Earticle

초록

영어

This study examines the historical background and development of the concept of Social Design, focusing on the Arts and Crafts Movement and the Avant-garde Movement. Social Design refers to design practices aimed at recognizing and solving social issues, closely linked to the contradictions that emerged after the Industrial Revolution. The first focus, the Arts and Crafts Movement, led by William Morris, resisted mechanical production and labor alienation, emphasizing the artistic value of labor and aesthetics of everyday life. Subsequently, the Avant-garde Movement expanded the social role of design by subverting traditional art concepts and actively criticizing social realities. Beyond historical analysis, this study provides a new perspective on the contemporary significance of Social Design by demonstrating its enduring capacity to address modern challenges—such as environmental crises, human rights issues, and social inequality—through responsible and transformative design practices. This research reveals that these two movements laid the theoretical foundation for contemporary Social Design and underscores the growing importance of design as a socially responsible and innovative force.

목차

Abstract
1. INTRODUCTION
1.1 Background And Purpose
1.2 Research Method and Structure
2. HISTORICAL REVIEW OF THE SOCIAL DESIGN CONCEPT
2.1 Modern Philosophy and Society
2.2 Social Ideals of Modern Design
3. NEW ARTISTIC PERSPECTIVES AND SOCIAL PRACTICE
3.1 Ideals and Expansion of the Arts and Crafts Movemant
3.2 The Avant-garde Movement and Social Practice in Design
4. CONCLUSION: FORMATION AND CONTEMPORARY SIGNIFICANCE OF SOCIAL DESIGN
REFERENCES

키워드

저자

• Jinwon Song [ Adjunct Professor, Soongeui Women’s University, Seoul Korea ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  International Journal of Advanced Culture Technology(IJACT)

• 간기

  계간

• pISSN

  2288-7202

• eISSN

  2288-7318

• 수록기간

  2013~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 600 DDC 700