Earticle

The paper tries to approach who ate a11 the singas. one of the Park. Wan-seo' s works. from the view of the ecological literary criticism and to review her ecological consciousness represented in the novel. In the novel is well described the heroine' s life of harmonizing with the beautiful nature of her native place and developing her sensibility. The nature of Park, Wan-seo' s works is not just the one as the mere background of the human being but also the place which gives energy that makes her life happy. It means that the nature. to her, is the ecological background where human being and nature is united together. The hero is suffering when she get out of the ecological environment, while she regain her happiness when she remains in the environment. The paper tries to review the negative aspect which comes from the destroyed environment and the vitality of life regained by living in the ecological enVÎronment. The writer doesn' t explain and teach that we can be human being in the nature. but she leads the readers to the ecological environment to experience the vitality of the nature. She goes a step further and shows the power of literature which enables us. modern persons, to feel the vitality of the nature. One of the ways to overcome the ecological crisis is to realize the importance of the balanced ecosystem and to pursue the life harmonized with the nature by internalizing the ecological consciousness. For this. it is important that e should form our values by developing the sensibility of the nature. From this point of view, this work of Park, Wan-seo as a alternative literary work shows one of the possibilities to solve the ecological crisis.

In this thesis, it will examine critically in existing theory history of Chui In Hoon's novel <Kwang-Jang(광장)>, and consider the relation with the 'father' prologue through this thesis. There were many attempts to clarify the <Kwang-Jang(광장)> which became an issue since it was published. However, it is true that most of the arguments lay the main stress on divided diagrams of the subject of division and the square/chamber. Moreover, applying the Lacan's theory schematically, the results of the relatively recent study also has reduced the various meaning which the novel has. Noticing this point, this manuscript get hold of the <Kwang-Jang(광장)> which the main character's ambition, willing to form the 'self characteristic', is how to encounter with the social situation and conflict in the work(novel) through 'father searching'. The 'father' who appears as a material literary work(writing1 shouldn't be understood only as a simple material dimension, but to be read as a various symbol that consists the reality because of the oncoming generation, 'father searching' is a ideology point of view to know as a 'father name'. because it is a way to check self identity. Moreover, the area of the 'the symbolic' which is established as the 'father 'name' is closely related to the part of the ideology. It shows that the meaning of the <Kwang-Jang(광장)> is both the keypoint and the aquire of the ideology critic. Moreover, through the main character who finds his father and deny him himself. It shows that the story of (Kwang-Jang(%%)) is basically related to the imagine

In this paper. we research a portrait of the character' s desire by selecting Sun-U. Hwi' s literary work. We try to drive the literary positions and limits of Sun-U. Hwi. The purpose of this research is to look around how characters betray their desire from the view point of Lacan' s desire theory through exploring in-depth the inner world of intellectuals in Sun-U. Hwi' s novel by using psychological techniques. We take a mistake in the case of quoting Lacan' s desire theory as the methodology of analysis of a novel. But We seems it possible because Lacan' s concept consist in a persuasive opinion regarding to human' s desire as well as the novel itself ref1ects the human desire. We have a limitations that research work of the psychological novel don' t facilitate because the characters' s desire in Woo-Hwi Seon' s novel is strong. We divide desire' s breakdown and disruption stage analyzing Sun-U. Hwi' s literary work by the desire theory. In chapter 2. We deeply analyze Lacan' s symbolic and the desire of split subject in desire' s breakdown and disruption stage. We also analyze Sun-U. Hwi' s work as the stage of lack desire. desire' s breakdown and disruption stage. from desire' s revelation stage of the perfection of self. That is intend to satisfaction of desire because of repression of substance. ideology. and sexuality. This Lacan' s symbolic is the place that is absent by the loss and the lack by social order. father' s name. and is completed by structure of subject' s alienation. In chapter 3, we can find another aspects of Sun-U, Hwi' s novel by establishing his novel' s literary position and limits. As well as we produce good results minutely and newly sparing the inside of characters of Sun-U, Hwi' s novel. Sun-U, Hwi' s novel fiercely dig into a problem of ideology, ethnic division, and the division of land as intellectuals. We can see the literary meanings of Sun-U, Hwi' s novel in viewpoint of searching internal unbelief and conflicts , the portrait of desire. This is Sun-U, Hwi' s novel that throw the question about human' s existing and reveal the desire of characters purely internalized in human side.

In this paper, we studied the characteristic and effect of a narrative sty1e based on a point of view of novel, and ana1yzed the theme and meaning which is 1aid in the depth of a text by the aspect that the 1an밍lage of a character and narrator is expressed. The object text of this paper is (The Death of Dentist) of 8eo, Jeong-in( 서정인). The rep1acement of a narrator which is decided by the frequent shift of a focalization causes the ambiguity of narration subject and 1eaves accepters with a unfamiliar experience. On the time position of narrator, the expressive 1anguage of narrator and the distance between a narrator and a character is adjusted because of the characteristic that a certain incident is narrated in many time space positions. It is characteristic that there is another narrator who speaks to character and (in traditional sense) narrator. We can interpret this p1ura1 narrator as the examp1e that the interactive dynamism of the traditiona1 orally narrated genre as Pansori( 판소리) is succeeded modernistically. The intervention of a annotative narrator or the feature of conversationa1 narrative by wordy chattering expression a1so arises from this. It is a1so characterisitc that whether the utterance of character is natura1 is the shift of a point of view and focalization subject. The deep textua1 meaning as the vio1ence of speech can be understood at this 1evel.