This paper examines the form of registering the names of Shilla people appearing in Nihonshoki. As the outcome of the examination, though it is regarded that job titles preceded names in the arrangement method of job and rank titles including the names of Shilla people, rank titles are featured by its two forms of ‘names + rank titles’ and ‘rank titles + names.’ The arrangement methods of rank titles are distinguished by volumes. The two forms are coexisting in Volume 22-25, but the ones prior to Volume 22 are of the form of ‘names + rank titles’ and the ones posterior to Volume 25 are of the form of ‘rank titles + names.’ The epigraphs of the ancient Shilla on the part of Korea say that the names of Shilla people precede rank titles, but it is witnessed in Nihonshoki that after Volume 25 there's a change in the arrangement method of names and rank titles. In writing of names, job titles, district titles and rank titles, furthermore, the usages in each volume exhibit their unequal distributions, too. The names of Shilla people not subjoined by rank titles and the rank titles with no distinct chain of command make frequent appearances throughout Volume 9-19, and the job titles of Shilla, limited to the particular job titles of ‘King of Shilla, Prince, Messenger of Condolence, Monk’ are shown throughout Volume 6-19 and Volume 27-30. In the district titles of Shilla, the same title of ‘沙㖨部’ makes appearances in Volume 22 and 25, and ‘沙㖨’ in Volume 27 and 29, having unequal distributions by volumes, too. The rank titles of Shilla have restricted usages in Volume 9 and throughout Volume 17-21 and Volume 25-27, but Volume 29 and 30 are featured by many different rank titles. This unequal distribution in the forms of registering the names of Shilla people by volumes can be thought to have happened by the differences in materials referred to by Nihonshoki.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.