Earticle

초록

영어

In this thesis, it will examine critically in existing theory history of Chui In Hoon's novel , and consider the relation with the 'father' prologue through this thesis. There were many attempts to clarify the which became an issue since it was published. However, it is true that most of the arguments lay the main stress on divided diagrams of the subject of division and the square/chamber. Moreover, applying the Lacan's theory schematically, the results of the relatively recent study also has reduced the various meaning which the novel has.
Noticing this point, this manuscript get hold of the which the main character's ambition, willing to form the 'self characteristic', is how to encounter with the social situation and conflict in the work(novel) through 'father searching'. The 'father' who appears as a material literary work(writing1 shouldn't be understood only as a simple material dimension, but to be read as a various symbol that consists the reality because of the oncoming generation, 'father searching' is a ideology point of view to know as a 'father name'. because it is a way to check self identity. Moreover, the area of the 'the symbolic' which is established as the 'father 'name' is closely related to the part of the ideology.
It shows that the meaning of the is both the keypoint and the aquire of the ideology critic. Moreover, through the main character who finds his father and deny him himself. It shows that the story of (Kwang-Jang(%%)) is basically related to the imagine

목차

1. <광장> - 새롭게 더해지는 波紋(파문)
 2. 책, 미이라, 신내림 - 창에서 바라본 자신의 얼굴
 3. 이름으로서의 아버지
 4. 아버지와의 조우, 그 동경과 좌절의 서사
 5. 낭만주의 서사와 <광장>의 만남
 참고문헌
 ABSTRACT

키워드

저자

• 이용군 [ Lee, Yong-Gun | 숭실대 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  숭실어문 [SOONGSILOHMUN]

• 간기

  연간

• pISSN

  1598-2025

• 수록기간

  1984~2010

• 십진분류

  KDC 710 DDC 492