현재 위치
Home
무소성(無燒成) 도자를 통한 현대 도예의 표현 사례 연구
A Study on the Characteristics of Contemporary Ceramic Art through the Cases of Unfired Ceramic
원문정보
초록
- 한국어
- Even if the purpose of clay-based creative activities is the realization of functionality or expression, the completion of formal expression in ceramic art is mostly finalized through the firing (燒成) process. By examining the fired results, one can infer the forming and shaping processes or distinguish between creative techniques such as glaze, engobe, stain, and unglazed firing used in the artistic process. In ceramic art, firing can be considered the final and essential stage for achieving solid materialization and serving as a key expressive process. As contemporary ceramic art evolves in a creative environment where the boundaries between material and immaterial elements are increasingly ambiguous, relying solely on sintered and hardened materials is no longer the sole approach. Recently, changes have also emerged in the ownership system of artworks through the application of blockchain technology. This paper examines the emergence of unfired ceramics, which became a solidified trend beyond the experimental phase of the 1970s and gained prominence after the 1980s due to the trend of dematerialization. Through case studies, the impacts on expression were classified into three perspectives. First, unfired ceramics as a visual mechanism for recording changes in energy and the passage of time. Second, the reflection of religious philosophy, including Buddhism and Taoism, through the expression of absence and emptiness. Third, the omission of the firing process, which hardens and materializes clay, as an approach to regeneration and environmental considerations. By categorizing cases of unfired ceramics in contemporary ceramic works from both East and West, this study analyzes the creative process and outcomes of unfired ceramics. Furthermore, it explores the transformation of ownership, the expansion of ceramic expression, and future possibilities as the creative environment continues to evolve.
저자
간행물 정보
발행기관
-
- 발행기관명
- 한국도자학회 [Korea Society Of Ceramic Art]
- 설립연도
- 1990
- 분야
- 예술체육>기타예술체육
- 소개
- 본 학회는 급속하게 변화 하고있는 지식 정보화 시대를 맞아 전국의 대학교수와 산업체및 작가를 회원으로 하여 1990년6월9일 창립 하였다. 본 학회는 실용학문과 실험정신을 바탕으로 연구자들의 연구 결과가 한국의 도자문화 확립과 산학협력을 추진하여 국가발전에 기여하고 세계적 수준의 단체가 될수 있도록 노력한다.
간행물
-
- 간행물명
- 한국도자학연구 [The Jouranl of the Korean Society of Ceramic Art]
- 간기
- 연3회
- pISSN
- 1738-8473
- 수록기간
- 2005~2026
- 등재여부
- KCI 등재
- 십진분류
- KDC 631 DDC 738
이 권호 내 다른 논문 / 한국도자학연구 Vol.22 No.1
피인용수 : 0건 (자료제공 : 네이버학술정보)
함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.
출처 : 네이버학술정보
0개의 논문이 장바구니에 담겼습니다.