraints): s'ɨl+mnida￫s'ɨmnida, s'ɨl+n￫s'ɨn

This study originated in that local Sakhalin Koreans in Sakhalin feel keenly the necessity Korean education in the light of the special historical relation. The research methods investigated of the present situation of the schools and relevant agencies in 2010-2012 which teach Korean. I participated and observed and took pictures of analyzed classes. We can confirm the fact that the results obtained from the study Sakhalin Korean education has been influenced absolutely by the historical and political background. The following improvements are needed for continuous development of Korean education. The current teaching materials put in in Korean education are modified and supplemented suitably depending on the regions and the education. The ongoing teacher training to improve the skills of teachers and the incentive measures for securing competent teachers are needed. The expansion of the audio-visual materials in teaching aid materials is needed. The encourage students of Korean language training and the expanded opportunities of studying in Korea are needed. We hope that the economy will revive in the future and many Korean companies will make inroads into Sakhalin and will create many jobs and the university Korean language education will be activated. In the future as the economy revives, many Korean companies have a presence on Sakhalin with many Korean universities education, create jobs and expect it to be activated.