Earticle

초록

한국어

Today, under the influence of global multiculturalism, China's contemporary ceramic art has moved away from traditional techniques, reflecting contemporary ideas and culture, and shaping the artistic meaning of the Chinese national spirit. Nevertheless, it still needs to strengthen its identity at the international level. The I Ching (周易) is the source of Chinese culture and thought, and it is also the oldest symbol system in China. Its ideas are also deeply rooted in the aesthetic aspects of Chinese ceramic art, forming a complementary relationship. As such, there is a close relationship between Chinese I Ching thought, ceramic art, and symbols. As a methodology of applied research, semiotics is suitable for applied research that combines I Ching thought and ceramic art. Therefore, this study aims to integrate these three fields to establish the symbols of I Ching thought utilized in ceramic artworks, and to provide a new creative direction for contemporary ceramic art. Focusing on the case analysis of ceramic art, this study firstly analyzes the relationship between the Chinese I Ching and ceramic art, and combines with semiotics to define the terminology of the I Ching symbol. Second, it explored the expression of the symbols of the I Ching in ceramic art. Third, it examined the creative thinking of the I Ching symbol and expanded the characteristics of ethnic philosophy by connecting contemporary Chinese art with international ceramics.

저자

• 강언박
• 박중원

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  한국도자학연구 [The Jouranl of the Korean Society of Ceramic Art]

• 간기

  연3회

• pISSN

  1738-8473

• 수록기간

  2005~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 631 DDC 738