The mid-Qing Dynasty represents the pinnacle of ceramic development in Chinese history, and the evolution of blue-and-white porcelain in the mid-to-late Qing period provides significant research material for studying Qing culture. Additionally, since the 18th century, blue-and-white porcelain in the Joseon Dynasty has continued as a part of traditional culture. By comparing the phoenix pattern (鳳凰纹) decorations found in the blue-and-white porcelain of both countries after the 18th century, this study aims to explore the socio-cultural implications and changes in the formal characteristics of phoenix pattern decorations in both nations. The phoenix patterns in the mid-to-late Qing and Joseon blue-and-white porcelain influenced the development of ceramic patterns through the expansion of pattern books (hwabon), and the Joseon blue-and-white porcelain phoenix patterns, influenced by the Qing, exhibited distinctive Joseon characteristics in their forms. Furthermore, changes in the phoenix patterns, such as simplification in response to the rise and fall of eras, can be observed. Through this, it is understood that phoenix pattern decorations, as ceramic patterns that experienced processes of prosperity and decline in political, social, and production contexts, embody the humanistic spirit of traditional culture. As a legacy that carries the spirit of modern traditional culture, it is hoped that the preservation and study of its cultural significance will expand the shared realm of Korean and Chinese culture.
본 학회는 급속하게 변화 하고있는 지식 정보화 시대를 맞아 전국의 대학교수와 산업체및 작가를 회원으로 하여 1990년6월9일 창립 하였다.
본 학회는 실용학문과 실험정신을 바탕으로 연구자들의 연구 결과가 한국의 도자문화 확립과 산학협력을 추진하여 국가발전에 기여하고 세계적 수준의 단체가 될수 있도록 노력한다.
간행물
간행물명
한국도자학연구 [The Jouranl of the Korean Society of Ceramic Art]