This study conducted an art-based research project in which the researcher personally collaborated with AI to produce music tracks, aiming to explore the impact of collaboration with a creator-centric AI music system on the creative process, the creator’s identity, and the final musical output. For an in-depth analysis of the research process, the autoethnography methodology was applied to meticulously record and analyze the internal experiences and decision-making processes encountered during creation. The findings revealed that the collaborative relationship between human and AI is not fixed but dynamically shifts among the roles of an ‘efficient tool,’ an ‘unfamiliar provider of inspiration (colleague),’ and an ‘active creative partner,’ depending on the context. Notably, the unpredictability of AI acted as a ‘creative catalyst,’ breaking human creative inertia. In this process, the locus of creative agency expanded from the ‘individual I’ to the ‘networked we,’ encompassing both the creator and the AI. Consequently, the creator’s role was reconfigured from that of a ‘creator’ who makes something from nothing to a ‘curator’ or ‘mediator’ who selects from the infinite possibilities generated by AI and weaves them into a meaningful whole by providing context. The final product, the album, exhibited a unique aesthetic characteristic under the concept of ‘Mechanical Sensibility,’ where predictable structures under human control coexist with unpredictable details unique to the AI. This suggests that new artistic possibilities can be generated when AI’s capabilities, despite their technical limitations, are combined with human aesthetic judgment. In conclusion, AI can be a radical partner that alleviates the burdens of creation and expands creative horizons, rather than a being that replaces human creators. In the age of AI, the core competency of human creators will lie more in the ‘ability to give context and create a narrative’ than in technical proficiency. This study is significant in that it presents a practical case for exploring such future creative methodologies.
목차
Abstract 1. INTRODUCTION 2. RESEARCH METHODS 3. RESEARCH RESULTS 3.1. Interaction Analysis: Tool, Colleague, and Creative Partner 3.2. Analysis of Creative Agency: An Expansion from ‘I’ to ‘We’ 3.3 Artistic Product Analysis: New Sounds and Aesthetic Possibilities 4. DISCUSSION 5. CONCLUSION REFERENCES
키워드
Generative AIHuman-AI CollaborationCreative AgencyAutoethnographyArt-based Research
국제문화기술진흥원 [The International Promotion Agency of Culture Technology]
설립연도
2009
분야
공학>공학일반
소개
본 진흥원은 문화기술(Culture Technology) 관련 산·학·연·관으로 구성된 비영리 단체이다. 문화기술(CT)은 정보통신기술(ICT), 문화적 사고 기반의 예술, 인문학, 디자인, 사회과학기술이 접목된 신융합기술(New Convergence Technology, NCT)로 정의한다. 인간의 삶의 질을 향상시키고, 진보된 방향으로 변화시키고, 문화기술 관련 분야의 학술 및 기술의 발전과 진흥에 공헌하기 위하여, 제3조의 필요한 사업을 행함을 그 목적으로 한다.
간행물
간행물명
International Journal of Advanced Culture Technology(IJACT)
간기
계간
pISSN
2288-7202
eISSN
2288-7318
수록기간
2013~2025
등재여부
KCI 등재
십진분류
KDC 600DDC 700
이 권호 내 다른 논문 / International Journal of Advanced Culture Technology(IJACT) Volume 13 Number 4