The first work by which the movie director and the composer united the combination has to be the first work or the second for either, so that both may continue the collaborative activity for a long term in the movie world. Relations of Hayao Miyazaki and Joe Hisaishi right fulfill this. Hisaishi’s music aims at the expression of view of the world of a work rather than at the expression of characters’ feelings, and its feature is in the stimulation of the imagination of man who sees animation. The picture which Miyazaki creates seems to have so strong power that spectators can easily conceive an image without music and words. However, Hisaishi’s music which has rich hint power can suggest the whole image including the unconscious world and support the view of the world of a work. The music of Nausicaä cannot necessarily be called a masterpiece, but it succeeds in inventing the synergistic effect by synchronizing music with a picture. Probably, Hisaishi is an irreplaceable composer for Miyazaki.
한국일본근대학회 [The Japanese Modern Association of Korea]
설립연도
1999
분야
인문학>일본어와문학
소개
본 학회는 한국, 일본의 문학 및, 어학, 문화, 사상, 역사 등 여러 분야의 연구자 및 대학원생의 연구성과에 관한 자유로운 발표, 토론을 통해 학문발전과 학술교류를 행하고자하는 목적에서 설립되었다.
따라서 본 회는 이러한 목적을 달성하기 위해 학술연구발표회 및 연구회와 학술지 발간, 국내외 관련 학계와의 학술교류, 관련정보의 구축 및 제공 등의 사업을 실시하고 있다.
간행물
간행물명
일본근대학연구 [ILBON KUNDAEHAK YUNGU ; The Journal of Korean Association of Modern Japanology]