Earticle

초록

영어

De Stijl movement, whose motto is a new design, not associating it with the past and excluding all traditional influence, exerted a great influence on the modern architecture through its geometrical form composition and the use of nonformal balance. The space in De Stijl means the particular visual tension coming from the relation between the means of formation and the scene, not the measurable and limited surface. Also colors viewed from De Stijl are the pure colors as the visual target, not the colors given by the physical spectrum. And these colors
become three principles, that is, the quadrangle of De Stijl, the three primary colors (red, blue, yellow), and asymmetry.
Van Doesburg mentions that the spatial tension by the use of color is the crucial point of De Stijl, claiming that space has to be formed by the help of color. However, architecture has been regarded as the container in which thought and culture are incorporated for a long time, and the colors have been thought to have the symbolic meaning or the gorgeous ornamental meaning. In spite of the fact that our architectural environment has been intimately related into the colors, it remains to be separated from the colors. Thus this study investigates De Stijl movement and the architecture concept concretely and analyzes the color tendency in De Stijl architecture on the
basis of reconsideration of the color theory.

목차

Abstract
 1.서론
  1.1. 연구 배경 및 목적
  1.2. 연구 범위 및 방법
 2. De Stijl운동과 건축이념
  2.1 데 스틸 운동의 개요
  2.2 데 스틸의 건축이념
 3. 색채조형이론과 작품분석
  3.1 색채 조형 이론
  3.2 데 스틸 건축의 적용사례 분석
 4. 결론
 참고문헌

키워드

저자

• 이지민 [ Lee, Ji-Min | 여주대학 인테리어디자인과 부교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국색채디자인학연구 [Journal of Korean Society of Color Design Studies]

• 간기

  연3회

• pISSN

  1975-6070

• 수록기간

  2005~2007

• 십진분류

  KDC 651 DDC 752