Earticle

초록

영어

The “long sleeve” motif in musical and dance imagery on Han dynasty pictorial stones is a highly stylized visual pattern. Its widespread presence across regions and contexts points to deep cultural meanings. Taking the “long sleeve” motif as its focus, this study integrates literature review and image analysis to construct an analytical framework of “image → function → iconographic origin.” It begins with a “form-establishing” (lixiang) analysis of the “long sleeve” imagery in Han pictorial stones, examining the morphological genealogy of the motif, its codified movements, and compositional principles. On this basis, the study proceeds from “instrument to Dao,” exploring the “long sleeve” as a bodily technique, a form of ritual space, and a medium for communicating with the spiritual realm. Finally, through tracing the origins of meaning, it discusses the concept of “ritual protocol” as generated through three layers of imagery associated with the long sleeve motif. The study shows that the “long sleeve” motif functions as a visual-cultural symbol that condenses the core spiritual concepts of the Han dynasty. Its mechanism of core image formation reveals the fundamental logic of Han art, in which embodied ritual practices mediate between Heaven and humanity and reconcile life and death within a framework of “ritual protocol.” This research provides a micro-level interpretive case for understanding the aesthetic spirit of the Han era—marked by vitality within simplicity and lightness within solidity.

중국어

汉代画像石乐舞图像中的“长袖”，是一个高度程式化的艺术图形视觉母题，其超越地域与场景的普遍存在，指向深层的文化意涵。本研究以“长袖”母题为对象，综合运用文献法与图像分析法，构建了“图像→功能→意象溯源”的研究框架。首先对汉代画像石中乐舞“长袖”图形的“立象”分析，考察长袖母题的形态谱系、动作程式与构图法则；然后，在“立象”图形分析基础上，“由器入道”探讨“长袖”作为身体技术、仪式空间与通神功能；最终，通过探意寻源，讨论长袖母题由三重意象生成的“仪轨”观念。研究表明，“长袖”母题是凝结汉代精神核心观念的视觉-文化符号，其核心意象生成机制揭示了汉代艺术通过身体化仪式实践沟通天人、调和生死等“仪轨”观念的根本逻辑。本研究为理解汉代“朴拙中的灵动”、“厚重中的飘逸”的时代美学精神提供了“以微见著”的阐释个案。

목차

<논문요약>
Ⅰ. 序論
Ⅱ. 立象：长袖母题的形态谱系、动作程式与构图法则
Ⅲ. 由器入道：身体技术、仪式空间与通神功能
Ⅳ. 探意寻源：三重意象机制生成的“仪轨”观念
Ⅴ. 結論
<참고문헌>
<论文摘要>
ABSTRACT

키워드

China Han Dynasty pictorial stones musical and dance imagery long sleeves imagery concepts 中国 汉代画像石 乐舞图像 长袖 意象 观念

저자

• 孟文果 [ 멍원궈 | 中国浙江师范大学舞蹈专业讲师 ] 主作者
• 梁紫祥 [ 양자상 | 中国商丘师范学院 美术学 讲师 ] 第二作者
• 梁永峰 [ 양영봉 | 中国浙江师范大学 设计艺术与文化学 教授 ] 交信作者

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