산문시 「지침(指針) 없는 시각(時刻)」의 발굴과 개작 양상 연구—김구용의 인식 세계를 중심으로
A Study of the Rediscovered Prose Poem Jichim Eomneun Sigak (指針 없는 時刻) and Its Revision Patterns?Focusing on Kim Guyong’s World of Perception
This study rediscovered and introduced Kim Guyong’s prose poem Jichim Eomneun Sigak (指針 없는 時刻)(published in Saegajeong in 1954), which previous scholarship has not addressed, and examined the reasons for its exclusion from later poetry collections in relation to the poet’s critical writings. Jichim Eomneun Sigak is not merely an unpublished or omitted text but a symptomatic work in which the orientations and points of negation later articulated in Kim’s poetics appear in an early form. Structured around an event-centered narrative, the work can also be understood as an initial formal experiment leading to the development of a midlength prose poem, thereby offering valuable insight into a transitional shift in poetic perception. To clarify its relationship with Jichim Eomneun Sigye (指針 없는 時計), included in the collection Poetry , this study examines revision patterns evident in works such as Johon (吊魂)—In Mourning for Ten Brave Souls , Jeonggyeong (情景), and 4·19 Song . The analysis identifies changes such as the simplification of titles, the deletion of ornamental phrases and direct statements, and the compression of content, which weaken authorial purpose and expand ambiguity. These revisionary tendencies are interpreted as early indicators of the subsequent direction of poetry, from the 1960s onwards, toward untitled poems, and the heightened difficulty produced by conflicts between layers of consciousness in serial long poems such as Gugok (九曲) and Song Baekpal (頌百八). In particular, Jichim Eomneun Sigye , regarded as a compressed revision of Jichim Eomneun Sigak , may be considered a precursor to the aphoristic poetic world fully realized in Gugeo (九居) during the 1980s. By reconstructing the rediscovery and revision context of Jichim Eomneun Sigak , this study demonstrates that Kim Guyong’s poetic world was formed not through rupture but through continuous gradual experimentation and selfreflection, thereby contributing to the recovery of a transitional phase overlooked by existing research.
한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국
문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문
예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다.
전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강
사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의
목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참
여하고 있습니다.
연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나
와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을
넓히고 있습니다.
한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수
시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다.
별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도
교사 자격 시험'도 운영하고 있습니다.
The Society of Korean Literary Creative Writing is a pure academic
association for the literary cretive writing, and was organized on November
11, 2001 for the purpose of presenting the new direction of literary creative
writing by studying all the methods to activate and develop the theories of
literary creative writing and its education.
Our society is composed of professors or ex-professors, some invited
professor, lecturers, graduate students of the dept. of literary creative writing
as regular members, and the persons interested in our program as associative
members.
Our society holds an annual academic meeting-- literary symposium,
literary creative writing seminar-- and publishes the journal of our society
and our members' anthology of literary works.
Added to these, our society has already started a new project to open the
way for our literary juniors by providing them with a certificate as a leader
and holding a forum for literary creative writing.
간행물
간행물명
한국문예창작 [The Journal of Korean Literary Creative Writng]