Earticle

현재 위치 Home

「초자연의 노래들」에 나타난 초자연적 무아경
The Supernatural Ecstasy in the “Supernatural Songs”

첫 페이지 보기
  • 발행기관
    한국예이츠학회 바로가기
  • 간행물
    한국 예이츠 저널 KCI 등재 바로가기
  • 통권
    제27권 (2007.06)바로가기
  • 페이지
    pp.31-52
  • 저자
    고준석, 정호영
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A51948

※ 기관로그인 시 무료 이용이 가능합니다.

5,800원

원문정보

초록

영어
This paper is to discuss the supernatural ecstasy in the “Supernatural Songs”. When focusing his poetry on the physical, Yeats turned his attention more and more toward the East. While seizing upon an increasingly physical and sexual emphasis, Yeats's secular spiritualism moved in an Eastern, monistic direction. As far as he was concerned, sexual spirituality was much more compatible with indian spirituality. To embody these instincts and passions, he posited a mythical character by the name of Ribh as the cental character of the “Supernatural Songs”. He tried to display a transcendental ecstasy. He associated early Christian Ireland with India. He
described the fictional character of Ribh as an early Christian hermit, who is ninety years old.
In the East, Yeats found a propensity toward unity of being that would underscore the essential unity of flesh and spirit so necessary to his thought. The “Supernatural Songs” thus brought together an Eastern amalgamation of Christianity and Asian religiosity, merging the supernatural-spiritual with the natural-physical.
Yeats espoused tantric sex, a form of Kundalini, with its emphasis on self and the sexual act as the way to spiritual energy and fulfillment. The word Kundalini means coil, which Yeats reflects in the serpent imagery.
In conclusion, Yeats found an imaginative way whereby he was able to fuse the spiritual with the physical in the “Supernatural Songs”. This secular spirituality allowed Yeats the sexual freedom he sought for. The intense moment of climax is that conflagration in which all antinomies are resolved, time stands still, and natural bonds with supernatural. His emphasis on unity of being is compatible with an Eastern worldview, which merges all into a monistic unity. Indeed, poetry itself is in Yeats's mind an imaginative alchemy, the transmutation of life into art, a fusing
of the spiritual with the material.

목차

I. 들어가면서
 II. 「초자연의 노래들」에 나타난 탄트라의 의미
 III. 초자연적 무아경
 IV. 나오면서
 인용문헌
 Abstract

키워드

예이츠 페르소나 탄트라 성교 볼리야 일린 쉬바 샥티 해탈 큰불 성적관심 W. B. Yeats persona Tantra intercourse Baile Aillinn shiva shakti Nirvana conflagration sexuality

저자

  • 고준석 [ Ko, Joon Seog | 조선대 ]
  • 정호영 [ Chung, Ho Young | 동신대 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국예이츠학회 [The Yeats Society of Korea]
  • 설립연도
    1991
  • 분야
    인문학>영어와문학
  • 소개
    예이츠 및 관련 분야에 대한 회원들의 학문 발전을 도모하고 연구 의욕을 고취시키기 위해 다음과 같은 일을 기획하고 수행함을 그 목적으로 한다. 1) 학술 발표회 및 세미나 개최 2) 학술 정보의 수집과 자료 교환 3) 연구논문집 『한국예이츠저널』(The Yeats Journal of Korea) 발간 4) 회원 상호간의 학문적 교류와 친목 도모

간행물

  • 간행물명
    한국 예이츠 저널 [The Yeats Journal of Korea]
  • 간기
    연3회
  • pISSN
    1226-4946
  • 수록기간
    1991~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 841 DDC 811

이 권호 내 다른 논문 / 한국 예이츠 저널 제27권

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장