Earticle

화투에 나타난 1월부터 12월까지의 월별로 설정되어 있는 자연경물을 통해본 일본인의 자연관을 일본고전시가를 통해 살펴보면서, 1차적으로는 우리나라의 일반적인 자연관의 상이점을 모색하고자 하는데 주안점을 두었다. 먼저 주요 텍스트인 万葉集, 八代集을 통하여 나타난 寫實→ 譬喩→ 象徵의 順序로 내세우고 있다. 万葉集의 率直, 淡白 에서, 古今和歌集의 作者들의 이지적 창작태도와 귀족적인 취향 속에서 간접적인 비유의 형태로 표현하고 있으며 또 新古今集에서 보다 더 象徵的으로 詩想을 펼치고 있는 것이다. 화투에 나타난 四季的 意識은 万葉集, 古今集 이후의 春夏秋冬을 통한 天象과 地象의 각 계절에 알맞은 총체적 자연현상과 인간과의 결합에 있다고 볼 수 있다. 그 中에서도 일본고전시가에서 다루어지는 화투의 제 양상을 詩人에 가탁하여 그 詩想을 전개시키고자 한다. 각 景物에는 어떤 용례를 보이며 어떠한 이미지로 인식되어 가는지 또 그러한 이미지의 시간적 推移를 겪어 온 일본인의 心象의 변화를 통한 전통적 자연관을 구체적으로 제시 한다.

This r search focalizes upon analysis of the flowers in the card from in the oldest collection of poems Manyoshu, in the first anthology compiled by Imperial command, Kohnshu(913) and to the same 8th anthology, Sinkolunshu(1205). As mentioned above and judging from this thesis among the natural materials, [kachohugetsu], that stands for animal circle in Japanese Classical Poem. It can search for nature that they express delicately traditional view of this flower card can be regulated as follows. One of the remarkable characteristics of [Four-season- song] in Sandaishu, compared with those season songs in Manyoshu which Mental image distinguished human being from the natural materials respectively. In [Four-Season-song], the passage of time is especially remarkable. It cannot be separated the natural materials apart the concepts. I found that every essential part had been connected systematically. Flower Card is also applicable to animal circle in the natural materials. It is true that it's so important not only nature but also mental image. So to speak, human being makes us feel artistic value and image of human life. Especially I found that Sinkokinshu had implication and moderation in the Japanese Classical poems.

Thailand is the one country in South-East Asia that have lo g and long history. Thai people created Thai culture by generation to generation from pass to present. Thai Music and Thai Instruments is Thai culture also , Thai people created y themselves and to preserve until now. Almost of Thai people always loved music and singing. The Thai people surely knew how to make musical instruments by themselves. Formerly Thai instruments is very importance in Thai people's life. There are many kinds of Thai musical instruments. Some can be seen in contemporary musical ensembles and others in the exhibits in the National Museum. Some instruments are widely known because they are often seen in actual use. Thai musical instruments are consist of 4 instruments namely: 1. Stringed Instruments for example : Pin-nam-tao, gra-jap-pi, jakhay 2. Bowed Stringed Instruments for example : saw-sam-say, saw-uu, saw duang 3. Percussion Instruments for example : graw, ra-naat-ayk, ching, Khawng, glaw-ng 4. Wind Instruments for example: khlui. pi Previously Thai people use Thai instruments in daily life. But nowaday Thai society is very fast to change. This problem is against to Thai music and Thai instrument too.