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The purpose of this article is to examine the various forms of ‘pota’ and then to examine the its grammaticalization process an d features. The grammaticalization process was divided into thre e categories such as 'generalization of meaning, abstraction of m eaning, and acquisition of grammatical meaning'. Furthermore, b ased on such categories, the grammaticalization degree and char acteristics of ‘pota’ were also examined. As the grammarization process of ‘pota’ is radioactive, it cannot be set as a regular gra mmarization process, and it is used in a variety of ways such a s main verb, auxiliary verb/clitics construction, and postpositiona l particle/adverb. The meaning of the verb ‘pota’ is generalized from the meanin g of ‘見’ to the meaning of sensory behavior and sensory percep tion. Later, as the stage on abstraction of meaning was passed t hrough, the verb ‘pota’ lost the meaning of '見' and it has been used as an auxiliary verb or clitics construction. Furthermore, th e verb ‘pota’ becomes grammaticalization as the comparison post positional particle ‘pota’ and the adverb ‘pota’ in charge of gram matical functions.

The purpose of this paper 『baengmaek 』 . to consider about the nature of the 『baengmaek』 was liberated from Japanese colonial rule, first a literary novels, poems, in general consumer magazine review, props, such as organized.to exist But 『baengmaek』 is interspecies arc into the first issue did not get any attention. But 『baengmaek』 was of good writers love literature, in many ideological confrontation and Western culture, and opens a window of opportunity for the new literature, To pursue the spirit. In this regard, South Korea left valuable as an inheritance in literary history. Therefore, 『baengmaek』 is our important can be seen as a magazine in literary history. First of all, 『baengmaek』 the image. Poetic targets on young artists are a normal nature image, and expressed a sense of something inside themselves. Typically can lift jeong han mo and kim yun seong The two authors 『baengmaek』 the 『sitap』 the lyric poet to heavyweight. They have profound philosophical reasons for the deployment by a natural image. kim yun seong with nature is infinite, and this transcendent quality and human nature for a finite life more wonderful as space which is full of vitality. Jeong han mo ordinary country at the time through the nature of the low-key look to look at the reality effort. Secondly, 『baengmaek』 gloomy express the emotion of the city in the parts. The streets at night are depressed to the author of the city made sentimental captions and solitude. The city is forced by the Japanese city, and that city was produced relative deprivation. In this regard are as a writer more around the city without its own sense of purpose and for changing the sentiments of lonely. Finally, 『baengmaek』 free the first to express the joy of liberation as general consumer magazine art and literature, although that has largely free of way that we see the lack of self-control. Maybe emancipation of liberation is not a truly independent and other pain is being produced. This is made at low-key events with the liberation, as a writer. The writer is universal agreement among victim and perpetrator is a sense of liberation is restrained him and, therefore, was forced to have eye contact.

Modern Korean poet Park Doo-jin was closely connected with poet Jeong Ji-yong, the most famous modernist in Korea before 1945. He was influenced by Jeong’s poetry. In this paper I have discussed Park Doo-jin upon comparison with Jeong Ji-yong. It can be summarized as follows; First, in the year 1940 Park has passed the three time contest system(3회 추천제도) which was enforced in the literary magizine Moon-jang, on the recommendation of Jeong, Second, the recommended poet Park worked as a member of the editorial staff in the publication of Jeong’s collection of poems Ji-Yong-Si-Seon in 1946. Third, most of all, Park‘s nature poetry(자연시) resembled Jeong’s landscape poetry(산수시), but Park has overcome the lack of thoughts in Jeong’s poetry in the end. It was Park’s first anthology Hae, the Sun.

Kim Ki-rim had a negative attitude toward writing poems about love early in the beginning. However, he wrote love poems from his first published poems, and even after that, he wrote many love poems. In the early 1930s, Kim Ki-rim expressed the love, focusing on intellectualism and objectifying emotions. and utilized various metaphors. In the mid-1930s, Kim Ki-rim criticized materialized love in relation to criticism of civilization. During this period, satire was widely used to reveal one-time and materialized love. After liberation, Kim Ki-rim pursued love as a community solidarity. By this time he had revealed his romantic love to Utopia. Poetry has often been presented as a world of symbols that bring concrete senses to the mind.