Earticle

초록

영어

As a principal vehicle of cultural memory, traditional music plays a significant role in shaping national identity. This study employs a comparative cultural analysis method, examining representative musical practices, ritual contexts, and transmission systems in China and Korea. Primary sources, performance materials, and policy documents are comparatively analyzed to identify how ritual–music traditions, narrative–affective structures, and institutional frameworks contribute to identity formation. The results show that China constructs national identity through a model of horizontal diffusion, translating the li–yue (ritual–music) paradigm into public cultural symbols via intangible heritage policy, stage production, and general education. In contrast, Korea sustains identity through vertical deep continuity, preserving the unity of ritual–music–dance in living ceremonies such as Jongmyo jerye and reinforcing communal affect through pansori and nongak. The study demonstrates that traditional music continues to function as an active cultural resource in contemporary society, offering effective pathways for strengthening national cohesion and rearticulating cultural identity under globalization.

목차

Abstract
1. INTRODUCTION
2. CHINA: Cases & Analysis
2.1 National Identity in Confucian Thought
2.2 The Modern Transmission of Traditional Chinese Music
3. KOREA: Cases & Analysis
3.1 The Core Characteristics
3.2 The Modern Transmission of Korean Traditional Music
4. RESULTS
5. CONCLUSION
REFERENCES

키워드

저자

• Xiao Yang [ Ph. D. Student, Dept. of Global Convergence, Kangwon National Univ., Korea ]
• Qingfeng Zhang [ Professor, Dept. of Global Convergence,Kangwon National Univ., Korea ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  International Journal of Advanced Culture Technology(IJACT)

• 간기

  계간

• pISSN

  2288-7202

• eISSN

  2288-7318

• 수록기간

  2013~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 600 DDC 700