Earticle

초록

영어

This report considered representation of Tokyo that emerged in poetry of Kitahara Hakushu
at the end of 1900's. At first, I was able to touch thatI Kitahara Hakushu acquired the trend
of thought in the West end of the century when I learned it in translation of Ueda Bin and 'a
meeting of bread' and a method of the Impressionists, a viewpoint of exoticism. In addition, as
a characteristic of the times of the end of 1900's, a feature of the older Edo era could be
disgraced after Japan-Russia War on a day on a day and it was in the times when power
strengthened regulation other than the aspect that let you accelerate westernization in the press
and mentioned an aspect. With that in mind, I understood what I drew a morbid thing or a
thing of anti-modern times into in poetry with the latest manners and customs of Tokyo for
Kitahara Hakushu at the end of 1900's while can touch the poetry that I did on the stage of
"Dusk of a park" and Hibiya such as "Asakusa Park" and Asakusa and a park in the amusement center that said. While even many works of the same period did it on the stage of the amusement center of Tokyo or an urbane area, I was able to point out the same characteristic. Therefore it is transplant of conventional superficial West end of the century style, and it will be necessary to review evaluation not to be over the best of manners and customs poetry without depth. In other words Tokyo of the end of 1900's can be said to have shown it as space of a review in modern times by arresting you for a sick image for Kitahara Hakushu while drawing the latest manners and customs in a product abundantly.

목차

 1. はじめに
 2. 1900年代末とパンの會の靑春
 3. 日比谷─世紀末としての1900年代末
 4．淺草─近代的空間の中の反近代
 5．東京における病の表象
 6．おわりに
 <參考文獻>

키워드

저자

• 阿武正英 [ 慶熙大學校 日本語學科 助敎授 近現代日本文學 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본근대학연구 [ILBON KUNDAEHAK YUNGU ; The Journal of Korean Association of Modern Japanology]

• 간기

  계간

• pISSN

  1229-9456

• 수록기간

  2000~2019

• 십진분류

  KDC 830 DDC 895