The concept of Anima Mundi (or World Soul) pervading all of nature is so old that its origins are very obscure. Yeats has kept developing his own philosophy (or system) regarding this Anima Mundi for his art and belief all his life. In this article, I try to treat Yeats's theoretical statements on the Anima Mundi which can be easily found in his essay "Anima Mundi" in Per Amica Silentia Lunae (1918), one of the greatest watershed document in his theory of the Anima Mundi, the poet's ultimate expression of his belief. Like many of ancient western and eastern mysterious religions, Yeats no longer distinguishes between the great memory of Anima Mundi and the minds and memories of its occupants. Also he reaffirms the four elements as integral to the World Soul concept. He assigns elemental attributes to the images glimpsed in visions, creating a fourfold model of perception. This short but important essay constitutes the outstanding feature of Yeats's newly evolved concept, the Anima Mundi is not merely a place, a shadowy subliminal Hades. It is a congeries of souls, of discarnate intelligences whose multifarious activities range from regulating nature's cycles to potential anamnesis.
목차
I. II. III. IV. Works Cited Abstract
키워드
예이츠아니마 문디「아니마 문디」다이몬존재의 통합YeatsAnima Mundi“Anima Mundi”daimonUnity of Being
예이츠 및 관련 분야에 대한 회원들의 학문 발전을 도모하고 연구 의욕을 고취시키기 위해 다음과 같은 일을 기획하고 수행함을 그 목적으로 한다.
1) 학술 발표회 및 세미나 개최
2) 학술 정보의 수집과 자료 교환
3) 연구논문집 『한국예이츠저널』(The Yeats Journal of Korea) 발간
4) 회원 상호간의 학문적 교류와 친목 도모