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This paper explores the role and significance of jingika (Shinto-themed poems) in classical Japanese Waka, focusing on how the divine was expressed through poetic forms. While Waka is often seen as a lyrical medium for personal emotions, it originally served ritual and religious functions, as evidenced in the Kokin Wakashū’s final book, which includes songs used in court and religious ceremonies. The study classifies divine-related Waka into two broad categories: “ritual songs” and “personal devotional songs.” It further examines jingika, kami-asobi no uta (songs of divine entertainment), sankei-ka (pilgrimage poems), and hōnō-ka (dedicatory poems) as subcategories. These classifications reflect the dual nature of Waka’s engagement with the sacred: as both a communal ritual utterance and an individual expression of faith. Particular focus is placed on the jingibu (Shinto section) of imperial anthologies, especially the Shinkokin Wakashū, where poems are organized as either jin’ei (divine utterance) or hitoyo (human voice). This distinction underscores Waka’s function not just as literature, but as a religious performance in which language itself becomes a sacred act. Reassessing jingika in this way offers insight into how Waka functioned as a form of poetic imagination and interaction with the divine, expanding our understanding of both religious practice and literary expression in the Japanese tradition.

This study examines the intersection of hōraku waka (ritual poems offered as entertainment to deities and buddhas) and hōnō waka (dedicatory poems) through a comparative analysis of the Hosshin Wakashū compiled by Princess Senshi and the Shūgyokushū compiled by Jien. While the Hosshin Wakashū primarily reflects personal religious aspiration, positioning waka as an alternative form of Buddhist practice equivalent to scripture recitation, it does not yet assume the communal and performative dimensions of ritual entertainment. By contrast, the Shūgyokushū’s “Hie Hyakushu” explicitly situates waka within the framework of hōraku, aligning poetic composition with musical performance (kagura) in the ritual space of Hie Shrine. Through this transformation, waka emerges not only as an individual expression of faith but also as a medium that integrates the gods themselves into Buddhist soteriology, guiding them toward enlightenment. This comparative study highlights the dynamic shift whereby waka developed from private devotional practice to a communal ritual act that mediated between human, divine, and Buddhist realms. Ultimately, it demonstrates the multifaceted functions of waka in medieval Japan as both a literary and a religious performance.

This study focuses on the relationship between divine compositions (神詠) and human compositions (人詠) in Shinto poetry (神祇歌) in Japanese imperial anthologies. The research primarily analyzes and compares the structure and characteristics of the Shinto poetry sections in the “Senzai Wakashū” and “Shin Kokin Wakashū”. The study revealed the following points: Divine compositions are poems believed to be composed by deities themselves, mainly in the form of oracles (託宣) or dream revelations (夢告). In contrast, human compositions are Shinto poems written by humans involved in Shinto rituals and ceremonies. The “Senzai Wakashū” contains no divine compositions and focuses on human compositions. However, it includes left-side notes indicating the efficacy of dedicatory poems, demonstrating that waka were tools for prayer to the gods. The “Shin Kokin Wakashū” places 13 divine compositions at the beginning, clearly distinguishing them from human compositions. This arrangement is said to reflect the intentions of Emperor Go-Toba. Waka functioned as a medium connecting gods and humans, deeply intertwined with religious rituals and politics. By being included in imperial anthologies, individual poems became sources for generating tales and narratives.

Through this study, by examining the homecoming songs related to Empress Saigū Kishi in the Murakami Gyoshū, it is inferred that their continuous singing serves the purpose of highlighting the image of a considerate emperor. Furthermore, it was confirmed that the exchanged poems between spouses of the highest rank during the Heian period, conducted through private interactions, functioned as a means of communication when they were living apart. Additionally, given that the Murakami Gyoshū is a unique manuscript, its relationship with the Saigū　Nyōgo　Gyoshū has always been a subject of discussion. However, this study revealed that the unique arrangement of the Murakami Gyoshū bestows a narrative quality to the relevant group of poems. Specifically, the exchanged poems forming the Murakami Gyoshū exhibit different combinations from those in the Saigū Nyōgo Gyoshū, making it clearer in the process of determining which is more appropriate to treat as paired exchanges. This led to a clearer interpretation of the functionality of the group of poems related to Empress Saigū Kishi, spanning numbers 6 to 81. Moreover, this study contributed to the understanding of the relationship between the two Gyoshūs and served as a basis for assessing their forms as original sources.

The trend of Trans-media Storytelling is gradually strengthening and showing new features. Since the breakthrough of the Super Mario video game franchise over three decades ago, numerous dramas, films, and animations have been made and adapted for theme parks. In this study, we examine the content characteristics and conditions of spatial transformation media stories, then analyze the case of Super Nintendo World, and examine how to enhance the user experience by changing characters and expanding stories across platforms. Through this consideration, it was found that the game content could be expanded to physical space.

This research attempts to interpret the meaning of the momentary expression that includes “present” in “The Tale of Genji” and “The Kagero Diary”. In this study, I focused on the scene where typical gift-giving songs of love are exchanged because I focused on the cultural ritual aspect of the act of communication. In other words, it is based on the viewpoint that the original gift-giving song was born in a place where the extraordinary ritualization of the marriage proposal and love process was required. Therefore, the focus of the question is whether the tense words “this morning,” “`today,” and “now” used in the scriptures as cultural rituals can be positioned as love words. At the beginning of love, as I anxiously wondered, ‘Can we meet now? Can we meet today?’ and as I made every effort to create opportunities to meet, fleeting expressions proved useful. Then, during marriage ceremonies or in the process of love, when expressing heartache through poetry like the ‘Kinuginu-uta’, momentary emotions were brought to the forefront. Furthermore, in moments of parting as spouses or lovers, or in extraordinary situations, when pledging eternal feelings or showcasing the pinnacle of compassion, the ephemeral nature revealed itself. “The ‘Izumi Shikibu Diary’ constructs its own unique world of expression, and while I couldn’t find a similar ephemerality in ‘The Tale of Genji’ and ‘The Kgero Diary’ I was able to confirm a certain level of commonality in the expression of momentariness when looking at it from a broader perspective of romantic exchange.

This research attempts to interpret the meaning of the momentary expression that includes “now” in Izumi Shikibu’s diary. This series of work was for the purpose of demonstrating whether it works as “a word that regards the moment as eternity”. However, as I looked at all 33 poems, I was able to confirm that the role of the ephemeral vocabulary does not stop there, and that there are further characteristics. It can be said that the characteristic is a unique aesthetic that emphasizes the ephemerality in the scene where the typical gift-giving song of love is exchanged. When I tried to decipher the ephemeral expressions in the song, I was able to organize them into about four characteristics. - Being a point in time as a boundary line that brings about transformation and change of feelings of love. - Maximization of anxiety and impatience caused by momentaryness and ephemerality - Even if it is the same “now”, “today”, and “this morning”, there is a discrepancy in the way that Miya and Shikibu recognize each other. - The climax of the taste that shouldn’t be missed In this diary, the entanglement and nervousness of the love affair between the two are read as a lively flow with expressions that grasp the moment. It will become clearer from now on by comparing it with other works, but I can argue that the expression expressing the moment is remarkable in this diary, and that this can be read roughly in four patterns.

The global outbreak of the epidemic has impacted the experiential culture of festivals and brought new opportunities. In the society of the fourth industrial revolution, the trend of industrial integration of technology is becoming more and more obvious. Under this interaction between society and technology, Convergence Festivals emerged, which promoted the transformation of online and offline operation systems in the field of festivals. Through literature analysis and case analysis, this study clarifies the concept of fusion celebrations and summarized the operation mode of Online & Offline Convergence System in the Post-pandemic Era. Sorted out the Convergence System’s characteristics under the framework of social-technical system innovation theory(STS), provided suggestions for building a Convergence System of Festivals with technology in the future.

In the global era, city competition is becoming increasingly fierce, and cities are making numerous efforts to improve their competitiveness. Among these is the path to becoming a member of the UNESCO Creative City Network. Media art, as a leading genre in the field of culture and art, has received a lot of attention, especially since the fourth industrial revolution. Changsha is China's first media art city to join the UNESCO Creative City Network, and it has made significant contributions to the field. By analyzing the current situation and representative industrial clusters in Changsha, this study points out the future direction for the development of creative industrial clusters in media art cities.

This study is to understand the appropriateness of the review in the process of reviewing papers by Korean academic societies. In other words, we are investigating what kind of review is being conducted in the process of reviewing papers, and aim to make proposals for a more rational and reliable system. Since various factors are involved in the publication of submitted papers, comprehensive research is needed, but this time, we will focus on the aspect of judges. In other words, he raised the issue of the influence of the qualifications of the reviewers and their tendencies on the dissertation review. In this way, by classifying the basic data in the dissertation review process, it became clear that although there is a certain flow as a whole, homogeneity cannot be ensured by the method of scoring each reviewer. After all, in order to prevent such deviations in the scores of multiple reviewers, we changed the direction to a system in which one reviewer is in charge of multiple papers in the same field, and dissertations were distributed to a large number of reviewers with different tendencies. The current system of entrusting review should be reviewed. As a future task, let’s try to understand the inconsistency of the examination and the difference in the score due to the tendency of the examiner by comparing the range of the score of each judge with the poster one by one.

本研究は韓国の学会の論文審査過程において、その審査の適正性を把握するためのものである。すなわち、論文審査の過程でどのような審査が行われているかを調査し、より合理的でかつ信頼性を有するシステムへの提言を目指している。投稿論文の掲載の可否にはいろいろな要素がかかわってくるので総合的な研究が必要であるが、今回は、特に審査者という側面に集中して考察した。つまり、審査者の資質とその傾向性などが論文審査に与える影響について問題提起をした。 このように、論文審査過程における基礎データを分類することにより、全体的にはある程度の流れはあるが、一人一人の審査委員の点数のつけ方では同質性が確保できていないことが明らかになった。結局このような複数審査者の点数の偏差を防ぐためには、同じ分野の複数の論文を一人の審査者が担当するシステムへと方向を変えて、傾向性の異なる多数の審査者にばらばらと論文審査を任せる現行のシステムを見直すべきである。今後の課題としては、各審査委員の点数の幅を投稿者と一々照らし合わせてみることにより、審査の非一貫性及び審査者の傾向性による点数の隔たりを読み解いていこう。

This study proposes the future evaluation method while comparing the cases of Korea and Japan in the problems of university grade evaluation. First, I explained the process in which both countries are repeating revisions and progress while operating absolute evaluation and relative evaluation. This left a big question as to whether the system introduced under the leadership of the Korean Ministry of Education and the Japanese Ministry of Education, would be effective. And it became clear that it is an evaluation method that is far from the educational goals required in the future post-corona era. In the case of South Korea, it seems necessary to correct the disadvantages of rigid relative evaluation and develop a versatile evaluation method that has been fully discussed between teachers and learners while acknowledging the autonomy of teaching authority. The Japanese should also clarify the problem of quantifying the ranking of the GPA system so that the characteristics evaluated based on the authority and trust of the professor are not distorted. Then, it is necessary to reconsider the method of sharing evaluation methods that would lose the original purpose of grade evaluation by blindly believing in the acceptance of accreditation and global quantification by a third party.

本研究は、大学の成績評価が抱えている問題について韓国と日本とを比較しながら、今後の評価の在り方を提案したものである。まずは、両国が絶対評価と相対評価とを運用しながら、修正･進歩を繰り返している過程について説明をした。 それによって、韓国の教育部および日本の文部科学省の主導のもとに導入してきた制度というものが、果たして効果的でかつ有効性を有しているかについては大きな疑問が残った。そして将来のポストコロナ時代に求められている教育目標から掛け離れた評価方法であることが明らかになった。 韓国の場合は、堅い相対評価のデメリットを修正し、教権の自律を認めながら、教員と学習者の間で十分に協議した多用な評価方法を開発する必要があると思われる。しかも、主観的評価に信憑性のないと決めつけている雰囲気を、かえって第四次革命時代を迎えては、主観的特性をいかしてより創意的な力量を育てる雰囲気に変えていかねばならない。 日本の方も、教授の権威と信頼に基づいて評価してきた特徴が歪むことのないように、数値化するGPA制度の順位撹乱の問題を明らかにすべきである。そして、第三者による認定およびグロバール的数値化の受け入れを盲信して、成績評価の本来の目的を失うような評価方法の共有の方向性についてはもう一度検討を要する。 将来は｢問題の解決力｣および｢創造的思惟力｣など計量が容易ではない評価が求められる時代となる。したがって、教育の当事者(教授と学生)間の疎通と共有を最優先にしてより創造的な多様な評価方法を開発して行く必要がある。｢主観的な評価はだめだ。｣という幻想から目を醒すべきである。

This study shows that the traditional relationship between idol stars and fans, which can be explained based on the Habitus dialectic, no longer holds in the system of fandom’s cultural consumption in K-POP, which is typical of the “Shin Hallyu” boom. It is starting from that position.　And, also the traditional patronage culture of Japan argue that in the habitus dialectic of categories, have been discussed about its features while comparing with the BTS of ARMY Among the fandom of K-POP. As a result, it is possible to confirm that it is the content of “Shin Hanryu” which is dominant in Japan, It was pointed out that the K-POP fandom’s global propensity for cultural consumption is also apparent in Japanese fandoms. In other words, being a prosumer who produces endless information and content that goes beyond just buyers and supporters, and has the sense of unity that makes you feel like a friend or family climbing to Stardom together, Seeking higher morals with the same values, and consuming culture in real-time streaming with no content owned. As described above, the mechanism of sharing and consuming culture in a new way is a characteristic that could not be found in the relationship between idol stars and fans. From now on, it can be expected that the concept of fandom or fansummer and the consumption form of streaming will evolve further.

In this study it was analyzed by comparing the plants poems to song material and the four seasons of the plants that are poems in love part in Hachidaisyu. In that way, in the process of fixing the technique and the image to be created, there is a range of songs that are preferred or limited because they are love songs, such as “Asagi / Ayame / Autumn leaves” It was confirmed by. The singing material of the plant in the love part of the Hachidaisyu uses the singing material openly while utilizing the application or transformation, keeping the common singing material since the Kokinnwakasyu, and incorporating its own special plant material. Compared to this, in the four seasons part, several songs are firmly linked to each season, so the plant is limited and is regarded as a variation that hardly changes. In the <Winter> section, there seems to be an attempt to incorporate various plants in the later stages, but it does not reach the aggressiveness and diversity of love songs. Also, a plant song material that is suitable for making songs that are inspired by plants and have a love story is whether the plant itself is connected with the sense of the season or not. If the technique is possible and it can be taught or developed, it has been found that it maintains a different way of being engulfed than the seasonal song. In other words, even in the same plant, the function is properly used for seasonal songs and love songs.

In this study, we analyzed the plant poems written in love in the trilogy of tanka poem. Thus, it is possible to interpret the development process of original work as a plant material in a love song different from that of the seasonal song, and to highlight the plant group of love which is largely separated from the plant representing the seasonal feeling. It became clearer in comparison with the materials used only in the “Kokin” waka poetry collection. First of all, the representative plants of the season, which express a sense of the season, are not liked by the song.Even if they are sung, they tend to use place-name-related pillows to give personnel priority. Since ancient times, many songs have been sung for practical purposes, such as those that are closely related and familiar with life. As a material for rhetoric, songs by writers such as pillows, prepositions, and adverbs tend to have developed and fixed. The core of this book is the possibility of developing into a wide range of singing languages.

본 연구는 디지털미디어 시대 도래에 따른 인쇄매체 침체 위기 상황 속에서 국내 대중지가 직면한 문제를 해외 성공사례와 비교해 살펴봄으로써 대안을 제시하는 데 초점을 두었다. 스마트 디바이스 환경에 놓인 국내 대중 지, 그 중에서도 여성지들의 현황 조사와 국내 4대 여성잡지에 근무하는 실무자와의 심층인터뷰를 통해 브랜드 포지 셔닝을 분석하고 변화 방향을 확인하였다. 이후, 디지털 변환을 성공적으로 진행 중인 해외 매거진들의 사례와 비교 하였다. 그 결과, 국내 여성지들은 종이책 출판시스템에 익숙하여 디지털화에 대한 노하우가 부족하고, 새로운 디지 털 콘텐츠 브랜드 기획에 있어서도 협업과 개방, 트랜스미디어, 크로스미디어 등의 측면에서 한계를 보였다. 또한 실 용성보다는 가십성과 대중성에 기반하여 포괄적이며 비전문적인 기사 구성으로 잡지들 간 내용 면에서 중첩되는 부 분이 많아 동종 여성지들 간의 차별화가 무엇보다 시급한 문제로 드러났다.

This paper focuses on proposing an alternative solution via identifying the problems that domestic popular magazines encounter in the context of the recession crisis faced by printed media in accordance with the advent of the digital media era. Firstly, current-state investigation and in-depth interviews with editorial staff of the major 4 domestic women's magazines were conducted to analyze their brand positioning and change of direction in facing the rise of smart devices. Secondly, domestic women's magazines were compared with international popular magazines that have been successfully undergoing digitalization. Accordingly, domestic women's magazines lack the know-how to digitalize their publication and show limitations in collaboration, openness, trans-media, and cross-media. As most women's magazines are unprofessionally composed of gossip articles having popular appeal rather than practicality, it is an urgent issue for them to differentiate their contents from competitors.

차세대 신기술로서 3D 프린팅 기술에 대한 관심이 높아지고 있으며, 프린팅 기술의 융합산업으 로서의 가능성과 그 시장 규모도 점차 커지고 있다. 특히 제조업의 혁신으로 불리는 3D 프린팅 기술 의 도입이 가져오는 긍정적 영향과 함께 기술의 시장도입과 산업으로서의 발전을 위한 산업 생태계적 관점이 필요한 시점이다. 따라서 본 연구에서는 3D 프린팅 기술의 활용가치를 가치사슬과 비즈니스 모델로서 분석하고 융합산업으로서 활성화 될 수 있는 생태계 모형을 제시하고자 한다. 분석을 위해 서 3D 프린터 제조산업 분석으로서 가치사슬 모형, 3D 프린팅 생산물의 비즈니스 모델을 활용하였으 며 최종적으로 3D 프린팅 산업 생태계 모형 설계를 위하여 Betz(2011)의 신기술 도입에 따른 혁신 모형을 활용하였다. 분석 결과를 통하여 3D 프린팅 산업을 산업융합 도메인, 산업지원도메인, 산업통 제도메인의 3개의 도메인으로 분류하여 각각의 도메인에 대한 특성을 정의하였다.

As a next-generation technology, interest in 3D Printing Technology is getting higher and its potential convergence industry is also gradually increasing. In this study, we analyze the utilization value of 3D printing technology as a value chain and business model and propose Ecosystem models that can be activated as a fusion industry. In particular, introducing 3D Printing as a “manufacturing innovation” revolutionize the way we make almost everything. Thus time, the ecological perspective was needed for industrial development and market introduction of this new technology. In order to analyze 3D Printer Manufacturing Industry, we used Value Chain Model, Business models of 3D printing products. And finally for the 3D printing industry ecosystem model we used the service innovation model in accordance with Betz(2011)-Managing technological innovation Through the analysis shown in this paper, we propose classification for 3D Printing Industry as Industry convergence, business support, industry statistics domain. It defined the characteristics for each domain.

해외 공공 IT 시장의 지속적 확대에 따라 전자정부 중심의 수출 시장이 확대되고 있으며, 이를 체계적으로 지원하기 위한 플랫폼의 도입이 시급한 실정이다. 이에 본 연구에서는 공공 IT 플랫폼 서비스 중 의사결정 지원도구의 평가항목 및 가중치 도출을 위한 연구를 수행하였다. 본 연구에서의 의사결정 지원도구는 기업역량과 국가 환경 두 가지 측면을 통합적으로 고려하여 수출대상국을 도출하는 개념으로 정의하였다. 의사결정 지원도구의 개발을 위해 문헌연구 및 개방형 설문을 통해 기업역량과 국가 환경을 평가하기 위한 항목을 도출하였으며, 전문가 대상의 설문을 통해 평가항목의 제거 및 AHP 분석을 실시하였다. 그 결과 기업역량 측면에서는 수출 경쟁우위＞수출 마케팅 전략＞수출 인적자 원＞수출 조직자원＞수출 조직기능의 순으로 중요도가 나타났으며, 국가 환경 측면에서는 서비스시장 효율성＞기술혁신 및 성숙도＞제도적요인＞시장운영 효율성＞거시경제 여건＞인프라의 순으로 중요 하게 평가하고 있는 것으로 나타났다.

Due to the constant expansion of overseas public IT market, exportation market mainly based on e-government is expanding and platform needs to be introduced urgently to systematically support it. Thus, this study was carried on to draw evaluation items and weighted value of tools to support decision-making out of services of public IT platform. In this study, the tools supporting decision-making were defined as concept that draws exportation customers by wholly considering 2 aspects of enterprise capabilities and national environment. To develop tools supporting decision-making, the items to evaluate the aspect of enterprise capabilities and national environment were drawn through study on literature and open question and evaluation items were eliminated and AHP analysis was done through question given to experts. As a result, the significance was found in the order of Export Competitive Advantage > Export Marketing Strategy > Export Human Resources > Export-Related Organizational Resources > Export- Related Organizational Capabilities in the aspect of enterprise capabilities. The significance of evaluation was found in the order of Service Market Efficiency > Technical innovation and Maturity > Institutions > Market Efficiency > Macroeconomic Environment > Infrastructure in the aspect of national environment.