현재 위치
Home
현대 도자 킨츠기 담론 속 옻칠의 혼합매체·매개 매체로서의 가능성 탐색
Exploring the Potential of Urushi as a Mixed and Mediating Medium in Contemporary Ceramic Kintsugi Discourse
원문정보
초록
- 한국어
- In contemporary ceramics, experimental forms achieved through the fusion and hybridization of diverse materials have emerged as a central discourse. In this context, urushi (lacquer), traditionally used in the Kintsugi (金継ぎ) technique for ceramic repair, requires reevaluation not merely as an adhesive but as a medium that possesses both formative and mediating potential. However, contemporary discourse on Kintsugi has often been centered around the symbolic concepts of "healing and restoration," while in practice, the emphasis tends to fall more heavily on the visual consumption of gold ornamentation. This trend, irrespective of the temporal and aesthetic value of modern ceramic Kintsugi, obscures the material properties and artistic potential of urushi, fixing interpretation narrowly around its visual symbolism. This study analyzes the affective consumption structure of contemporary Kintsugi discourse and explores the potential of urushi both as an independent formative medium and as a mediator connecting heterogeneous materials. The gloss, depth, and physical qualities of urushi are examined to identify its aesthetic possibilities and capacity to bond disparate substances. This approach establishes a foundation for repositioning urushi not as a subsidiary tool for restoration, but as a central medium for creative expression in contemporary ceramic practice. Additionally, the study introduces imaginative, speculative applications through virtual hybrid media images and sculptural prototypes, suggesting potential pathways for urushi to expand as an artistic medium. This strategy, which bridges traditional craftsmanship with contemporary sensibilities, indicates that urushi can acquire new meanings within the formal language of modern ceramics when approached as both a hybrid and mediating medium. Ultimately, this research aims to redefine the role of urushi as a material encompassing tradition and modernity, functionality and form, restoration and creation—thereby contributing to a broader understanding of its aesthetic value and inter-material connectivity within the scope of contemporary artistic practice.
저자
간행물 정보
발행기관
-
- 발행기관명
- 한국도자학회 [Korea Society Of Ceramic Art]
- 설립연도
- 1990
- 분야
- 예술체육>기타예술체육
- 소개
- 본 학회는 급속하게 변화 하고있는 지식 정보화 시대를 맞아 전국의 대학교수와 산업체및 작가를 회원으로 하여 1990년6월9일 창립 하였다. 본 학회는 실용학문과 실험정신을 바탕으로 연구자들의 연구 결과가 한국의 도자문화 확립과 산학협력을 추진하여 국가발전에 기여하고 세계적 수준의 단체가 될수 있도록 노력한다.
간행물
-
- 간행물명
- 한국도자학연구 [The Jouranl of the Korean Society of Ceramic Art]
- 간기
- 연3회
- pISSN
- 1738-8473
- 수록기간
- 2005~2026
- 등재여부
- KCI 등재
- 십진분류
- KDC 631 DDC 738
이 권호 내 다른 논문 / 한국도자학연구 Vol.22 No.1
피인용수 : 0건 (자료제공 : 네이버학술정보)
함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.
출처 : 네이버학술정보
0개의 논문이 장바구니에 담겼습니다.