Earticle

초록

영어

"Hashitukushi" is evaluated with a masterpiece in a number short piece having much of
Mishima with a work announced in December, 1956 by magazine "Bungeishunju".　Night of
lunar calendar August 15, geisha Koyumi and Kanako and Mina of three people and a maid
of Masako of a restaurant go out for "hashitukushi" and ascetic practice of silence to say. A
wish is to come true when I pray for seven bridges for order with "hashitukushi" here. And it
is only Mina among four people that finished wish safely after all. I assigned a focus to
representation of unusual work structure and tried to lecture while thinking about relevance
with "Hashitukushi of a trace" of Chikamatsu of epigraph by this report. And "Hashitukushi"
paid attention to announced age and tried to investigate the important meaning that I chased
author Mishima who was able to go, and Mishima aimed at one turning point. In other words
"Hashitukushi" seems to confront "Hashitukushi of a trace" of epigraph. And opposition
structure of a work highlights tasteless phases of the times. It does a metaphor of disharmony
of dualism with the inside and the outside in a writer, and express unshapely reality; may ask
it it.

목차

 一．はじめに
 二．本 論
  (一) エピグラフ「天の網島」と三島の「橋づくし」
  (二) 作品構造の表象
  (三) みなという表象
 三．終わりに
 <參考文獻>(前揭したものは除く)

키워드

저자

• 崔殷景 [ 최은경 | 東亞大學校 講師 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본근대학연구 [ILBON KUNDAEHAK YUNGU ; The Journal of Korean Association of Modern Japanology]

• 간기

  계간

• pISSN

  1229-9456

• 수록기간

  2000~2019

• 십진분류

  KDC 830 DDC 895