Earticle

초록

영어

Isao Takahata(1935–2018) was a the postwar ruins generation who spent his childhood during the war period and survived the chaotic period after the defeat. He survived an air raid in Okayama when he was nine years old, but this experience is projected on Grave of the Fireflies an animated novel of the same name by Akira Nosaka(1930-2015). After the historic turning point of defeat, Japan reconstructed and developed in a wave of change, and Isao Takahata and Akiyuki Nosaka, who survived these times, skillfully fictionalized their own experiences in the world of novels and anime, respectively, and created them as works. It is noteworthy that Isao Takahata’s film was released in 1988, and there is a gap of about 20 years since 1967 when Nosaka’s novel was first published. 1988 marked the end of the Showa period(1926-1989). This study revealed the background of the novel, which was weathered, what was the intention of reviving it as an animation in the 1980s.　It is a work that, while representing the tragedy of war, simultaneously illuminates the contradictions inherent in our current era.

목차

1. はじめに
2. 1980年代とジブリアニメ
2.1 虚構の時代像
2.2 スタジオジブリの教育的側面
3. 戦争表象の倫理
3.1 敗戦のナラティブ化
3.2 喪失をめぐる想像力
4. おわりに
【参考文献】

키워드

저자

• 南徽貞 [ 남휘정 | 誠信女子大学 人文科学研究所 研究教授, 日本戦後文学･文化 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495