Earticle

초록

영어

As the mobile internet and social media become deeply embedded in the tourism field, the spatial production logic of tourist destinations is undergoing a profound transformation. Through continuous content production, social media platforms have reshaped the dissemination of tourism information, profoundly influencing tourists' cognitive and emotional construction of place. Yanji, an emerging tourist city rapidly popularized by the internet in recent years, serves as a crucial case for observing the reconstruction of the sense of place within a mediatized context. Taking Yanji as a case study, this research explores how mediatized logic deeply participates in the generation and evolution of the tourism sense of place through the interactive mechanism of digital representation and embodied practice. Employing a grounded theory approach based on online texts, this study utilizes User-Generated Content (UGC) from social media platforms as analytical data. Through open, axial, and selective coding, it constructs a model of the "circulatory generation mechanism of the mediatized gaze." The findings reveal that: First, through symbolic reinforcement and algorithmic recommendation, social media continuously amplifies specific visual elements and emotional narratives of Yanji, forming a highly symbolized destination image. This achieves a pre-establishment of the sense of place before tourists even depart, shifting the locus of the gaze from geographical entities to digital media. Secondly, during the embodied practice phase, visitors validate media imagery within the physical space through ‘check-in’ activities and spatial performances. In this process, physical experiences such as overcrowding, queuing and adverse weather conditions do not diminish the sense of place; rather, they reinforce the individual’s sense of presence and experiential memory to a certain extent; Thirdly, during the interactive feedback stage, tourists incorporate their individual experiences into a social context through commenting, sharing and reposting, driving the continuous revision and reproduction of local meaning, thereby forming a dynamic process that unfolds progressively from ‘local imagery – local attachment – local identity’. Research indicates that, within the context of social media, the tourist gaze has shifted from a unidirectional visual observation to a cyclical process encompassing experience, expression and dissemination; consequently, the generation of a sense of place exhibits comprehensive characteristics of media-guided, embodied participation and interactive construction. Simultaneously, whilst the process of mediatisation enhances the visibility of a place, it also reshapes its socio-spatial structure to a certain extent. This paper contributes to a deeper understanding of the mechanisms underlying the generation of a sense of place in the digital age from a mediatisation perspective, and offers insights for the communication and spatial governance of tourist destinations.

목차

Abstract
1. 引言
2. 文献综述
2.1 地方感：从“在地经验”到“媒介建构”
2.2 媒介重塑地方感：从“拟态环境”到“凝视的循环”
2.3 从“媒介朝圣”到“意义协商”：游客行为的能动性与地方感的再生产
3. 基于网络文本的扎根理论分析
3.1 方法设计与数据采集
3.2 扎根理论编码过程与核心范畴提炼
4. 社交媒体语境下延吉地方感的生成特征与机制分析
4.1 地方意象生成：媒介化景观的“预凝视”
4.2 地方依恋生成：剧场化空间的“具身实践”
4.3 地方认同生成：社交反馈驱动的意义建构
5. 讨论与启示
5.1 结论与讨论
5.2 理论意义与贡献
5.3 现实启示与省思
5.4 研究不足与未来展望
参考文献

키워드

저자

• 邢佳琦 [ 형가기 | 延边大学 地理与海洋科学学院 ]
• 韩玲 [ 한령 | 延边大学 地理与海洋科学学院 ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  Journal of China Studies

• 간기

  계간

• pISSN

  1975-5902

• eISSN

  3022-5590

• 수록기간

  2006~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 912 DDC 951