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A Study on the Dao–Qi Integration of Chinese Calligraphy from the Perspective of Traditional Chinese Philosophy : The Non-Duality of Ti and Yong
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- 발행기관
- 국제문화기술진흥원 바로가기
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- 간행물
- International Journal of Advanced Culture Technology(IJACT) KCI 등재 바로가기
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- 통권
- Volume 13 Number 4 (2025.12)바로가기
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- 페이지
- pp.187-197
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- 저자
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- 언어
- 영어(ENG)
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- URL
- https://www.earticle.net/Article/A481110
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
원문정보
초록
- 영어
- This study takes the traditional Chinese philosophical concept of “Unity of Ti and Yong (Embodiment and Function)” as its theoretical framework to explore the intrinsic unity and dialectical relationship between Dao and Qi in Chinese calligraphy. Through a combined approach of literature analysis and historical interpretation, it systematically traces the evolution of Ti–Yong thought from the Pre-Qin and Wei-Jin periods to Song-Ming Neo-Confucianism, revealing the philosophical basis for the transformation of calligraphy from practical writing to aesthetic expression. The paper constructs a progressive model of “Ti–Yong–Dao–Qi” and interprets the generative logic of calligraphic art from dual perspectives: “characters as Ti, rules as Yong,” and “Dao as Ti, beauty as Yong.” It argues that the experiential Qi of handwriting and the transcendental Dao of calligraphic aesthetics are mutually generative and harmoniously integrated. By examining contemporary phenomena such as the “Ugly Calligraphy (Chou Shu)” trend and current creative practices, this research highlights the practical significance of the Ti-Yong unity paradigm for innovation in modern calligraphy, art education, and the cultivation of cultural confidence. Ultimately, it underscores the integration of theory and practice as the path toward unifying writing quality and artistic expressiveness, reaffirming calligraphy’s role as a vital embodiment of Chinese aesthetic and cultural spirit.
목차
Abstract
1. Introduction
1.1 Research Background
1.2 Methodology
2. The “Embodiment” (Ti) and “Function” (Yong) in Chinese Calligraphy
3. The Non-Duality of Ti and Yong in Chinese Calligraphy
4. Integration of Ti and Yong in Contemporary Calligraphic Practice
5. Conclusion
References
키워드
Essence–function(Ti–Yong) Dao–Qi relation(Dao–Qi) Chinese Calligraphy Writing Expression Contemporary Calligraphic Aesthetics.저자
간행물 정보
발행기관
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- 발행기관명
- 국제문화기술진흥원 [The International Promotion Agency of Culture Technology]
- 설립연도
- 2009
- 분야
- 공학>공학일반
- 소개
- 본 진흥원은 문화기술(Culture Technology) 관련 산·학·연·관으로 구성된 비영리 단체이다. 문화기술(CT)은 정보통신기술(ICT), 문화적 사고 기반의 예술, 인문학, 디자인, 사회과학기술이 접목된 신융합기술(New Convergence Technology, NCT)로 정의한다. 인간의 삶의 질을 향상시키고, 진보된 방향으로 변화시키고, 문화기술 관련 분야의 학술 및 기술의 발전과 진흥에 공헌하기 위하여, 제3조의 필요한 사업을 행함을 그 목적으로 한다.
간행물
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- 간행물명
- International Journal of Advanced Culture Technology(IJACT)
- 간기
- 계간
- pISSN
- 2288-7202
- eISSN
- 2288-7318
- 수록기간
- 2013~2025
- 등재여부
- KCI 등재
- 십진분류
- KDC 600 DDC 700
이 권호 내 다른 논문 / International Journal of Advanced Culture Technology(IJACT) Volume 13 Number 4
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