Earticle

The picking process in distribution center is one of the most difficult and time-consuming process. The improvement of picking productivity is a core element which decides efficiency of the distribution center. The time to shipping on vehicles from receiving depends on the arrangement of items or picking methods. The Pick to Light system typically is used to improve the efficiency of order picking. In some cases the layout design of Pick to Light system has been performed rather than scientific analysis by a common experience. Therefore, this study analyzed the impact of picking performance by the zone arrangement method in order picking process of Pick to Light system.

본 연구는 국내의 대표적인 싱어송라이터로 활동 중인 김동률(1974~ )과 그의 작품 속에 나타나는 스트링 편곡 방식에 대해 고찰하고자 한다. 특히 그가 제작한 음반 및 개별 넘버에서 스트링이 어떻게 개입하는지를 분석하고, 그로 인한 사운드 제작의 방향성 및 미학적 특징들을 살펴보려는 것이다. 김동률의 스트링 편곡은 하나의 악곡안에서 영화적인 신(scene)과 시퀀스를 연상시키는 오케스트라의 시간차적 전개는, 통상적으로 편곡이라는 개념속에 암시되었던, 단지 보컬(주선율) 을 뒷받침해주는 세션들의 보충, 정리라는 제한적 용도가 아니라 스트링 각 파트가 하나의 드라마에 개입하여, 각 인물과 감정의 동선을 제어할 수 있는 그 자체로 자기충족적 개념으로 승화될 수 있게 만든다. “다시 사랑한다 말할까” 또한 대중들이 편하게 받아들이는 까닭은 그 내용이 익숙하고 공감대가 풍부한 이야기이기 때문이 결코 아니라, 청자들에게 직접 상상할 수 있는 공간성을 충분히 제공한다는 데에 있다. 스트링은 코드 진행이라는 동적 제한을 넘어서서 제3의 몽타주를 통 해, 내외적 심상을 구분짓고, 세밀한 감정의 긴장과 이완을 경험시키고, 새로운 장면과 풍경을 창출한다.

This study aims to consider Kim Dong-ryul, who is active as a representative singer-songwriter in Korea, and the string arrangement method that appears in his work. In particular, it is intended to confirm how the string intervenes in the strictures in the albums and individual numbers he produced, and to aesthetically derive the unique sound characteristics that result from it. Kim Dong-ryul's string arrangement, which is reminiscent of a cinematic scene and sequins in a piece of music, is not a limited use of supplementing and arranging sessions that support vocals (main melody), which are usually implied in the concept of arrangement, but each part of the string intervenes in a single drama so that it can be sublimated into a self-fulfilling concept that can control the flow of each person and emotion. The reason why the public accepts “Should I Say I Love You Again” comfortably is not because the content is a familiar and sympathetic story, but because it provides enough space for listeners to imagine directly. String instruments go beyond the dynamic limitation of code progression, and through a third montage, they distinguish internal and external images, experience detailed emotional tension and relaxation, and create new scenes and landscapes.

본 연구는 사회성 측정법을 이용한 자리 배치가 교우관계에 어떠한 영향을 미치는지를 알아보는 것이다. 연구대상은 본 연구자가 담임을 맡고 있는 학급이며, B 초등학교 5학년 34명이다. 학생의 자리는 사회성 측정법에 나타난 선호 및 배척관계에 기초하여 4번 바꾸었다. 교우관계에 관한 자료는 면접과 사회성 측 정법으로 수집하였다. 연구결과 교우관계에 의미 있는 변화가 나타났다. 이러한 변화는 긍정적인 면과 부 정적인 면이 있다. 일반적으로 고립아, 소외아, 배척아의 수는 감소하고 보통아의 수는 증가하였다. 교우 관계에서 긍정적 변화의 요인으로 긍정적 성격, 뛰어난 능력, 긍정적 상호작용, 좋은 특성의 발견, 좋은 평판이 도출되었다. 교우관계에서 부정적 변화의 요인으로는 친사회적 행동의 결여, 사회적 미성숙, 나쁜 평판이 도출되었다.

The purpose of this study is to identify the effects of a seat-arrangement using sociometric methods on peer-relation. Subjects of the study were the class under a researcher's charge, which consisted of 34 5th graders at B elementary school. Student's seats were rearranged four times according to the choice of favorable and unfavorable peer. Data about children's peer-relation were collected by interviewing and sociometric methods. Research results showed that there were significant changes in peer-relation. The changes in peer-relation were positive or negative. Generally the number of isolated children, neglected children, and rejected children decreased and the number of average children increase. The factors of positive changes in peer-relation were identified as peer's positive personality, excellent competence, positive interaction, recognition of peer's good traits and good reputation. The factors of negative changes in peer-relation were drew as the lack of prosocial behavior, social immaturity and bad reputation.

두 개 이상의 글자를 새로 조합하여 세상에는 없는 가짜 한자를 만든다는 점에서는 중국의 한자문자유희인 동파체(東坡体)와 일본의 한자문자유희인 우소지(嘘字, 또는 譃字)는 서로 같지만, 조합되는 글자의 개수에 따라 문자변형 및 배열방식에 있어서는 차이를 보인다. 이에 본 연구에서는 일본의 우소지에서 보이는 문자변형 및 배열방식의 특징을 중국 동파체와의 비교를 통하여 살펴보았는데, 특히 조합되는 글자의 개수가 늘어남에 따라 어떠한 변형과 배열이 이루어지는지에 주목하였다. 왜냐하면, 동아시아 한자문화권에서의 문자유희의 전개에 대한 이해는 한자를 구성하는 글자개수의 증가에 따라 발생하는 변화에 대한 이해로 연결되는 측면이 있으며 중국 창작한자와 일본국자간의 방식상의 상이점에 대한 이해와도 직결되기 때문이다. 그리고 구체적으로는 동파체의 두 글자 조합에서 보이는 세 가지의 문자변형방식(부분변형재독, 부분교체생략, 띄우고 끼워 넣기)과, 우소지의 두 글자 조합에서 보이는 한 가지 문자변형방식(좌우대칭반전)을 확인할 수 있었다. 또, 세 글자 이상 조합에서 보이는 문자배열방식의 경우, 가운데 글자를 감싸듯이 둘러싸는 우소지 특유의 문자배열방식의 특징을 알 수 있었다. 동파체와 우소지에서 보이는 문자변형 및 배열방식의 이러한 특징은, 획수가 많은 고자나 이체자, 부적 글자, 또는 현대중국의 창작한자 및 현대일본의 문자 수수께끼 등에서도 또한 찾아볼 수 있다는 점에서 본 고찰의 필요성이 인정된다 하겠다.

In this paper, I tried comparing and examining the method of character deformation and arrangment of Tungp‘o’s characters play and Usoji’s Chinese character play. First, in case of the method of character deformation of Tungp‘o’s characters play, I have found that partial deformation of letters and rereading, partial abbreviation of combined letters and replacement of letter, and divide the letters into two to create a space and put new spelling into the space. Next, in case of the method of character arrangement, I have found to surrounding the middle letter by othere letters in Usoji. And it is very interesting to stack letters vertically stacked like a tower. But I couldn’t it’s some regularity from Usoji.

本稿では中国の東坡体と日本の嘘字に見える文字変形および文字配列方式の特徴を二つの文字の組み合わせの場合や、三つ以上の文字の組み合わせの場合の二ケースに分けて比較検討してみた。 まず、文字変形方式の場合、東坡体からは文字の部分的な変形や再読、組み合わさった文字の一部省略や取り換え、あるいは、文字を割って空間を作り、その空間に別の文字を挟む方法などが確認できた。また、嘘字からは、組み合わさった二つの文字のうち、左の文字を右の方に反転させ、二つの文字を向き合わせて意味を表す方法が確認できた。 次に、文字配列方式の場合、基本的には漢字の造字パターンに従うものの、真ん中の文字を囲む方法がとくに嘘字に発達していることが分かった。字を塔のように縦に積み上げる嘘字の方法における規則性は確認できなかったが、現代中国の創作漢字や護符からは反復の規則性が確認できた。

This paper studies how the names, job titles, district titles, and rank titles of the Mimana people were arranged and used in certain situations in Nihonshoki to investigate the characteristics of the names and job titles of the subjects of Mimana. The Mimana people's names and job titles can be seen in Volume 5, 6, 9, 15, 17, 19, and 22 of Nihonshoki, which consists of 30 volumes in total.　The folklores recorded in Volume 5 and 6 show names of the Mimana people which are interpreted from Japanese to Korean; and in Volume 9-19, there are several Japanese style names and also some people recorded as Omi (“臣”), Shisha (“使者”), or Kanko (“韓子”) of the Mimana Nihonfu replacing their names. Furthermore, the documents exhibit “知”, “智”, “遅”, “至”, “支”, and “岐”, those mainly used as 尊称末尾字 (an affix used in names to show respect) of the Silla people's names, and also “奚” and “甲背”, which was used as 末尾 (a suffix) in the names of the Baekje people. It can be deduced, therefore, that the people's names of Mimana had similarity to that of Silla and Baekje. “王”, “王子”, “王児”, “王妹”, and “日本府臣” seem to be used in very limited cases for the job titles of the Mimana community. Additionally, its district titles can be seen in Volume 22: “㖨部” and “習部”—both borrowed from Silla's district titles. As for the rank titles, the following words are used: “干岐” and “旱岐” in Volume 6-17; “旱岐”, “次旱岐”, “下旱岐”, “上首位”, and “二首位” in Volume 19; “大舍” and "達率" in Volume 22. Mimana basically made use of the official rank systems of Silla and Baekje for its rank titles, rather than organizing its own independent system. Until Volume 19, the names of the Mimana people are written in the form of the following order: (job title) + name + rank title . However, in Volume 19, the name forms use two types of arrangement:　name + rank title, and rank title + name. These forms again changes in Volume 22, showing district title + rank title + name in order. This kind of arrangement is similar to how Silla changed its way of documenting names.

This paper examines the form of registering the names of Shilla people appearing in Nihonshoki. As the outcome of the examination, though it is regarded that job titles preceded names in the arrangement method of job and rank titles including the names of Shilla people, rank titles are featured by its two forms of ‘names + rank titles’ and ‘rank titles + names.’ The arrangement methods of rank titles are distinguished by volumes. The two forms are coexisting in Volume 22-25, but the ones prior to Volume 22 are of the form of ‘names + rank titles’ and the ones posterior to Volume 25 are of the form of ‘rank titles + names.’ The epigraphs of the ancient Shilla on the part of Korea say that the names of Shilla people precede rank titles, but it is witnessed in Nihonshoki that after Volume 25 there's a change in the arrangement method of names and rank titles. In writing of names, job titles, district titles and rank titles, furthermore, the usages in each volume exhibit their unequal distributions, too. The names of Shilla people not subjoined by rank titles and the rank titles with no distinct chain of command make frequent appearances throughout Volume 9-19, and the job titles of Shilla, limited to the particular job titles of ‘King of Shilla, Prince, Messenger of Condolence, Monk’ are shown throughout Volume 6-19 and Volume 27-30. In the district titles of Shilla, the same title of ‘沙㖨部’ makes appearances in Volume 22 and 25, and ‘沙㖨’ in Volume 27 and 29, having unequal distributions by volumes, too. The rank titles of Shilla have restricted usages in Volume 9 and throughout Volume 17-21 and Volume 25-27, but Volume 29 and 30 are featured by many different rank titles. This unequal distribution in the forms of registering the names of Shilla people by volumes can be thought to have happened by the differences in materials referred to by Nihonshoki.

One of the important technical issues is how to decrease thermal expansion of ballscrew in proportion to the increase of machining speed. when measuring force of stretch of ballscrew, since not only actual expansion and the value of bending have to be considered, it's impossible to definite the exact value of expansion. In addition, support bearings of ballscrew gain considerable force in axial direction. It also generates thermal expansion on the ballscrew, and deteriorates the bearings. In conclusion, it's impossible to give the pretension enough to absorb the all elongation due to thermal expansion generated during machine running. If gave, bed, column and saddle are all bent to change machine accuracy, and the support bearings of ballscrew are damaged. The purpose of this paper is to study the pretension of support bearing of ballscrew in machine tool.

『The Flat Talk of the Three Kingdoms』(三國志平話) has great significance in that it is the first version of the existing “Three Kingdoms illustrations”(三國畵). In addition, the quality of the achievement is not inferior to the later, so it is necessary to review and search at various angles. In this paper, we examined the basic editing planning of 70 illustrations, how to operate the spaces in the illustrations, furthermore the limits and problems. In this thesis I wondered whether to post a picture in the text from the viewpoint of the editor who publishes 『The Flat Talk of the Three Kingdoms』 and some associations. The illustrator (or publisher) summarizes the scrivener by picture-title, selects the scene from his point of view, emphasizes the theme, and arranges the battle scene and the non-combat scene to a certain degree. When interpreting a scrivener in the image of artwork, it basically treats the episode of developing “topic - sub topic" horizontally, develops these episodes, develops these, frequently operates double spaces, And also attempted to represent the part containing several causal relationships in a complex spatial manner. And also on the limits of artwork, I explained the reason why the person was strongly divided, the point where the castle wall was drawn small, the point where the person was omitted, the point where there was almost no indoor scene, etc., Solution or influence briefly stated. In this article, I gave a new opinion on the features and values ​​of the illustration 『The Flat Talk of the Three Kingdoms』 which have not discussed in domestic and foreign academic societies. Especially, approaching from the viewpoint of the operation of the space to decipher the figure, to what extent convincing results were derived. It goes without saying that such success of the illustrations book has had a great influence on the planning and drawing of the illustration book afterwards 『The Romance of the Three Kingdoms』 illustration book. Then, a comprehensive project that supplements artwork and literary story, emphasizes the theme, and presents interpretation from another viewpoint persisted ‘story picture’ got a richer experience. I think that this paper has a certain significance in that it helps understanding book illustrations as well as understanding of works.

In order to align the shaft, the dialgauge method has used as a means of solution until now. The method using a dialgauge require a great deal of labour and money due to making by hand, the accurate alignmentis not up to the expectation. For aligning the shaft, all the rotor must come to accord. It means that the moment of the point of coupling must keep being "Zero". The ideal measurement method as to material on the zero is used by straingauge which can gauge the moment at any point of the shaft. Also, the dialgauge method cannot be compared with straingauge measurement method, form the viewpoint, which can gauge in short time.hort time.

In KSC 3706, the gymnasiums are classified according to their size(small, medium, large) and there are two kinds of illumination arrangement method for them such as Side and Distributed. The characteristic of the distributed illumination arrangement method is excellent in uniformity and the characteristic of the side illumination arrangement method is excellent in glare. but illuminations were so diverse that features are not always applicable. So in this paper, in this paper, We analyzed characteristic of distributed illumination arrangement method and side illumination arrangement method using nine illumination.

가전제품과 사용자와의 상호작용 방식이 다양해지고 있다. 사용자는 리모컨, 터치스크린 등으로 기기를 제어할 수 있고, 기기 역시 사운드, 음성, 시각적 신호 등 다양한 방식으로 사용자에게 피드백을 줄 수 있게 되었다. 그러나 사용자의 조작 방식에 따른 피드백 방식을 배정하는 원칙이나 기준이 없어 각 브랜드, 기기 별로 임의로 배정되어 있는 상황이다. 본 연구에서는 사용자가 가전제품을 음성 명령을 통해 조작할 때와 버튼으로 조작할 때 가전제품에서 주어지는 피드백의 방식으로 음성, 소리 중 어떤 방식이 적절한지 실험을 통해 알아보았다. 본 연구에서는 조작 방식(음성 인식, 버튼), 피드백 방식(음성 안내, 소리)의 조합으로 구성 된 총 4가지($2{\times}2$) 셀을 갖는 요인 설계 실험을 진행하였고, 조작 방식과 피드백 방식의 조합에 따라 피 실험자가 느끼는 사용성, 만족도, 선호도, 적합도가 달라지는지 살펴보았다. 그 결과 가전제품을 음성 인식으로 조작 하는 것이 사용 용이성, 조작 만족도가 높았다. 하지만 버튼으로 조작 했을 때는 피드백 방식의 종류에 따라 사용 용이성, 조작 만족도가 달라지는 것으로 나타나, 조작 방식과 피드백 방식의 상호작용 효과가 검정되었다. 조작 방식, 피드백 방식의 조합이 가전에 적절한지에 대해서는 피드백 방식의 주효과가 검정되었다. 결론적으로 음성 인식으로 조작 할 때는 피드백이 소리(earcons)로 제시되는 것이 만족도가 높았으나 이는 통계적으로 검정 되는 정도는 아니었으며, 버튼을 조작 할 때는 피드백이 음성 안내로 제시되는 것이 만족도가 높았으며 이는 통계적으로 검정 되었다. 또한 가전에 어떠한 조작 방법이나 피드백 방법이 적절한지에 대해서는 피드백 방법이 주로 영향을 미치는 것으로 나타났다.

The ways to interact with digital appliances are becoming more diverse. Users can control appliances using a remote control and a touch-screen, and appliances can send users feedback through various ways such as sound, voice, and visual signals. However, there is little research on how to define which output method to use for providing feedback according to the user' input method. In this study, we designed an experimental study that seeks to identify how to appropriately match the output method - voice and sound - based on the user input - voice and button. We made four types of interaction with two kinds input methods and two kinds of output methods. For the four interaction types, we compared the usability, perceived satisfaction, preference and suitability. Results reveals that the output method affects the ease of use and perceived satisfaction of the input method. The voice input method with sound feedback was evaluated more satisfying than with the voice feedback. However, the keying input method with voice feedback was evaluated more satisfying than with sound feedback. The keying input method was more dependent on the output method than the voice input method. We also found that the feedback method of appliances determines the perceived appropriateness of the interaction.

The 2-dimensional arrangement method of nodes has been used in most of RF (Radio Frequency) based communication network simulations. However, this method is not useful for the an none-obstacle 3-dimensional space networks in which the propagation delay speed in communication is very slow and, moreover, the values of performance factors such as the communication speed and the error rate change on the depth of node. Such a typical example is an underwater communication network. The 2-dimensional arrangement method is also not useful for the RF based network like some WSNs (Wireless Sensor Networks), IBSs (Intelligent Building Systems), or smart homes, in which the distance between nodes is short or some of nodes can be arranged overlapping with their different heights in similar planar location. In such cases, the 2-dimensional network simulation results are highly inaccurate and unbelievable so that they lead to user's erroneous predictions and judgments. For these reasons, in this paper, we propose a method to place uniformly and randomly communication nodes in 3-dimensional network space, making the wireless link with neighbor node possible. In this method, based on the communication rage of the node, blocks are generated to construct the 3-dimensional network and a node per one block is generated and placed within a block area. In this paper, we also introduce an algorithm based on this method and we show the performance results and evaluations on the average time in a node generation and arrangement, and the arrangement time and scatter-plotted visualization time of all nodes according to the number of them. In addition, comparison with previous studies is conducted. As a result of evaluating the performance of the algorithm, it was found that the processing time of the algorithm was proportional to the number of nodes to be created, and the average generation time of one node was between 0.238 and 0.28 us. ultimately, There is no problem even if a simulation network with a large number of nodes is created, so it can be sufficiently introduced at the time of simulation.

The advanced counties effort to the supplement of the zero energy buildings for the global building energy saving. In the middle of the development of passive technology, the government has to effort to the energy saving of buildings by enhanced performance of the window thermal insulation. By the method of enhanced performance of window thermal insulation, the use of vacuum double glazing saves the energy consumption in building. This glazing has low U-value(heat transmission coefficient) than normal double glazing. The vacuum glazing enhanced thermal insulation performance by vacuum space of between the glass and glass. For this vacuum glazing, pillar maintain the space between glass and glass. But this structure cause the raising the heat transmission coefficient in pillar approaching glass. This study confirmed the U-value by the test method of thermal resistance for windows and doors. Also this study confirmed the variation of heat transmission coefficient by the structure of vacuum glazing. And this study measured the surface temperature of the vacuum glazing about pillar approaching glass and vacuum space in cool chamber and hot box. That result, this study confirmed U-value of $0.422W/m^2{\cdot}K$ of vacuum glazing. Also this study confirmed U-value of $0.300{\sim}0.422W/m^2{\cdot}K$ by various the structure of vacuum glazing. And this study confirmed the heat flow in pillar approaching glass.

This research aims to study the development of Arabic dictionaries focused on the early method of arrangement. In the compilation of dictionaries, the Arab scholars were very remarkable. The great interest in codification to make Arabic language a capable and uniform instrument of communication arose first in relation to Islam. And for the purpose of preserving the textual integrity and correct pronunciation of the Arabic language in the Qur'?n, the first linguistic studies were started and they were systematized by Al-khal?l Ibn 'Ahmad who was considered as one of the greatest Arab linguists. Al-khal?l had laid the foundations for the compilations of the Arabic dictionaries. For succeeding to Al- Khalil's method, Al- Azhari compilated 『Tahdh?b al- lughah』 and it is characterized by the permutational or anagrammatical arrangement. In second step, Ibn Durayd, and Ibn Faris composed 『Al- jamharah』and 『Al- maq?y?s』 by ordinary alphabetical order and anagrammatical arrangement. There was the third step of the method of Arabic dictionary compilation named the rhyme arrangement. The representative of this step is al-Jawhar?'s 『Al-?a???』, and Ibn Man??r's 『Lis?n al-?arab』. These dictionaries drove the remarkable development of Arabic lexicography and built the foundation of the modern efficient dictionaries' compilation.

본고에서는 표제어의 배열을 중심으로 한 국어사전의 거시구조에 대한 몇 가지 문제를 개괄적으로 살펴보았다. 대부분의 국어사전이 자소 단위로 표제어를 검색하게 된 역사적 과정을 간략히 검토하고 자소 단위의 표제어 검색보다는 자절(字節)과 음절 단위의 표제어 검색이 한국어 어휘 검색에 더 유리함을 논하고자 하였다. 무엇보다 기존의 국어사전의 자소단위 표제어 검색이 갖는 비일관성을 지적하고 이를 극복하는 데 자절(字節)과 음절 단위 표제어 배열이 효율적임을 강조하였고 그 중에서도 특히 표제어 검색을 위해서는 자절 단위의 검색이 선호된다. 국어사전 표제어 배열에는 그밖에도 의미 중심의 표제어 배열과 절충적 방식의 표제어 배열 방식이 있다. 현행의 국어사전들은 대부분 후자의 배열을 택하고 있으나 의미 중심의 표제어 배열이 좀더 철저하게 제시될 필요가 있다.

This paper mainly researched several argumentative matters of macrostructure in Korean dictionary. The historical process of searching the lemma in character unit of the most of Korean dictionaries is discussed. For further discussion, this paper also studied that searching the lemma in Jajeol and syllabic unit has more advantages than searching the lemma in alphabetical unit. Above all, inconsistence of searching the lemma in alphabetical unit are scrutinized, and searching the lemma in Jajeol and syllabic unit is recommended.

This research aims to study the method of modern Arabic lexicography from 19c until the early 20th century focused on the ordinary alphabetical arrangement. The great interest in codification to make Arabic language a capable and uniform instrument of communication arose first in relation to Islam. And for the purpose of preserving the textual integrity and correct pronunciation of the Arabic language in the Qur’?n, the first linguistic studies were started and they were systematized by Al-khal?l Bn 'Ahmad who was considered as one of the greatest Arab linguists. Al-khal?l had laid the foundations for the compilations of the Arabic dictionaries and it was characterized by the permutational or anagrammatical arrangement. For succeeding to Al- khalil's method, Al- Azhari compiled his dictionary by the permutational or anagrammatical arrangement. In the modern age from the end of 19th century until the early of 20th century, some dictionaries were compiled by the modern alphabetical arrangement order. The representative of this step is Butr?s Al-bust?ni's 『Mu??? Al-mu???』, Luyis Al-ma?r?f's 『Al-munjid』, and 『Al-mu?jam Al-was??』compiled by the academy of Arabic language in Cairo. These dictionaries drove the remarkable development of Arabic lexicography and led to the compilation of most fruitful modern Arabic lexicographical works. And they are considered as the most famous Arabic dictionaries until nowadays.

The misalignment state causes some problems in operating. These problems such as vibration, noise, make the reduce wear, as well as, a stress concentration on the coupling which is the very weakness point at the morter. In order to align the shaft, the dialgage method has used as a means of solution until now. The method using a dialgage require a great deal of labour and money due to making by hand, the accurate alignment is not up to the expectation. For aligning the shaft, all the rotor must come to accord. Also, the dialgage method cannot be compared with straingage measurement method, from the viewpoint, which can gage in short time.

이 연구의 목적은 정동의 장치와 주체화에 대한 사유들을 이론적으로 분석하여미디어교육의 방법론적 자원들을 탐색하는 데 있다. 정동의 장치에 관심을 두는 이유는 두 가지 측면에서 제기된다. 한편으로, 디지털 환경의 발전에 따라점차 정서의 변이 장치들이 세분화되어 작동한다는 점에 기인한다. 즉 슬픔, 기쁨, 욕망의 다양한 정서들을 표현하고 이용자들 간에 서로 영향력을 행사하는 디지털 장치들이 증식하고 있다는 것이다. 또 다른 한편, 이러한 정동의장치가 일정한 방식에 따라 개인의 감성을 포함/배제하는 과정을 통해 이용자의 미디어 생애사를 구성한다는 점이다. 즉 정서와 감성의 분할 장치들이 이용자의 생애사적 경험들을 지배하거나 혹은 새로운 저항적 주체화의 가능성을낳을 수 있는 것이다. 영화와 드라마의 영웅들을 모방하는 어린이와 청소년의정체성 형성과정은 이러한 미디어 생애사 과정을 탐구함으로써 보다 명확하게이해할 수 있다. 이러한 연구를 위해 이론적 자원으로서 우선 푸코의 장치와주체화 논의, 아감벤의 장치와 세속화에 대한 사유, 그리고 들뢰즈의 배치와차이의 생성에 대한 사상적 흐름을 탐색하고자 한다. 이러한 이론적 자원들을활용하여 미디어교육의 질적 연구방법인 미디어 비오그라피의 이론적 특성과방법론의 구체적 특징들을 살펴볼 것이다. 본 연구는 미디어교육과 질적 연구방법론의 경계를 넓히기 위한 기초적인 자료를 제공하는 데 의의가 있다.

This study focuses to analyze theoretically the thinking of affectus apparatuses and subjectivation for finding methodological resources of media education. The reason of the interest to affectus apparatus can be suggested in two sides. One side is derived from the fact that the emotional and sentimental fragmentation apparatuses are operated segmentally due to the development of the digital environment. Thus, the digital apparatuses that express and deliver diverse emotions such as sadness, happiness, and desire are multiplied. On the other side, this affectus apparatuses constitute to the user’s media life history through the process of including and excluding the personal emotions in regular method. In other words the fragmentation apparatuses of emotions and sentiments can invade the life history experiences of the user or give birth to the possibility of new resistant subjectification. The identity creation procedure of children and teenagers that imitate the heroes of movies and dramas can be understood more clearly by studying this media life history procedure. First, for this research, the discussion on Foucault’s apparatus and subjectivity, the thinking of Agamben’s apparatus and secularization, and the ideological flow of Deleuze’s arrangement and creation of difference will be looked through as the theoretical resource. Using these theoretical resource, the theoretical characteristic and methodology of media biography which is the qualitative research method of media education will be studied. This research has its meaning to provided the basic data to broaden the boundary of media education and qualitative research methodology.