Earticle

본 연구에서는 중국 중심의 CBDC(중앙은행디지털화폐)에 대한 탐험적 연구를 통해 기축통화 가능성에 대해 살펴보고 시사점을 제시하고자 한다. 연구방법으로는 CBDC에 관련된 논문, 연 구보고서, 학위논문 등을 자료를 통하여 국내, 국외의 문헌적 연구를 하였다. 미국과 유럽연합 은 중국 정부가 CBDC 발행을 통해 미래의 기축통화국 지위 획득과 위안화 CBDC를 기반으로 한 새로운 글로벌 금융 시스템 구축에서 앞서가려는 전략을 반드시 저지해야 한다. 기축통화 보유국으로서 특권을 누리기 위해 미국과 중국의 디지털 통화 경쟁은 앞으로 더 치열하게 전 개될 것이다. 이런 점들을 종합적으로 볼 때, 최종 승자는 예측하기는 너무 이르다고 할 수 있다. 중국의 중앙은행은 디지털화폐(CBDC)라는 용어대신 ‘디지털화폐 및 전자지급결제 (DCEP: Digital Currency and Electronic Payment)’를 사용하고 있다. 새로운 디지털화폐가 단순 히 본원통화를 대체하는 것을 벗어나 지급결제의 폭을 넓히겠다는 의도를 가진 것이다. 이는 중앙은행 디지털화폐를 이용하여 알리페이나 위챗페이를 능가하는 초국가적인 지급결제시스 템 구축을 추구할 가능성을 시사한다.

Purpose : In this study, through exploratory research on CBDC(central bank digital currency) centered on China, the possibility of a key currency is examined and implications are presented. Research design, data, methodology : As a research method, literature research was conducted in Korea and abroad through the data of theses, research reports, and dissertations related to CBDC. Results : The US and the European Union must block the Chinese government’s strategy of gaining the status of a key currency in the future through the issuance of CBDCs and building a new global financial system based on the RMB CBDC. The digital currency competition between the U.S. and China will be fiercer in the future to enjoy the privilege of being a key currency holder. Overall, it can be said that it is too early to predict the final winner. Conclusions : China’s central bank uses the term ‘digital currency and electronic payment (DCEP)’, not digital currency (CBDC). This can be interpreted as an intention to expand the scope of payment and settlement beyond simply replacing the main currency. There is a possibility of pursuing the establishment of a transnational payment and settlement system that surpasses Alipay or WeChat Pay using central bank digital currency.

Digital platforms characterized by network effects enable provisioning of various types of services and provide a mechanism for linking producers and consumers. Identifying the key Quality of Service attributes of such platforms is vital for their continued success and growth. In this paper, a set of quality attributes for platforms is first extracted from different extant quality models. Then actual user feedback data from three platform providers are analysed and mapped against the set of quality attributes to determine the key attributes that are relevant. These findings are corroborated with qualitative data from interviews of different stakeholders. The results show that service quality characteristics are important to the success of platforms. Functional characteristics of platforms assume importance where the digital contributions of the platform is higher. Apart from these, ‘fitness for use’ as a major determinant of quality is also important in digital platforms.

디지털 사이니지와 다면 영상 시스템은 강한 몰입감으로 스토리와 정보를 전달하는 제4의 미디어로 사용되 고 있다. 대형 디지털 사이니지에서 상영되는 콘텐츠는 주로 실사 영상보다는 컴퓨터 그래픽을 이용한 영상으로 제작되고 있다. 그 이유 중 하나는 콘텐츠 제작을 위해 촬영된 영상을 사용하려면 제작범위가 극히 제한적이고 고해 상도 실사 촬영의 한계로 크고 넓게 구성된 디지털 사이니지 화면에서 고화질 재현에 무리가 많기 때문이다. 반면 영화 상영관 중앙에 있는 스크린과 좌, 우측 벽면을 스크린으로 활용한 Screen X와 Escape는 디지털 시네마용 카메라 3대로 실사 촬영하여 스티칭 작업 후 다면 영상 시스템을 갖춘 극장에서 실감 영상으로 상영되는데 관객들 에게 많은 실감 체험을 주고 있다. 이번 연구는 Screen X의 다면 영상 촬영 제작기술과 크로마키 기법을 이용하여 고해상도로 촬영된 영상을 디지털 사이니지에서 화질 열화 없이 상영할 수 있을 것이다.

Digital Signage and multi-view image system are used as the 4th media to deliver stories and information due to their strong immersion. A content image displayed on large Digital Signage is produced with the use of computer graphics, rather than reality image. That is because the images shot for content making have an extremely limited range of production and their limitation to high resolution, and thereby have difficulty being displayed in a large and wide Digital Signage screen. In case of Screen X and Escape that employ the left and right walls of in the center a movie theater as a screen, images are shot with three cameras for Digital Cinema, and are screened in a cinema with multi-view image system after stitching work is applied. Such realistic images help viewers experience real-life content. This research will be able to display high-resolution images on Digital Signage without quality degradation by using the multi-view image making technique of Screen X and Chroma key technique are showed the high-resolution Digital Signage content making method.

본 연구는 지속가능성과 디지털이 미래 패션의 생산과 소비의 모습을 결정하는 데 있어서 중요한 역할을 할 것으로 전제하고, 빅데이터 텍스트마이닝 분석을 통해 패션산업에 있어 지속가능성과 디지털 실행에 대해 형성되고 있는 소비자 인식과 주요 의제를 파악하는 것을 목적으로 한다. 이론적 배경으로 패션산업에서의 지속가능성과 디지털 실행에 대해 알아보고, 빅데이터 활용 패션 선행연구를 고찰하였다. 연구 방법으로는 소셜매트릭스 프로그램인 텍스톰을 활용하였으며, 네이버와 구글을 수집 채널로 하였다. ‘지속가능+패션+디 지털’을 키워드로 설정하였고, 수집 기간은 2020년 1월 1일부터 2023년 11월 30일까지로 하였다. 연구의 결과 는 다음과 같다. 빈도, TF-IDF, 워드 클라우드 시각화, N-gram 분석 결과 가장 많이 출현한 단어는 ‘지속가능’, ‘디지털’, ‘패션’, ‘브랜드’, ‘활용’, ‘글로벌’, ‘기업’, ‘제품’, ‘기술’, ‘친환경’, ‘고객’ 순이었으며, 지속가능, 패션, 그리고 디지털의 연결성을 확인하였다. UcINet을 활용하여 네트워크 시각화와 CONCOR 분석을 실시한 결과 ‘지속가능+디지털 패션의 핵심 가치’, ‘디지털 주도 지속가능+디지털 패션의 방향’, ‘지속가능 주도 지속가능 +디지털 패션의 방법’, ‘지속가능+디지털 패션 시스템’의 4개의 군집을 도출하였다. 대체적으로 군집 간 균형 있는 사이즈와 연결을 보였으며, ‘지속가능’과 ‘디지털’이 같은 군집에 포함된 것을 확인할 수 있었다. 본 연 구 결과는 대량의 빅데이터를 활용하여 지속가능성과 디지털이 패션산업의 미래를 만들어가는 방향임을 재 확인하고 주요 의제를 규명하였다는 데에 의의가 있다. 현재 소비자에 대한 이해정도에 기반하여 타깃 소비 자 경험을 정의 또는 재정의하는 패션기업의 비즈니스 전략 수립과 정부 정책을 수립하는 데에도 기초적인 자료로 활용될 수 있을 것이다. 연구 결과와 제한점을 토대로 시사점과 후속연구를 위한 제언을 제시하였다.

This study stems from the premise that sustainability and digital technology will be pivotal in shaping the future of fashion production and consumption. The purpose of this study is to identify consumer perceptions and key agendas shaping sustainability and digital practice in the fashion industry through big data analysis. For the theoretical background, it reviewed the sustainability with digital practice in fashion industry and literature related to fashion using big data. Textom, a social matrix program, was used to collect and analyze data from the collection channel of Naver and Google. ‘Sustainability+ Fashion+Digital’ was set as the keyword, and the collection period was from January 1, 2020 through November 30, 2023. As for the text analysis, frequency, TF-IDF, word cloud visualization, and N-gram analysis were performed. The words which appeared most often were ‘sustainability’, ‘digital’, ‘fashion’, ‘brand’, ‘utilization’, ‘global’, ‘company’, ‘product’, ‘technology’, ‘eco-friendly’, and ‘customer’, confirming the connection between sustainability-fashion-digital. For the network analysis, network visualization and CONCOR analysis using UcINet were performed. Four distinct groups emerged: 'core values of sustainable+digital fashion', 'direction of digital-led sustainable+digital fashion', 'method of sustainability-led sustainable+digital fashion', 'sustainable+digital fashion system'. The groups were balanced in size as well as connection and it was confirmed that ‘sustainable’ and ‘digital’ were included in the same group. The findings of this study reconfirmed that sustainability and digital are the direction for creating the future of the fashion industry and identified the agendas through utilizing a large amount of big data. The findings could be used as basic data to establish business strategies for fashion companies and government policies that define or redefine target consumer or public experiences based on the current level of understanding.

군의 음성 통신망에서 음성 통신 내용의 보안은 필수적일 것이다. 군 통신망의 음성 데이터 보안에 대해 제안된 연구는 없 으나 통신 시에 음성 데이터의 보안은 필수적으로 요구될 것이다. 본 논문은 군내 통신망에서 음성 통화 시 보안을 제공하기 위한 디지털 음성 데이터의 암호화/복호화 기법에 관한 것이다. 또한 AES를 이용한 대칭키 알고리즘을 사용함으로써 비밀 키 가 필요한 데 이 키를 음성 통화로 설정 전에 수신단으로 송신하는 기능을 가져 비밀 키 분배의 어려움을 해결하였다. 본 논 문에서는 스트림 암호화 기법 중에서도 동기 상실 시에도 동기 복원이 비교적 용이한 동기식 스트림 암호화 방식을 적용한 디지털 음성 데이터의 보안 기법을 제안한다.

Security of voice communication content in the military's voice communication network will be essential. There i s no proposed study on voice data security of military communication networks, but security of voice data will be e ssential when communicating. This paper is about to an encryption/decryption technique of digital voice data to pro vide security in case of voice calls in a military communication network. In addition, by using a symmetric key alg orithm using AES, a secret key is required, and it has the function of transmitting this key to the receiving end bef ore setting it as a voice call, solving the difficulty of distributing the secret key. This paper proposes a security tec hnique for digital voice data that applies a synchronous stream encryption method that is relatively easy to restore synchronization even in the event of loss of synchronization among stream encryption techniques.

본 연구는 교육부의 디지털교육전환 정책과 관련된 보도자료를 분석하여 정책의 변화와 시사점을 도출하고자 하였다. 2022년부터 2024년까지 발행된 104개의 보도자료를 대상으로 키워드 빈도 분석, 네트워크 분석, 그리고 CONCOR 분석을 실시하였다. 분석 결과, 'Digital'과 'AI'가 지속적으로 중요한 키워드로 나타났으며, 'Support', 'Participation', 'Education' 등의 키워드도 높은 중심성을 보였다. 정책 초점이 기본적인 디지털 리터러시에서 고 급 디지털 인재 양성으로 변하고 있음을 확인할 수 있었고, 초기에 분산되어 있던 정책들이 시간이 지나며 통합되 는 양상을 보였다. 또한 지역사회와의 연계 강화를 통해 정책 실효성을 높이려는 시도가 이루어지고 있었다. 이에 따라 디지털 인재의 핵심 역량에 대한 논의 확대, 디지털 격차 해소 방안 모색, 그리고 지역 간 인프라 격차 해소 의 필요성을 제언하였다. 본 연구는 교육부의 디지털교육전환 정책의 변화 양상을 체계적으로 분석하여 향후 정책 방향 설정에 기여할 수 있을 것이다.

This study aims to analyze press releases related to the Ministry of Education's digital education transformation policy to derive changes and implications of the policy. We conducted keyword frequency analysis, network analysis, and CONCOR analysis on 104 press releases published from 2022 to 2024. The results of the analysis showed that 'Digital' and 'AI' consistently emerged as important keywords, and keywords such as 'Support,' 'Participation,' and 'Education' also exhibited high centrality. It was observed that the focus of the policy had shifted from basic digital literacy to the cultivation of advanced digital talent, and initially dispersed policies showed a tendency to integrate over time. Additionally, efforts to enhance the effectiveness of the policy by strengthening connections with local communities were noted. Based on these findings, we suggest the expansion of discussions on the core competencies of digital talents, the exploration of measures to bridge the digital divide, and the necessity to address infrastructure disparities between regions. This study systematically analyzes the changes in the Ministry of Education's digital education transformation policy and aims to contribute to future policy direction setting.

This study aims to study non-rechargeable wrist-type smart bands for those vulnerable to the digital environment. The transition to the digital age means improving the efficiency of human life and the convenience of management. In the digital age, it can be a very convenient infrastructure for the digital generation, but otherwise, it can cause inconvenience. COVID-19 is spreading non-face-to-face culture. The reality is that the vulnerable are complaining of discomfort in non-face-to-face culture. The core of the digital environment is smartphones. Digital life is spreading around smartphones. Technology that drives the digital environment is the core technology of the Fourth Industrial Revolution. The technologies are lot, big data, Blockchain, Smart Mobility, and AI. Related technologies based on these technologies include digital ID cards, digital keys, and nfc technologies. Non-rechargeable wrist-type smart bands based on related technologies can be conceptualized. Through these technologies, blind people can easily access books and manage their ID cards conveniently and efficiently. In particular, access authentication is required wherever you go due to COVID-19, which can be used as a useful tool for the elderly who feel uncomfortable using smartphones. It can also eliminate the inconvenience of the elderly finding or losing their keys.

In East Asia, the high penetration of student cell phones, with built-in features that include bilingual dictionaries, SMS, Email, Internet access and videocams, already offers ubiquitous computing facilities for pedagogical applications. This paper describes an EFL task that required Korean freshmen of Hyejeon College in Chungnam to make L2 English video guides to their campus. Videos were made on their built-in cell phone videocams, and then emailed to their instructor. After file conversion, their videos were uploaded to the instructor’s vblog on his homepage on the English language social networking site US.Cyworld.com (a sister site to the Hangul social networking site Cyworld.com which most Korean students already use). Students were instructed by email to view the videos there, and to then post responses in his homepage guestbook. This required them to use English to set up a personal account and to navigate the social networking site, as well as to compose and post responses. The task illustrates the developing critical importance of L2 Digital Literacy within EFL pedagogy.

5G기술의 발전과 함께 실감형 콘텐츠에 대한 관심이 커지고 있다. 영화 속에서나 가능했던 홀로그램과 같은 실감형 콘텐츠가 현실에서도 구현될 것이라는 전망이 나오고 있다. 1948년 데니스 가버가 기본 이론을 발표한 이후로 오랜 기간 연구되어 온 홀로그램 분야도 디지털 기술을 접목하여 새로운 방향으로 발전을 계속하고 있다. 빛의 간섭 패턴을 기록하여 제작하는 전통적인 광학식 홀로그램으로부터 컴퓨터 형성 홀로그램 (computer generated hologram, CGH)과 디지털 홀로그램 프린터 분야로 발전하고 있다. 디지털 홀로그램 프린터를 이용해 홀로그램을 제 작하기 위해서는 우선 여러 장의 다시점 이미지를 이용하여 호겔 (holographic element, Hogel) 이미지를 생성해야 한다. 연속된 다시점의 이미지를 획득하는 방법으로는 실사를 직접 촬영하는 방법과 3D 그래픽 제작 도구를 이용하 여 오브젝트를 모델링하고 가상 카메라의 움직임을 렌더링하는 방법이 각각 사용되고 있다. 본 논문에서는 새로운 이 미지 획득 방법으로 시각효과 (visual effect, VFX) 기법 중 한 가지인 크로마키 합성 기술을 이용해 다시점 이미지 를 제작하는 방법을 제안한다. 실사를 그린 스크린 위에 배치하여 촬영하고, 3D 컴퓨터 그래픽 (comuter graphic, CG) 배경과 합성을 하는 전체 워크플로우를 제시하고, 각 단계의 역할을 설명한다. 제시된 워크플로우의 전체나 일 부를 응용하면 추후 새로운 이미지 획득 방법을 연구하는 데에 도움이 될 것으로 기대한다.

As 5G is getting developed, people are getting interested in immersive content. Some predicts that immersive content may be implemented in real life such as holograms, which were only possible in movies. Holograms, which has been studied for a long time since Dennis Gabor published the basic theory in 1948, are constantly developing in a new direction with digital technology. It is developing from a traditional optical hologram, which is produced by recording the interference pattern of light to a computer generated hologram (CGH) and a digital hologram printer. In order to produce a hologram using a digital hologram printer, holographic element (Hogel) image must first be created using multi-view images. There are a method of directly photographing an actual image and a method of modeling an object using 3D graphic production tool and rendering the motion of a virtual camera to acquire a series of multi-view images. In this paper, we propose a new method of getting image, which is one of the visual effect, VFX, producing multi-view images using chroma key composition. We shoot on the green screen of actual object, suggest the overall workflow of composition with 3D computer graphic(CG) and explain the role of each step. We expected that it will be helpful in researching a new method of image acquisition in the future if all or part of the proposed workflow to be applied.

In this paper, we proposed a mechanism that prevents indiscreet use of digital contents, verifies created content's copyrights to provide services to granted user and protects digital contents by law by authenticating the original digital content whenever an infringement of copyright occurs in UCC environments. The proposed mechanism uses specific information and features of contents as copyrights authentication information without additional information. Also, provides the fact of violation by inferring the modification of the original digital contents. That means this mechanism infers same or similar value from the contents; fraudulent use of content, modification of content color, modification of content format, modification of content resolution and illegal use of frame not principal key frame. In that point, we found that the inferred value from the content differed according to features of content modification.

In this paper, we propose a key management scheme which can provide delivery of the key used to encrypt a digital content from the package server to digital rights management (DRM) clients in a secure manner. The proposed scheme can protect digital content from attacks since an encrypted digital content is sent by a package server and only DRM clients can decrypt the encrypted digital content. It protects the key not only from purchasers but also among the other principals who manage the distribution and license servers.

In this paper, we propose a new dual optical encryption method for binary data and secret key based on 2-step phase-shifting digital holography for a cryptographic system. Schematically, the proposed optical setup contains two Mach-Zehnder type interferometers. The inner interferometer is used for encrypting the secret key with the common key, while the outer interferometer is used for encrypting the binary data with the same secret key. 2-step phase-shifting digital holograms, which result in the encrypted data, are acquired by moving the PZT mirror with phase step of 0 or ${\pi}/2$ in the reference beam path of the Mach-Zehnder type interferometer. The digital hologram with the encrypted information is a Fourier transform hologram and is recorded on CCD with 256 gray level quantized intensities. Computer experiments show the results to be encryption and decryption carried out with the proposed method. The decryption of binary secret key image and data image is performed successfully.

Technological advances made with the development of digital technology and the Internet have led to the emergence and evolution of digital convergence - the integration of media and communications. This, in turn, has led to the creation of the representative broadcast and communication convergence business model (IPTV service). This study examines the consumption patterns and behaviors of IPTV service customers and explores the process of their continuous use of the IPTV service, thereby endeavoring to contribute to the diffusion of digital convergence services. To survey customers' continuous use of the IPTV service, this study first designs a research framework based on an examination of the existing literature on satisfaction, loyalty, and so on. In addition, research is conducted on the switching barrier of the method of consolidating customers' adherence to a given IPTV service by increasing the burden on them, thereby developing a final research model with which to attempt yet another heterogeneous approach. This enables not only an analysis of the causal relationship with antecedent variables but also a measurement of the explanatory contribution of the antecedent variables' sub-variables.

The study systemically reviewed empirical studies on the assessment of digital multimodal composition (DMC) and identified key domains and criteria for the assessment of K-12 students’ DMC. Based on the concept of multimodality and universal theoretical assumptions on it (Jewitt, 2014), this study argued that assessment tools of DMC should consider both linguistic and non-linguistic modes, their unique communicative roles, relationships between modes, and social norms and conventions about signs. The multi-step analyses drew 19 distinguishable criteria from 111 criteria presented in 15 relevant studies. The findings section defined new criteria and described how they are related to the a priori domains and the existing criteria. This literature review contributes to the field by providing a comprehensive list of criteria for DMC teaching and assessment. Limitations of the study and suggestions for future studies were also discussed.

Information can be secretly coded to conceal its actual meaning through the process of encryption. In computers, encrypted data is referred to as ciphertext and unencrypted data is also called plaintext. Data encryption guards against data loss, alteration, and compromise. However, the decryption key needs to be kept private and shielded from unwanted access in order to guarantee that data is kept safe. In this study, the One-Time Key Authorization (OTKA-AED) framework is built to guarantee that message exchange is safe between owners and requesters of cloud data. Additionally, it obtains the OTKA-AED framework that obtains the encryption and decryption method for every session number based on the bilinear mapping transformation and reverse bilinear mapping transformation. In this study, to provide the public key and secret key, the OTKA-AED framework first used the one-time key generation function. This reduced the key generation time and hence, increased cloud security. Finally, permission tag-based encryption and decryption was carried out under the authorization tag, which ensured authorization by effectively reducing communication and storage overhead. The proposed One-Time Key Authorization (OTKA-AED) architecture further ensures message processing within the cloud environment by increasing the security of message communication by encrypting key attributes shared among cloud users.

본 논문에서는 2022년 노동부 지원 한국형 디지털 핵심 인재 양성 사업(K-Digital Training) 운영이 2021년 시작되어 2022년 하반기 공모를 거쳐 403개의 훈련과정을 통해 연간 훈련 인원 3.3만명을 확보하고 있다. 이에 디지털 인재양성으로 미래산업변화에 발빠르게 대응하겠다는 국가주도 인재양성 프로그램의 분야별 학습 만족도에 대한 성과 분석결과 프로그램 전반적인 만족도는 평균 4.27로 매우 높다. 그러나 취업연계에 대한 초기 기대는 4.2에서 학습 종료시점 3.91로 낮아지고 있다. 따라서 프로그램에 참여하는 기관의 취업연계를 위한 사전 준비가 되어 있어야 지속적인 프로그램의 만족도를 향상할 수 있을 것으로 기대된다.

In this paper, the operation of the Korean digital key talent training project (K-Digital Training) supported by the Ministry of Labor in 2022 began in 2021, and through public offering in the second half of 2022, 403 training courses are held to secure 33,000 annual training personnel. Accordingly, because of performance analysis on learning satisfaction in each field of the state-led talent development program to respond quickly to future industrial changes by fostering digital talent, the overall satisfaction with the program was very high at 4.27 on average. However, the initial expectation for employment linkage is decreasing from 4.2 to 3.91 at the end of learning. Therefore, it is expected that the satisfaction level of the program can be continuously improved only when the organizations participating in the program are prepared in advance for employment linkage

멀티미디어 기술과 인터넷의 급속한 발전으로 인해 영상 데이터의 복사가 더욱 쉬워지고 있다. 이러한 작품들을 보호하기 위해 데이터 안에 저작권을 표시할 수 있는 기술들이 필요해지고 지난 몇 년간 데이터에 다른 정보를 삽입할 수 있는 많은 기법들이 제안되어 왔다. 본 논문에서는 RGB 칼라 영상을 인간 시각 특성을 나타내는 I.UV 좌표계로 변화하여 인간 시각에 둔감한 U영역에 키를 이용하여 랜덤하게 워터마크를 삽입하고 추출하는 워터마킹 기법을 제안한다. 또한 웨이브릿(Wavelet) 변환을 사용하였으며 비교적 공격에 강한 고주파수 영역에 삽입하였고 추출시는 삽입한 키 값을 이용하여 워터마크를 추출한다. 제안한 워터마킹 기법은 시각적으로 보이지 않고, 가우시안 노이즈(Gaussian Noise) 및 필터링(filtering)에도 견고함을 보인다.

이 논문에서는 한국 디지털시론 형성을 위한 주요 논점 중에서 화자·언어·리듬을 우선적으로 검토했다. 2000년대 중반부터 한국문학에 출현한 디카시·댓글시·SNS시를 디지털시라는 장르로 범주화할 때에 필요한 것은 그 장르의 시적 논리였다. 기존의 디지털시 논의에서는 주로 그 출현배경과 특성이 중심으로 언급됐지만, 정작 장르 형성을 위한 디지털시론은 거의 없어 왔다. 이 글에서는 김준오의 서정시 시론을 참조하고 비교·대조하는 방식으로 디지털시에 나타난 화자·언어·리듬의 요소를 분석했다. 첫째, 디지털시의 화자는 실제 시인의 경험적 자아가 활용·변용된 화자였다. 디카시는 이상옥이 블로그 초기 형태인 <한국문학도서관>의 ‘이상옥 서재’에 자신의 일상을 시의 재료로 기록하면서 출현했고, SNS시인들 역시 그들의 경험·체험에서 시의 내용을 구성한 경우가 많았다. 둘째, 디지털시의 언어는 예술성이 약화된 일상적인 기호 중의 하나였다. 이환천은 자신의 일상어를 별다른 예술적인 가공 없이 시로 옮겨놓았고, 그를 포함한 디지털시인들은 언어·사진·이미지를 구독자와 소통하는 다양한 기호로 채택했다. 셋째, 디지털시의 리듬은 단순한 형태로 반복됐고 다른 시인들과 공유됐다. 디지털시인들의 시적 리듬은 단순하게 분행한 내재율이거나 글자수를 쉽고 명확하게 규칙적으로 배열한 외형률이었고, 한 시인이 채택한 시적 리듬을 다른 시인들이 개성에 대한 자의식 없이 공유했다. 이렇게 볼 때 2000년대 중반 이후의 디지털시에서는 소셜미디어에 자신의 글을 별다른 제약 없이 게시하는 시인들의 출현으로 인해서 기존의 비(非)디지털시에 비해서 화자·언어·리듬의 요소가 변화됐음이 확인된다.

In this paper, speakers, language, and rhythm were first reviewed among the major issues for forming Korean digital poetry theory. When categorizing digital poetry, comment poetry, and SNS poetry that have appeared in Korean literature since the mid-2000s into the genre of digital poetry, what was needed was the poetic logic of that genre. Firstiy, the speaker of the digital poem was a speaker who utilized and transformed the experiential ego of an actual poet. Deca-poetry emerged when Lee Sang-ok recorded his daily life as material for poetry in the ‘Lee Sang-ok Study’ of the Library of Korean Literature, an early form of blog, and SNS poets also often composed the content of poetry from their experiences. Secondly, the language of digital poetry was one of the everyday symbols with weakened artistry. Lee Hwan-cheon translated his everyday language into poetry without any artistic processing, and digital poets, including him, adopted language, photos, and images as various symbols to communicate with subscribers. Thirdly, the rhythm of digital poetry was repeated in a simple form and shared with other poets. The poetic rhythm of digital poets was either a simple divided internal rhythm or an external rhythm in which the number of letters was easily and clearly arranged regularly, and the poetic rhythm adopted by one poet was shared by other poets without consideration of individuality. In this regard, it is confirmed that in digital poetry since the mid-2000s, the elements of speaker, language, and rhythm have changed compared to existing non-digital poetry due to the emergence of poets who post their writing on social media without any restrictions.