Earticle

초록

영어

This article examines the relationship between formal irregularity and spatial experience in Steven Holl’s architecture through Jacques Lacan’s theory of visuality, extending previous phenomenological approaches from a Lacanian perspective. While previous studies, largely informed by Merleau-Ponty’s philosophy, have interpreted Holl’s architecture in terms of bodily experience and the interplay of light, materiality, and temporality, this study focuses on the effects of Holl’s irregular architectural forms on the subject’s experience of space. Drawing on Lacan’s concept of the gaze and topological models such as the Möbius strip and the torus, it examines how architectural space destabilizes and inverts the boundaries between interior and exterior and between subject and object. Through analyses of the curved walls of the Kiasma Museum, the fissures of light in the Chapel of St. Ignatius, and the irregular tunnels of Simmons Hall, the study demonstrates that Holl’s irregularity functions not merely as a formal or aesthetic experiment, but as a spatial device that disrupts the subject’s perception and position and transforms spatial experience. Holl’s architectural irregularity can be understood as an attempt to articulate the relationship between the user’s spatial experience and the psychoanalytical concepts of lack and infinity.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구범위 및 방법
2. 스티븐 홀의 건축에 대한 현상학적 접근과 그 쟁점
3. 기하광학적 원근법을 넘어: 라캉의 응시와 위상학적 공간성
4. 스티븐 홀의 비정형 건축에 대한 위상학적 독해
4.1 헬싱키 현대미술관: 휘어진 벽과 소실점의 부재
4.2 성 이냐시오 채플: 빛과 위상학적 공간성
4.3 시몬스 홀: 비정형 터널과 언캐니한 조우
4.4 사례 종합: 비정형적 공간성의 유형과 위상학적 공간 경험의 조응
5. 결론
REFERENCES

키워드

저자

• 김태철 [ Kim, Tae-Cheol | 동아대학교 건축학과 부교수, 석사 ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  대한건축학회연합논문집 [Journal of the Regional Association of Architectural Institute of Korea]

• 간기

  격월간

• pISSN

  1229-5752

• 수록기간

  1999~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 540 DDC 690