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Pang, Chan-hyeok. “A Study of Carnivalistc Laughter in Samuel Beckett’s Plays.” Studies on English Language & Literature. 34.2(2008): 63-80. This paper illuminates the carnivalesque subversion in Samuel Beckett’s plays in terms of Mikhail Bakhtin’s view of the world including grotesque realism and carnivalistic laughter. According to Bakhtin, a carnival is temporary liberation from the prevailing truth and the established order. Bakhtin’s carnival is thus linked to the image of grotesque realism, which is characterized by degradation,
incompleteness, and ambivalent levels of death and birth. Rabelais’s world is an example par
excellence. In this regard, a carnival reveals the dualistic and ambivalent quality of life based
on degradation in grotesque realism. Likewise, Samuel Beckett’s plays reveal the existential
despair through duality of life and death, which is theatrically substantiated through those
grotesque images as mound of Happy Days and Zeno’s heap of Endgame. Though Beckett
suggests that this world is filled with grotesque images of despair and death, he also unveils
even unhappiness can be an object of laughter. On the strength of life’s dualistic and ambivalent quality, despair can be paradoxically changed to hope. (Dongguk University)

목차

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 인용문헌

키워드

저자

• 방찬영 [ Pang, Chan-hyeok | 동국대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [Studies on English Language & Literature]

• 간기

  계간

• pISSN

  1226-8682

• 수록기간

  1972~2020

• 십진분류

  KDC 840 DDC 820