Earticle

초록

영어

This paper explores the role and significance of jingika (Shinto-themed poems) in classical Japanese Waka, focusing on how the divine was expressed through poetic forms. While Waka is often seen as a lyrical medium for personal emotions, it originally served ritual and religious functions, as evidenced in the Kokin Wakashū’s final book, which includes songs used in court and religious ceremonies. The study classifies divine-related Waka into two broad categories: “ritual songs” and “personal devotional songs.” It further examines jingika, kami-asobi no uta (songs of divine entertainment), sankei-ka (pilgrimage poems), and hōnō-ka (dedicatory poems) as subcategories. These classifications reflect the dual nature of Waka’s engagement with the sacred: as both a communal ritual utterance and an individual expression of faith. Particular focus is placed on the jingibu (Shinto section) of imperial anthologies, especially the Shinkokin Wakashū, where poems are organized as either jin’ei (divine utterance) or hitoyo (human voice). This distinction underscores Waka’s function not just as literature, but as a religious performance in which language itself becomes a sacred act. Reassessing jingika in this way offers insight into how Waka functioned as a form of poetic imagination and interaction with the divine, expanding our understanding of both religious practice and literary expression in the Japanese tradition.

목차

1. はじめに
2. 神々の＜うた＞とは何か
2.1 ｢神々の＜うた＞｣という視座
2.2 ｢神々の＜うた＞｣に含まれる和歌の類型
3. ｢神々の＜うた＞｣と神祇歌の比較
3.1 神祇歌：神に捧げる和歌の総体
3.2 参詣歌：神社巡礼･参拝の和歌
3.3 神楽歌：祭祀的歌舞の和歌
4. 神祇歌概念の収斂と拡張
5. 終わりに
参考文献
Abstract

키워드

저자

• 権赫仁 [ 권혁인 | 光云大学校 インゼニウム学部大学 副教授 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495