Purpose: Previous studies on the management and improvement of public art have lacked specific proposals on how to approach color management in public art, indicating an essential gap in understanding this aspect. Moreover, advancing public art requires interdisciplinary research integrating color science. Therefore, this study aims to propose strategies for improving the color management process in public art, focusing on the color management of sculptures as public artworks. Methods: I would like to investigate the Seoul Metropolitan Government's public art installation and management process and establish a sculpture color management process by identifying the current status and problems of color management at each stage. Results: Findings of the study are as follows: The existing Seoul public art color management process lacks the color recording process and the objective color measurement stage of the work. In addition, there is a limit to reproducing the original color because the paint and restoration materials used in the work are not recorded. The improvements are as follows. In the color planning stage, a paint record for the production of the work and a material record for the preservation of the work were proposed. In the color evaluation stage, the color evaluation and the suitability evaluation criteria of the paint were presented. During the production and installation stage, it was possible to accurately compare the color of the original work with the color of the damaged work. In the maintenance and management stage, a color restoration plan can be established based on the measurement results of color change. Implications: Color restoration can be performed based on a scale that can be compared with the original color. Therefore, artists, art work deliberation committees, managers, and restoration experts need to understand sculpture color management at the entire stage of the sculpture color management process as public art, and color experts need to deliberate on art works that can evaluate the color of the work. In addition, each stage and format should be utilized in connection with each other.
목차
Abstract 1. INTRODUCTION 1.1 Background and Purpose of Study 1.2 Range of Research 2. Characteristics and Cases of Color Management 3. Problems of Public Art Color Management Process in Seoul 4. Process and Format Proposal for Color Management Improvement 4.1. Color Planning Stage Format Development 4.2 Color Evaluation Stage Form Development 4.3 Manufacturing and Installation Stage Form Development 4.4 Maintenance and Management Stage Form Development 5. Conclusion and Proposal REFERENCES
키워드
FashionArtworkArtFashion and Art CollaborationColor Abstraction
저자
JEON SUR [ PhD Candidate, Dept. of Design & Craft, Hongik University ]
Corresponding Author
국제문화기술진흥원 [The International Promotion Agency of Culture Technology]
설립연도
2009
분야
공학>공학일반
소개
본 진흥원은 문화기술(Culture Technology) 관련 산·학·연·관으로 구성된 비영리 단체이다. 문화기술(CT)은 정보통신기술(ICT), 문화적 사고 기반의 예술, 인문학, 디자인, 사회과학기술이 접목된 신융합기술(New Convergence Technology, NCT)로 정의한다. 인간의 삶의 질을 향상시키고, 진보된 방향으로 변화시키고, 문화기술 관련 분야의 학술 및 기술의 발전과 진흥에 공헌하기 위하여, 제3조의 필요한 사업을 행함을 그 목적으로 한다.
간행물
간행물명
International Journal of Advanced Culture Technology(IJACT)
간기
계간
pISSN
2288-7202
eISSN
2288-7318
수록기간
2013~2025
등재여부
KCI 등재
십진분류
KDC 600DDC 700
이 권호 내 다른 논문 / International Journal of Advanced Culture Technology(IJACT) Volume 12 Number 4